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Showing 1 - 25 of 101 matches in All Departments
There are no less than eight intimate exchanges in this ingenious tour de farce and each has two different endings; you can see Intimate Exchanges sixteen times and not see the same play twice! And one actor and one actress play all 10 characters. This is Ayckbourn's most unusual look yet at the foibles of middle class living.1 woman, 1 man
A comedy in four parts about an unremarkable man and the remarkable women who loved him. From his first encounters as a young man in 1925 to an unexpected reunion late in life, Anthony Spates' romantic progress is charted against the backdrop of an equally remarkable old manor house in this hilarious and gently touching comedy.
Adrian is about to introduce his fiancee Grace to his parents at a birthday party, but they are worried that Grace doesn't know about Adrian's alleged reputation. As more birthdays unfold, the truth about the suburban closet Lothario is revealed...
Elspeth and Arthur are celebrating forty years of quiet, safe, unspectacular, ordinary marriage. Or so most of the guests attending their anniversary party are led to believe. But knowing her and knowing him as they do, their son and daughter know differently.
Melanie believes she has foreseen the future. But has she really? Or is it all in her mind? True or false, she has seen events which threaten the life of one she secretly loves, and she feels they are in terrible danger. What can she possibly do or say to prevent things happening, and who will even believe her?
Irascible author Algy Waterbridge is hard at work on his thirty-third crime novel. While Algy's wife is getting more forgetful, and his PA frequently oversteps the mark, the constant interruptions come to a head with an unfortunate newspaper interview. As Algy's fictional characters take over, the lines between fiction and reality become blurred. A comedy of confusion about a grumpy old man who might not be so grumpy after all.
Living Together, Round and Round the Garden and Table Manners make up this trilogy of plays. All occur during a single weekend in different parts of the same house and concern a group of related people. Each is complete in itself and can be played alone, or as a group they can be performed in any order. However, each benefits when produced with the others. A common factor is Norman's inadequate attempts to involve himself in turn with his sister in law, his brother in law's wife and his own wife.
Five interrelated one-act plays, written to be performed in any order determined randomly prior to performance, looking at the lives of a judge, agent, politician, budding star and novelist.
Thriller Characters: 1 male, 2 females Scenery: 2 interiors, 1 exterior When Miss Pickhart visits the illusionist Ratchet on official Town Hall business, she discovers a sinister secret. Alone in the cellar after Ratchet is called away, she confronts the ghost of Rosalinda who met an untimely death during the saw the woman in half trick. The ghost believes it was not an accident and calls upon Miss Pickhart to release her. To do this Miss Pickhart must relive that fateful night and climb into the cabinet. It seems as though she too is to meet a grim death until the play takes an unexpected twist.
Six people with six very separate lives are strangely linked by circumstance. Does Nicola still love Dan? Can Stewart be on the verge of an office romance? Will Imogen ever find true love? Does Ambrose have a secret life? And what on earth is Charlotte up to?
Alan Ayckbourn Comedy Characters: 7 male, 5 female Multiple Interior Scenes England's master of satire is in top form in this comic morality play which was triumphantly presented by the National Theatre of Great Britain. Jack McCraken has the opportunity of a lifetime: he is the new head of a family furniture business and believes he will initiate a new age of honesty and integrity. He quickly learns that everyone else involved in the enterprise has a vested interest in maintaining business as usual, rife with dishonesty and deceit. "One of Alan Ayckbourn's best." -The New York Times "If you demand your fun fast and furious, this is your ticket." - The New York Post "You'll laugh 'till it hurts. Don't miss it " - WNEW Radio "The laughs never stop. Easily one of the best plays to arrive in this Broadway season." - USA Today "Ayckbourn has never written more skillfully." -Evening Standard "Brilliant." - Financial Times "The laughs heap up, but by the evening's end our theatre's master craftsman and finest recorder of social nuance has delivered a disturbing morality play."- London Daily News
A terrorist code-named Cerastes is on the loose, and an undercover anti-terrorist squad have planned a sting to capture him as he steps off a train at a London station. The operation, led by the buffoonish Acting Major Quentin Sexton, has drawn in two outsiders - Ez and Barry. Perfect strangers as the play begins, their time waiting for the trap to be sprung gives them the chance to get to know each other, and try to make sense of the chaos unfolding around them.
Chloe With Love - Teddy's marriage to Lottie is going through a difficult period. Does he still love Lottie? Does Lottie still love him? Cue next door neighbours Penny and Reggie to the rescue. Penny weighing in to help Lottie and Reggie resolving to help his best friend to resist temptation. But with the arrival of the voluptuous Chloe all their best laid schemes are put to the test. The Kidderminster Affair - Sexual intrigue at Teddy's garden barbecue. Is his secret liaison with his neighbour, Penny, about to leak out? Will his wife Lottie discover the awful truth about Kidderminster? Will Penny's husband and best friend Reggie ever get hold of the right end of the stick? Will he burn the barbecue? Or indeed resolve the mystery of the slow puncture?
Though he's lauded in the media as a military hero, Murray is remembered less fondly by many in his old village. He left amidst rumours of arson, unplanned pregnancy and stealing his best friend's girlfriend. So when he returns, seventeen years later, with a new wife in tow, he creates trouble from the beginning - not least with his ex-fiancee. As more secrets emerge and old scores are settled, the village is drawn into the crossfire.
After a hit and run accident, naive country girl Sasha comes to the aid of ex-villain Val who is using a bogus identity as an ex-policeman. Sasha befriends Val and welcomes him into her home; overcome by her generosity and childlike innocence, he showers Sasha with lavish gifts whilst his rival Ashley, knowing of Val's sordid past, seeks to protect Sasha from this potential danger.
Julia Lukin, a musical prodigy, committed suicide twelve years ago and now memories of her haunt the three men closest to her. Her father, Joe, has never come to terms with her death, and in the Julia Lukin Music Centre, he meets with a psychic, Ken, and Julia's boyfriend, Andy - the last person to see her alive, in hope of finding some answers. The men meet in Julia's old bedroom and Joe reveals that he believes Julia is trying to contact him in order to explain what happened. Between the three men, the story of Julia's life and death is gradually revealed - often at odds with what each man believes he knew.
Meet three couples in their three kitchens on the Christmas Eves of three successive years. The "lower class" but very much up and coming Hopcrofts are in their bright new, gadget filled kitchen anxiously giving a little party for their bank manager and his wife and an architect neighbor. Next there are the architect and his wife in their neglected, untidy flat. Then the bank manager and his wife are in their large, slightly modernized, old Victorian style kitchen. Running like a dark thread through the wild comedy of behind the scenes disasters at Christmas parties is the story of the advance of the Hopcrofts to material prosperity and independence and the decline of the others. In the final stages the little man is well and truly on top, with the others, literally and unnervingly, dancing to his tune.
George Riley is given six weeks to live and Life of Riley charts the reactions of his closest friends as they struggle to come to terms with the news. "As perceptive as ever ... Ayckbourn has once again achieved a satisfyingly rich, tragi-comic complexity" Daily Telegraph
Musical Characters: 1 male, 3 female Interior Set Book and Lyrics by Alan Ayckbourn. Music by Paul Todd. Mrs. Mary Yately is no run of the mill housewife-- she has been chosen by the Evening Echo as Mum of the Year. And, Mrs. Yately is no ordinary character in this brilliantly inventive new musical by Britain's comic master-- she is three separate personalities, played by three actresses. One actor plays all the men in Mary's life, all of whom are, shall we say, not on this world to make her life easier. "We know that Alan Ayckbourn writes more ingenious comedies than anyone else. Now, he is starting to write more ingenious musicals as well. Me, Myself and I offers more civilized pleasure than any other British musical I've seen this year."-- London Guardian. "Splendid, galloping music and rapid fire lyrics."-- London Standard.
The suburban house of the Bakers' adjoins a recreation field, which is useful since football and cricket play a large part in the story. Peter, who works for Graham, brings his fiancee to the house and Graham, as usual, makes a bee-line for her. However, it is Mrs. Baker's brother, Leonard, to whom Joan strays. Leonard, poetic, a fumbler, who moons around holding conversations with the garden gnome, has always roused the bullying Graham's malice and scorn, who is horrified when he catches the younger man very much with Joan.2 women, 3 men
What could be more pleasant than cruising through the picturesque English countryside? This voyage combines the comedy touches that make Ayckbourn one of the world's best loved playwrights with a darker thread of menace.4 women, 3 men
There are three couples in this play, the men all working for the same firm. One of the younger men is having an affair with the wife of the oldest, and when each returns home suspiciously late one night or early one morning they invent a story about having to spend some time smoothing domestic matters in the home of the third couple. Both living rooms are shown in the single set, and both share a common dining room which takes on a character of its own as it serves two dinners simultaneously on two different nights. Of course, the third couple have to show up to put the fat in the fire, but that complication only adds to the fun of this famous farce.
Trevor and Susannah, whose marraige is on the rocks, inflict their miseries on their nearest and dearest: three couples whose own relationships are tenuous at best. Taking place sequentially in the three beleaguered couples' bedrooms during one endless Saturday night of co-dependence and dysfunction, beds, tempers, and domestic order are ruffled, leading all the players to a hilariously touching epiphany. |
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