Thomas Lovell Beddoes (1803-1849) was an English poet and dramatist whose early play The Brides' Tragedy was highly praised. He studied medicine at the Universities of Gottingen and Wurzburg, where his involvement in radical politics led to his deportation. He spent the rest of his life in Switzerland and Germany, continuing to write but showing only occasional and fleeting interest in publication. His celebrated drama Death's Jest-Book and his Collected Poems were published posthumously.This volume, edited and with an introduction by Alan Halsey, makes available separately for the first time the surviving text and fragments of Beddoes' unfinished work The Ivory Gate, together with a collection of his later poetry.

Poets Kelvin Corcoran and Alan Halsey have often collaborated. In the past this brought us Your Thinking Tracts or Nations (West House 2001), A Horse That Runs: To & Fro with Wallace Stevens (Constitutional Information 2015), and Winterreisen (Knives Forks and Spoons Press, 2019).

Selected Poems 1988-2016 focuses on Alan Halsey's longer poems from the period and brings together the previously scattered sequences Ars Poetica, Tracks & Tracts of the Lizopard, A Looking-Glass for Logoclasts and Latin for Today: The Sequel. It includes some revised and expanded texts such as the John Dee libretto Loagaeth alongside poems written since Rampant Inertia, published by Shearsman in 2014.

The typically green Appalachian foliage is ablaze in shades of red, orange, and yellow. The air carries the familiar chill of autumn and life is continuing as usual for Carolyn Crest, an English major at Centre University. One morning Carolyn receives an odd call from a friend that will send her spiraling into an abysmal pit from which there is no return.

Samantha Hunt is certain that something happened to her boyfriend, Derrick, and whatever happened to him is drawing near to her. Someone is following her. Carolyn is sure that Samantha is having an episode, but agrees to venture with Sam into her imagination, mostly to prove the point. What Carolyn finds is not imaginary, but more real than the worst possible nightmare.

Michael is suffering from what seems to be a severe case of amnesia, but something about his life doesn't seem right. He remembers nothing of his past other than what is necessary for daily life. He remembers how to tie his shoes and his name; simple things like that. He comes to learn that he is in a very strange place with a very strange job; strange things that will only grow more and more unbelievable.

Neither Carolyn nor Samantha will ever know Michael or the role he plays in their existence. Never will they know it, but Michael holds their fate in his hands.

Leyland Hammond runs a small group of mercenaries tasked with Carolyn's aid. Leyland, though weathered and empty, falls for the green eyed girl. When Carolyn is taken, Leyland is determined to return her safely. Little does he know that he can't do it without Michael's help...

Reality Street published Bill Griffiths' Collected Earlier Poems (1966-80) in 2010. This successor volume collects work from the following decade, bringing back into print poetry that appeared in hard-to-obtain small editions or was previously uncollected or unpublished. Bill Griffiths was a poet, Anglo-Saxon scholar, book designer, small press publisher, biker, pianist, archivist and social historian. He died in 2007 at the age of 59.

In Rampant Inertia Alan Halsey, identified by Tony Lopez as a 'normally secret and invisible language spy', is found going about his familiar business, dismantling the rhetoric of Austerity while tracking scientific and other uncertainties, rereading Burton in the light of the Arab Spring, miming Our Mutual Friend, transcribing a racehorse's gossip, mapping the bricked-up public toilets of Sheffield, tapping Lewis and Clark's conversation in the Lost Trail Pass or fitfully failing to translate Aretino's erotica. Is 'Baa baa black sheep' a political poem? He thinks so. Rampant Inertia completes a trilogy of books, following Term as in Aftermath (Ahadada 2009) and Even if only out of (Veer 2011) although it may be the third in a tetralogy. Selections from Halsey's earlier work appeared in Five Years Out (Galloping Dog 1989), Wittgenstein's Devil (Stride 2000), Marginalien (Five Seasons 2005) and Not Everything Remotely (Salt 2006).

Poetry. This volume brings together for the first time a complete collection of the poetry of Bill Griffiths (1948-2007) up until 1980. The text, edited by Alan Halsey in consultation with Ken Edwards of Reality Street, includes the full "Cycles" and "War w/ Windsor" sequences that so astonished readers when they first appeared, as well as much other poetry that was published by his own Pirate Press imprint, Writers Forum and other small presses during the 1970s; and also poems and performance texts that have only made fleeting appearances in ephemeral pamphlets and magazines, or have never been published before.