The machine as a social movement of today's "precariat"-those whose labor and lives are precarious. In this "concise philosophy of the machine," Gerald Raunig provides a historical and critical backdrop to a concept proposed forty years ago by the French philosophers Felix Guattari and Gilles Deleuze: the machine, not as a technical device and apparatus, but as a social composition and concatenation. This conception of the machine as an arrangement of technical, bodily, intellectual, and social components subverts the opposition between man and machine, organism and mechanism, individual and community. Drawing from an unusual range of films, literature, and performance-from the role of bicycles in Flann O'Brien's fiction to Vittorio de Sica's Neorealist film The Bicycle Thieves, and from Karl Marx's "Fragment on Machines" to the deus ex machina of Greek drama-Raunig arrives at an enhanced conception of the machine as a social movement, finding its most apt and concrete manifestation in the Euromayday movement, which since 2001 has become a transnational activist and discursive practice focused upon the precarious nature of labor and lives.

Many technologies and practices that define the Internet today date back to the 1990s - such as user-generated content, participatory platforms and social media. Indeed, many early ideas about the future of the Internet have been implemented, albeit without fulfilling the envisioned political utopias. By tracing back the technotopian vision, Clemens Apprich develops a media genealogical perspecive that helps us to better understand how digital networks have transformed over the last 30 years and therefore to think beyond the current state of our socio-technical reality. This highly original book informs our understanding of new forms of media and social practices, such that have become part of our everyday culture. Apprich revisits a critical time when the Internet was not yet an everyday reality, but when its potential was already understood and fiercely debated. The historical context of net cultures provides the basis from which the author critically engages with current debates about the weal and woe of the Internet and challenges today's predominant network model.

Many technologies and practices that define the Internet today date back to the 1990s - such as user-generated content, participatory platforms and social media. Indeed, many early ideas about the future of the Internet have been implemented, albeit without fulfilling the envisioned political utopias. By tracing back the technotopian vision, Clemens Apprich develops a media genealogical perspecive that helps us to better understand how digital networks have transformed over the last 30 years and therefore to think beyond the current state of our socio-technical reality. This highly original book informs our understanding of new forms of media and social practices, such that have become part of our everyday culture. Apprich revisits a critical time when the Internet was not yet an everyday reality, but when its potential was already understood and fiercely debated. The historical context of net cultures provides the basis from which the author critically engages with current debates about the weal and woe of the Internet and challenges today's predominant network model.