Translated by Audie E. Bock.

"A first rate book and a joy to read.... It's doubtful that a complete understanding of the director's artistry can be obtained without reading this book.... Also indispensable for budding directors are the addenda, in which Kurosawa lays out his beliefs on the primacy of a good script, on scriptwriting as an essential tool for directors, on directing actors, on camera placement, and on the value of steeping oneself in literature, from great novels to detective fiction."
--Variety

"For the lover of Kurosawa's movies...this is nothing short of must reading...a fitting companion piece to his many dynamic and absorbing screen entertainments."
--Washington Post Book World

Five classic samurai films by the legendary Japanese director, Akira Kurosawa. 'Seven Samurai' (1954) tells the story of a group of 17th-century warriors recently detached from the powerful masters who once paid them. Veteran samurai Kambei (Takashi Shimura) is the leader of the group hired by the residents of a village suffering at the hands of a marauding band of thieves. Five of his cohorts are trained warriors, but the sixth, Kikuchiyo (Toshiro Mifune), is actually the son of a farmer, desperate to earn his spurs on the battlefield. The basics of the story served as the blueprint for the western classic 'The Magnificent Seven'. 'Throne of Blood' (1957), Akira Kurosawa's film version of 'Macbeth', transfers the action to medieval Japan. A samurai warrior (Toshiro Mifune) is urged to murder his lord (Takashi Shimura) and his best friend (Minoru Chiaki) by a forest spirit and an ambitious wife (Isuzu Yamada). Kurosawa renders 'the Scottish play' through the conventions of traditional Japanese Noh theatre, creating what was reputedly TS Eliot's favourite film. The famous ending sees Toshiro Mifune caught under hails of arrows. Winner of the Best Director Award at the 1959 Berlin Film Festival, 'The Hidden Fortress' (1958) is regarded by many to be one of Kurosawa's finest, and has been acknowledged by George Lucas as the principle inspiration for 'Star Wars'. Set in 16th-century Japan, the story centres on rival clans, hidden gold and a princess in distress. Tahei (Minoru Chaiki) and Matashichi (Kamatari Fujiwara) are two cowardly soldiers on the run from an advancing enemy army. As they search the country for a cache of secret gold, they join forces with Rokurota Makabe (Toshiro Mifune), a samurai warrior who is escorting a fiesty princess (Misa Uehara) through enemy territory. The mismatched travellers then have to fight a number of battles before they finally come within sight of their goal. Kurosawa combines elements of the western and the film noir in the classic adventure 'Yojimbo' (1961). Yojimbo (Toshiro Mifune), a freelance Samurai warrior, sells his services to rival factions in a small Japanese village. When he is betrayed, he turns his skills against his former employers, determined that the two warring sides should destroy each other. 'Yojimbo' was later remade by Sergio Leone as the Clint Eastwood spaghetti western 'A Fistful of Dollars'. In the samurai spoof 'Sanjuro' (1962), a sequel of sorts to 'Yojimbo', shabby samurai Sanjuro (Toshiro Mifune) teams up with eight young warriors who seek out corruption among the elders of their clan. They also embark on a mission to rescue a kidnapped chancellor from a corrupt war lord.

The final collaboration between Akiro Kurosawa and Toshiro Mifune, 'Red Beard' is set in a rural hospital at the end of the Tokugawa period in the 1860s - a time when Japan was being opened to western influences. Domineering Dr Niide (Mifune), known as 'Red Beard', is responsible for training new doctors, among them the lazy and socially ambitious Yasumoto (Yuzo Kayama). However, through a series of lessons in human sufferings, Yasumoto is eventually transformed into a caring doctor.

Akira Kurosawa's hugely influential 1950 historical crime drama. Winner of the top prize at the 1952 Venice Film Festival and an Honorary Academy Award the same year, the film concerns a woodcutter (Takashi Shimura) who witnesses a horrific series of events - an ambush, the rape of a noblewoman (Machiko Kyo) and the subsequent murder of her samurai husband (Mayasuki Mori) by a bandit (Toshiro Mifune). Yet, in the recounting of the incidents at the trial, differing versions come from all involved, thus raising questions about the reliability of subjective 'truth'.