This book presents Chinese short-short stories in English and Chinese, integrating language learning with cultural studies for intermediate to advanced learners of Mandarin Chinese and students of contemporary Chinese literature. Each chapter begins with a critical introduction, followed by two or more stories in parallel Chinese and English texts; each story is followed by a vocabulary list, discussion questions, and a biography of the author. The chapters are organized around central concepts in Chinese culture such as li (ritual), ren (benevolence), mianzi (face/prestige), being filial, and the dynamics of yin and yang, as well as the themes of governance, identity, love, marriage, and change. The stories selected are short-shorts by important contemporary writers ranging from the most literary to everyday voices. Specifically designed for use in upper-level Chinese language courses, Contemporary Chinese Short-Short Stories: A Parallel Text offers students a window onto China today and pathways to its traditions and past as they gain language competence and critical cultural skills.

Extremely short stories-known as short-shorts-have become a global phenomenon, but nowhere have they been embraced as enthusiastically as in mainland China, Hong Kong, and Taiwan. The form's artistic and aesthetic freedoms allow authors to capture the tone, texture, and chaos of their rapidly changing societies in infinitely inventive ways. Fragments and contingencies reveal unofficial histories, undocumented memories, and the trials of everyday individuals, and the genre's lean format is a welcome antidote to a culture characterized by rampant excess. Loud Sparrows is a spirited collection of ninety-one short-shorts written by Chinese authors over the past three decades. Presenting diverse voices and perspectives by writers both well known and new to the art, the stories are culled from newspapers, magazines, literary journals, and personal collections. Their subjects range from the mundane to the sublime and illuminate everything from humanist ideals to traditional virtues to the material benefits of a commercialized society. The anthology is organized into thematic categories such as Change, Creatures, (In)fidelities, Grooming, Governance, Nourishment, and Weirdness, and includes notes to better understand the genre. Each section is introduced by an original piece of flash fiction written by Howard Goldblatt. The short-short, to borrow a Chinese saying, is "small as a sparrow but has all the vital organs" of a good story. Loud Sparrows offers a comprehensive introduction to a unique literary genre that has revolutionized world literature.

This book presents Chinese short-short stories in English and Chinese, integrating language learning with cultural studies for intermediate to advanced learners of Mandarin Chinese and students of contemporary Chinese literature. Each chapter begins with a critical introduction, followed by two or more stories in parallel Chinese and English texts; each story is followed by a vocabulary list, discussion questions, and a biography of the author. The chapters are organized around central concepts in Chinese culture such as li (ritual), ren (benevolence), mianzi (face/prestige), being filial, and the dynamics of yin and yang, as well as the themes of governance, identity, love, marriage, and change. The stories selected are short-shorts by important contemporary writers ranging from the most literary to everyday voices. Specifically designed for use in upper-level Chinese language courses, Contemporary Chinese Short-Short Stories: A Parallel Text offers students a window onto China today and pathways to its traditions and past as they gain language competence and critical cultural skills.

Extremely short stories-known as short-shorts-have become a global phenomenon, but nowhere have they been embraced as enthusiastically as in mainland China, Hong Kong, and Taiwan. The form's artistic and aesthetic freedoms allow authors to capture the tone, texture, and chaos of their rapidly changing societies in infinitely inventive ways. Fragments and contingencies reveal unofficial histories, undocumented memories, and the trials of everyday individuals, and the genre's lean format is a welcome antidote to a culture characterized by rampant excess.

"Loud Sparrows" is a spirited collection of ninety-one short-shorts written by Chinese authors over the past three decades. Presenting diverse voices and perspectives by writers both well known and new to the art, the stories are culled from newspapers, magazines, literary journals, and personal collections. Their subjects range from the mundane to the sublime and illuminate everything from humanist ideals to traditional virtues to the material benefits of a commercialized society. The anthology is organized into thematic categories such as Change, Creatures, (In)fidelities, Grooming, Governance, Nourishment, and Weirdness, and includes notes to better understand the genre. Each section is introduced by an original piece of flash fiction written by Howard Goldblatt.

The short-short, to borrow a Chinese saying, is "small as a sparrow but has all the vital organs" of a good story. "Loud Sparrows" offers a comprehensive introduction to a unique literary genre that has revolutionized world literature.

Against the dire consequences of China's market development, a new intellectual force of the New Left has come on the scene since the mid 1990s. New Left intellectuals debate the issues of social justice, distributive equality, markets, state intervention, the socialist legacy, and sustainable development. Against the neoliberal trends of free markets, liberal democracy, and consumerism, New Left critics launched a critique in hopes of seeking an alternative to global capitalism. This volume takes a comprehensive look at China's New Left in intellectual, cultural, and literary manifestations. The writers place the New Left within a global anti-hegemonic movement and the legacy of the Cold War. They discover grassroots literature that portrays the plight and resilience of the downtrodden and disadvantaged. With historical visions the writers also shed light on the present by drawing on the socialist past.