Two authorities on popular culture reveal the ways in which art can enhance mood and enrich lives - now available in paperback This passionate, thought-provoking, often funny, and always-accessible book proposes a new way of looking at art, suggesting that it can be useful, relevant, and therapeutic. Through practical examples, the world-renowned authors argue that certain great works of art have clues as to how to manage the tensions and confusions of modern life. Chapters on love, nature, money, and politics show how art can help with many common difficulties, from forging good relationships to coming to terms with mortality.

The first monograph on the complete works of award-winning design studio Industrial Facility

Sam Hecht and Kim Colin's world-renowned, London-based studio is one of the most influential in industrial design, and their work has enjoyed a global cult following thanks to its combination of simplicity and intellectual rigor. This book presents a carefully crafted visual narrative interspersed with candid conversations among key collaborators, project notes, and a collection of essays. The book concludes with a catalogue raisonné, showcasing more than 200 projects that together reveal Industrial Facility's distinct clarity of vision.

There is widespread agreement that art is 'very important' - but it can be remarkably hard to say quite why. Yet if art is to enjoy its privileges, it has to be able to demonstrate its relevance in understandable ways to the widest possible audience. Alain de Botton and John Armstrong have a firm belief that art can help us with our most intimate and ordinary dilemmas, asking: What can I do about the difficulties in my relationships? Why is my work not more satisfying? Why do other people seem to have a more glamorous life? Why is politics so depressing? The purpose of this book is to introduce a new method of interpreting art: art as a form of therapy. It's the authors' contention that certain art works provide powerful solutions to our problems, but that in order for this potential to be released, the audience's attention has to be directed towards it in a new way (which they demonstrate), rather than towards the more normal historical or stylistic concerns with which art books and museum captions are traditionally associated. The authors propose that the squeamish belief that art should be 'for art's sake' has unnecessarily held back art from revealing its latent therapeutic potential. This book involves reframing and recontextualising a series of art works from across the ages and genres, so that they can be approached as tools for the resolution of difficult issues in individual life.