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The destiny I put down in my novel has become mine. I am now under
arrest like the hero I created years ago. I await the decision that
will determine my future, just as he awaited his. I am unaware of
my destiny, which has perhaps already been decided, just as he was
unaware of his. I suffer the pathetic torment of profound
helplessness, just as he did. Like a cursed oracle, I foresaw my
future years ago not knowing that it was my own. Confined in a cell
four metres long, imprisoned on absurd, Kafkaesque charges,
novelist Ahmet Altan is one of many writers persecuted by Recep
Tayyip Erdogan's oppressive regime. In this extraordinary memoir,
written from his prison cell, Altan reflects upon his sentence, on
a life whittled down to a courtyard covered by bars, and on the
hope and solace a writer's mind can provide, even in the darkest
places.
"A deeply compelling and immersive narrative about love, desire,
loneliness and landscape."-Elif Shafak (on book 1 of the series)
"Altan uses a Tolstoyan combination of the epic and the intimate to
explore questions of national identity and historical
narrative."-The Observer "Altan's descriptions of a stifling
atmosphere of authoritarian repression in Istanbul in the early
1900s conjure up constant comparisons with today's Turkey."-The TLS
The third book in the Ottoman Quartet, set in the years leading up
to WWI, is steeped in the tumultuous events and the political
struggle that shaped 20th century Turkey, from the war against the
Bulgarian army and the coup that resulted in the nation's one-party
rule. Against this background, a tormented, obsessive love affair
unfolds between Nizam, the son of Hikmet Bey, and Russian pianist
Anya. This tapestry of love and war allows Altan to analyse the
structure of male power and its degeneration into violence against
women, uncompromising nationalism, and pervasive censorship. Atan
confirms himself as a caustic, courageous writer, never afraid to
denounce an arrogant and undemocratic power, allowing the reader to
read between the lines the situation of contemporary Turkey.
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Endgame (Paperback, Main)
Ahmet Altan; Translated by Alexander Amadeus Dawe
1
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R273
R221
Discovery Miles 2 210
Save R52 (19%)
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Ships in 12 - 17 working days
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A man retires to a sun-baked Turkish town for a quiet life. What he
finds is a world of suspicion, paranoia and violence. In a
community of shady local officials, corrupt businessmen and a
crooked police force, our narrator's life spins into chaos and
criminality. The town makes a murderer of him. The question is, who
did he kill?
The second instalment in the Ottoman Quartet-the masterful saga of
Turkish history by Ahmet Altan-follows the vast and vivid cast of
characters introduced in the first volume of the series, Like A
Sword Wound. By weaving together tortured love affairs, political
intrigue, power struggles, and social upheavals, the novel offers a
powerful and vivid tableau of the crisis of the Ottoman Empire in
the early 20th century. The second instalment opens with the
attempted suicide of Hikmet Bey, the son of the sultan's personal
physician. The reason for his extreme gesture is, to forget the
extremely beautiful and proud Mehpare Hanim, his wife and the cause
of all his suffering. While Hikmet recovers in a hospital in
Thessaloniki, slowly regaining his strength and will to live,
radical changes are afoot in the Ottoman capital. The power of the
sultan is eroding, a rebellion is brewing, and violence erupts on
the streets of Istanbul. It is the eve of one of the key events
that will lead to the collapse of the Empire: the countercoup of
1909. With striking clarity and imaginative power, Altan evokes the
traumas and upheavals of Ottoman history, showing how-over a
hundred years later-the events and wounds of that time still
resonate in the tensions and contradictions of today's Turkey.
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