Following catastrophic tunnel fires that have occurred worldwide, it has become essential to gain a much better understanding of all aspects of tunnel fire safety, from basic science to acceptable risk and the law. The fundamental principles which have emerged from research and investigation in this field, form the bed-rock for decision making on how tunnels may be designed, or up-graded and operated in an acceptable way. Spanning the spectrum of current knowledge available in the field of tunnel fire safety, Handbook of Tunnel Fire Safety covers a diverse range of topics. This new edition includes new information on automatic incident detection (AID), fire suppression in tunnels, heat release rates in tunnel fires, new case studies, and all up-to-date information on probabilistic modelling and tunnel fires, and tunnel fires and human behaviour.

Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Neither genre nor Granta shall be overlooked in the search for the very best new short fiction. The first book of the series includes stories published in 2010 by the following authors: David Rose, Hilary Mantel, Lee Rourke, Leone Ross, Claire Massey, Christopher Burns, Adam Marek, SJ Butler, Heather Leach, Alan Beard, Kirsty Logan, Philip Langeskov, Bernie McGill, John Burnside, Robert Edric, Michele Roberts, Dai Vaughan, Alison Moore and Salley Vickers.

SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma's award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject - Julia Kristeva's theory of the psychoanalytic, intimate abject, and Georges Bataille's societal equivalent - with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or 'the other', atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn't exist. After all, we can never be wholly free of that which belongs to us.