Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Das Ende des Pfalzischen Krieges hat dem Deutschen Reich und besonders den Protestanten grosse Zugestandnisse abverlangt, weshalb Leibniz beginnt, auf eine Starkung des europaischen Protestantismus hinzuwirken und Wege vorzubereiten, die zur Union zwischen den Lutheranern und Reformierten fuhren konnten. Ein Gedankenaustausch zwischen den Theologen der Landesuniversitat Helmstedt und des Berliner Hofes wird eingeleitet. Angesichts der Krankheit des hannoverschen Kurfursten, bei dessen Ableben das Furstentum Osnabruck an einen katholischen Regenten fallen wird, entwirft Leibniz Denkschriften zur Absicherung der zukunftigen braunschweig-luneburgischen Rechte an Osnabruck. Politische Hoffnungen grunden sich auf den Erwerb der polnischen Krone durch August den Starken; vor allem aber ist es die Reise Peters des Grossen durch Westeuropa, die die Aufmerksamkeit Leibnizens und seiner Briefpartner fesselt. Er ist bemuht, Kontakte zu Mitgliedern der russischen Gesandtschaft anzuknupfen. Hinzu kommt die Korrespondenz mit dem Jesuiten J. Bouvet, der sich Leibniz vor seiner Abreise nach China als Kundschafter anbietet und fur den Leibniz in seinem Korrespondentenkreis Fragen aus den verschiedensten Wissensgebieten zusammentragt. Auch die Debatte um den Quietismus, die zwischen Fenelon und Bossuet ausgetragen wird, spiegelt sich in Leibnizens Korrespondenz wider, wobei es ihm besonders um die Definition der reinen interesselosen Liebe geht."

Der Erste Band dieser Reihe gibt den philosophischen Briefwechsel von 1663 bis 1685 in 260 Briefen wieder, wobei die Briefe von Leibniz an seine Partner dominieren. Mit dem fruhesten der heute bekannten Leibniz-Briefe, geschrieben in der Jenaer Studienzeit an seinen Lehrer Jakob Thomasius in Leipzig, beginnt der Band und endet mit der Vorbereitung der ersten grosseren metaphysischen Konzeption der hannoverschen Zeit, dem Discours de Metaphysique (1685/86). Dazwischen liegt eine umfangreiche Korrespondenz, seine Partner sind u. a. Antoine Arnauld, Benedictus de Spinoza, Otto von Guericke, Ehrenfried Walther von Tschirnhaus und Nicolas Malebranche. Der Band wurde nach den bis 1950 geltenden Prinzipien der Akademie-Ausgabe bearbeitet und ohne kritischen Apparat, lediglich mit einem Personenverzeichnis versehen, veroffentlicht."

Leibniz zeitgeschichtliches Engagement offenbart sich in seinen reichspolitischen Sorgen angesichts der ungunstigen Entwicklung des Pfalzischen Krieges und bedenklicher Bedingungen, die sich in franzosischen Friedensvorschlagen finden; auch ein republikanisches Manifest und antitrinitarische Flugschriften aus England werden Gegenstand seiner Kritik. Wahrend die Reunionsverhandlungen mit den franzosischen Partnern ins Stocken kommen, wird der Meinungsaustausch mit dem Bischof von Wiener Neustadt, Rojas y Spinola, intensiver. Der urgeschichtliche Vorspann zur braunschweig-luneburgischen Geschichte, die Protogaea, wird fertiggestellt. Leibniz muss sich selbst um den schwierigen Vertrieb seines volkerrechtlichen Codex juris gentium diplomaticus kummern. Fragwurdige Hypothesen uber die Etymologie des Germanen-Namens bringen ihn zur Erklarung seiner eigenen Thesen. Bosartig-simplifizierende Satiren rufen eine Rezension hervor, in der Leibniz Massstabe fur politische Satiren aufstellt. Auch eine eigene politische Satire mit dem Motto "Fas est et ab hoste doceri" wird von ihm versandt."