Medwall's two surviving plays are among the few extant examples of 15th century household drama.

The excavations of the Rose and the Globe theatres have created a context for the study and reconstruction of the English Renaissance theatre. This book engages with this debate by attempting a reconstruction of early Cambridge theatres in the context of the professional theatres of Renaissance London. Cambridge provides a rich source of material: most of the college halls and chapels in which scaffold-theatres were constructed still stand, while records of the Cambridge theatres and the plays performed in them survive in abundance. The book includes a full survey of some dozen Cambridge colleges, the university's commencement stage, and extra-mural theatrical sites used by travelling professional companies, which lead to useful comparisons with the theatres of London. The author concludes with a plea for greater attention to documentary evidence in reconstructing the English Renaissance theatre.

The Elizabethan Court poet Edward de Vere has, since 1920, lived a notorious second, wholly illegitimate life as the putative author of the poems and plays of William Shakespeare. The work reconstructs Oxford's life, assesses his poetic works, and demonstrates the absurdity of attributing Shakespeare's works to him. The first documentary biography of Oxford in over seventy years, "Monstrous Adversary" seeks to measure the real Oxford against the myth. Impeccably researched and presenting many documents written by Oxford himself, Nelson's book provides a unique insight into Elizabethan society and manners through the eyes of a man whose life was privately scandalous and richly documented.

The excavations of the Rose and the Globe theatres have created a context for the study and reconstruction of the English Renaissance theatre. This book engages with this debate by attempting a reconstruction of early Cambridge theatres in the context of the professional theatres of Renaissance London. Cambridge provides a rich source of material: most of the college halls and chapels in which scaffold-theatres were constructed still stand, while records of the Cambridge theatres and the plays performed in them survive in abundance. The book includes a full survey of some dozen Cambridge colleges, the university's commencement stage, and extra-mural theatrical sites used by travelling professional companies, which lead to useful comparisons with the theatres of London. The author concludes with a plea for greater attention to documentary evidence in reconstructing the English Renaissance theatre.