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This collection considers music within the spheres of production
and consumption and pulls together an interdisciplinary collection
of music studies from around the world, ranging from an
ethnomusicological analysis of the condition of Tibetan music and
its role within the Chinese state, the changing reception of
anti-apartheid music by white musicians in South Africa according
to new configurations of society and its memory of recent history,
a lyrical exploration of jazz as a signifier of crime and other
nefarious activities within film history, an analysis of how music
charts and maps the social network and gender roles in Jamaica and
a landmark commentary on how music is framed by David Hemsondalgh.
As opposed to other studies which explore music just in terms of
its reception or its composition and distribution, this collection
should make necessary reading for anybody interested in the wider
nexus of music's existence and how it waxes and wanes with
ideology, politics, gender, business and much more besides.
This collection considers music within the spheres of production
and consumption and pulls together an interdisciplinary collection
of music studies from around the world, ranging from an
ethnomusicological analysis of the condition of Tibetan music and
its role within the Chinese state, the changing reception of
anti-apartheid music by white musicians in South Africa according
to new configurations of society and its memory of recent history,
a lyrical exploration of jazz as a signifier of crime and other
nefarious activities within film history, an analysis of how music
charts and maps the social network and gender roles in Jamaica and
a landmark commentary on how music is framed by David Hemsondalgh.
As opposed to other studies which explore music just in terms of
its reception or its composition and distribution, this collection
should make necessary reading for anybody interested in the wider
nexus of music's existence and how it waxes and wanes with
ideology, politics, gender, business and much more besides.
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