Essays on festive drama - plays, pageantry and traditional ceremonies - of the European middle ages, with comparative material. Festive drama, in these studies, includes processions and folk-customs as well as full-blown plays, from Spain, the Netherlands, France, Germany, Britain, Denmark, and Bohemia (now the Czech Republic). The main focus is the middleages, but style and approach are as relevant as time-scale, reflecting a culture in which there are no firm divisions between drama and pageantry and traditional ceremonies. Common themes emerge: the world turned upside-down of Shrovetide; the emotive power of religious celebration; and the links between commerce and the demonstration of civic pride. Festive customs are viewed as hidden agendas of popular culture, and performances are reconstructed. Thisis the obverse of art and power: the means by which the people, not the princes, rule the world. Professor MEG TWYCROSS teaches at the Department of English at Lancaster University. Contributors: PETER H. GREENFIELD, OLGA HORNER, SHEILA LINDENBAUM, CLAIRE SPONSLER, RONALD E. SURTZ, RAFAEL PORTILLO, MANUEL J. GOMEZ LARA, PAMELA M. KING, ROBERT POTTER, JOHN CARTWRIGHT, DAVID MILLS, JAMES STOKES, ALAN E. KNIGHT, MARJOKE DE ROOS, FEMKE KRAMER, TOM PETTITT, LEIF SNDERGAARD, WIM HUESKEN, JEAN-MARC PASTREE, SALLY-BETH MACLEAN, MALCOLM JONES, CHRISTINE RICHARDSON, JARMILA F. VELTRUSKY, JOHN COLDEWEY.

Aspects of medieval theatre examined for reflection of contemporary life. The essays in this volume explore ways in which plays and public spectacles mirrored the beliefs and values of the late medieval world. Topics covered include seasonal festivals, trade gilds, stagecraft, and the role played by themunicipal governments in fostering and controlling dramatic productions. The geographic range takes in all western Europe, with particular consideration of the connections between the various medieval European dramatic traditions. Inter-disciplinary in approach, perspectives range from the history of theatre to cultural and political history and literary criticism. There is particular emphasis on the real advances that can be made in expanding knowledge of medieval theatre through research in local and regional archives. ALAN E. KNIGHT is professor emeritus of French at the Pennsylvania State University. Contributors: ALEXANDRA F. JOHNSTON, LYNETTE R. MUIR, PAMELA SHEINGORN, R.B. DOBSON, GERARD NIJSTEN, CLIFFORD DAVIDSON, WIM HUESKEN, STEPHEN SPECTOR, ALAN E. KNIGHT

Le tome IV des Mysteres de la procession de Lille contient ledition critique de vingt-et-un mysteres inspires du Nouveau Testament. Ces pieces dramatiques sont connues par un manuscrit unique conserve a la Herzog August Bibliothek a Wolfenbuettel, qui renferme en tout soixante-douze mysteres joues a loccasion de la grande procession annuelle de Lille. Les mysteres presentes par Alan E. Knight dans ce tome traitent des evenements de la vie de Jesus et de ses apotres, y compris des episodes de la vie de Jean-Baptiste et de la Vierge Marie. Sil est surprenant de ne pas y trouver de scenes de la Passion, cest que les echevins de la ville avaient accorde a lune des compagnies de jeunesse, les compagnons de Saint-Sauveur, le droit exclusif de representer ces dernieres sur des chariots qui defilaient dans la procession. Le cinquieme et dernier tome de la serie donnera ledition des mysteres inspires de lhistoire romaine et des legendes chretiennes; il sera accompagne de la reproduction en couleurs x des illustrations du manuscrit sur CD-rom.