For English-speaking readers, this book serves as an introduction to an important French intellectual whose work, especially on the issues of antisemitism and anti-Zionism, runs counter to the hostility shown toward Jews by some representatives of contemporary critical theory. It presents for the first time in English five essays by Eric Marty, previously published in France, with a new preface by the author addressed to his American readers. The focus of these essays is the debate in France and elsewhere in Europe concerning the "Jew." The first essay on Jean Genet, one of postwar France's most important literary figures, investigates the nature of Genet's virulent antisemitism and hatred of Israel and its significance for an understanding of contemporary phenomena. The curious reappearance of St. Paul in theological and political discourse is discussed in another essay, which describes and analyses the interest that secular writers of the far left have shown in Paul's "universalism" placed over and against Jewish or Israeli particularism. The remaining essays are more polemical in nature and confront the anti-Israeli attacks by Alain Badiou and Gilles Deleuze.

For English-speaking readers, this book serves as an introduction to an important French intellectual whose work, especially on the issues of antisemitism and anti-Zionism, runs counter to the hostility shown toward Jews by some representatives of contemporary critical theory. It presents for the first time in English five essays by Éric Marty, previously published in France, with a new preface by the author addressed to his American readers. The focus of these essays is the debate in France and elsewhere in Europe concerning the "Jew." The first essay on Jean Genet, one of postwar France's most important literary figures, investigates the nature of Genet's virulent antisemitism and hatred of Israel and its significance for an understanding of contemporary phenomena. The curious reappearance of St. Paul in theological and political discourse is discussed in another essay, which describes and analyses the interest that secular writers of the far left have shown in Paul's "universalism" placed over and against Jewish or Israeli particularism. The remaining essays are more polemical in nature and confront the anti-Israeli attacks by Alain Badiou and Gilles Deleuze.

Alan Astro has compiled the first anthology of Latin American Yiddish writings translated into English. Included are works of fiction, poetry, and nonfiction from Argentina, Brazil, Chile, Mexico, Uruguay, and Cuba, with one brief memoir by a Russian rabbi who arrived in San Antonio, Texas, in 1910. Literature has always served as a refuge for Yiddish speakers, and the Yiddish literature of Latin America reflects the writers' assertions of their political rights. Stories depicting working-class life in Buenos Aires are reminiscent of the work of New York writers like Abraham Cahan (founder of Jewish Daily Forward) or Henry Roth (author of Call It Sleep). In Latin America, Ashkenazic immigrants--Jews from France, Germany, and Eastern Europe--explore their possible links to the Crypto Jews who came to the New World to escape the Inquisition. Yiddish South of the Border features these themes of identity that permeate this literature and so much more.

Understanding Samuel Beckett presents an overview of the work of the Irish author whose most famous novels and plays?Molloy, Malone Dies, The Unnamable, Waiting for Godot, and Endgame?are discussed in depth, alongside some less known earlier texts and later, shorter pieces. Alan Astro pays particular attention to Beckett's relationship with other authors (Dante, Joyce, Proust), his debt to philosophers (Sartre, Descartes, Pascal), his bilingualism, the psychoanalytic texture of his writing, and his manipulation of the first-person pronoun. Readers will see how Beckett's characters who wish to narrate their own deaths incorporate silence into their speech. Astro concludes with a discussion of Stirrings Still, Beckett's last text, in which he evokes his own impending demise.

This collection of new essays examines third-generation Holocaust narratives and the inter-generational transmission of trauma and memory. This collection demonstrates the ways in which memory of the Holocaust has been passed along inter-generationally from survivors to the second-generation-the children of survivors-to a contemporary generation of grandchildren of survivors-those writers who have come of literary age at a time that will mark the end of direct survivor testimony. This collection, in drawing upon a variety of approaches and perspectives, suggests the rich and fluid range of expression through which stories of the Holocaust are transmitted to and by the third generation, who have taken on the task of bearing witness to the enormity of the Holocaust and the ways in which this pronounced event has shaped the lives of the descendants of those who experienced the trauma first-hand. The essays collected-essays written by renowned scholars in Holocaust literature, philosophy, history, and religion as well as by third-generation writers-show that Holocaust literary representation has continued to flourish well into the twenty-first century, gaining increased momentum as a third generation of writers has added to the growing corpus of Holocaust literature. Here we find a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. The third-generation writers, in writing against a contemporary landscape of post-apocalyptic apprehension and anxiety, capture and penetrate the growing sense of loss and the fear of the failure of memory. Their novels, short stories, and memoirs carry the Holocaust into the twenty-first century and suggest the future of Holocaust writing for extended generations.

This collection of new essays examines third-generation Holocaust narratives and the inter-generational transmission of trauma and memory. This collection demonstrates the ways in which memory of the Holocaust has been passed along inter-generationally from survivors to the second-generation-the children of survivors-to a contemporary generation of grandchildren of survivors-those writers who have come of literary age at a time that will mark the end of direct survivor testimony. This collection, in drawing upon a variety of approaches and perspectives, suggests the rich and fluid range of expression through which stories of the Holocaust are transmitted to and by the third generation, who have taken on the task of bearing witness to the enormity of the Holocaust and the ways in which this pronounced event has shaped the lives of the descendants of those who experienced the trauma first-hand. The essays collected-essays written by renowned scholars in Holocaust literature, philosophy, history, and religion as well as by third-generation writers-show that Holocaust literary representation has continued to flourish well into the twenty-first century, gaining increased momentum as a third generation of writers has added to the growing corpus of Holocaust literature. Here we find a literature that laments unrecoverable loss for a generation removed spatially and temporally from the extended trauma of the Holocaust. The third-generation writers, in writing against a contemporary landscape of post-apocalyptic apprehension and anxiety, capture and penetrate the growing sense of loss and the fear of the failure of memory. Their novels, short stories, and memoirs carry the Holocaust into the twenty-first century and suggest the future of Holocaust writing for extended generations.