Alan Hollinghurst, the Booker Prize-winning author of The Line of Beauty, brings us a dark, luminous and wickedly funny portrait of modern England through the lens of one man’s acutely observed and often unnerving experience. It is a story of race and class, theatre and sexuality, love and the cruel shock of violence, from one of the finest writers of our age.

Dave Win is thirteen years old when he first goes to stay with the sponsors of his scholarship at a local boarding school. This weekend, with its games and challenges and surprising encounters, will open up heady new possibilities, even as it exposes him to their son Giles’ envy and violence.

As their lives unfold over the next half a century, the two boys’ careers will diverge dramatically: Dave, a gifted actor struggling with convention and discrimination, Giles an increasingly powerful and dangerous politician.

Our Evenings is Dave Win’s own account of his life as a schoolboy and student, his first love affairs, in London, and on the road with an experimental theatre company, and of a late-life affair, which transforms his sixties with a new sense of happiness and a perilous security.

'Call Me By Your Name meets Evelyn Waugh in a gorgeous novel about the generations-long aftershocks of a youthful tryst' —Esquire From the winner of the Man Booker Prize, a masterly novel that spans seven transformative decades as it plumbs the complex relationships of a remarkable family. In October 1940, the handsome young David Sparsholt arrives in Oxford. A keen athlete and oarsman, he at first seems unaware of the effect he has on others – particularly on the lonely and romantic Evert Dax, son of a celebrated novelist and destined to become a writer himself. While the Blitz rages in London, Oxford exists at a strange remove: an ephemeral, uncertain place, in which nightly blackouts conceal secret liaisons. Over the course of one momentous term, David and Evert forge an unlikely friendship that will colour their lives for decades to come . . . Alan Hollinghurst’s sweeping novel evokes the intimate relationships of a group of friends bound together by art, literature and love across three generations. It explores the social and sexual revolutions of the most pivotal years of the past century, whose life-changing consequences are still being played out to this day. Richly observed, disarmingly witty and emotionally charged, The Sparsholt Affair is an unmissable achievement from one of our finest writers. 'Startling, radical, embedded in tradition but entirely new' - Guardian 'A master storyteller' - John Banville

Sunday Times Novel of the Year Longlisted for the Man Booker Prize A magnificent, century-spanning saga about a love triangle that spawns a myth, and a family mystery, across generations In the late summer of 1913, George Sawle brings his Cambridge friend Cecil Valance, a charismatic young poet, to visit his family home. The weekend will be one of excitements and confusions for everyone, but it is on George’s sixteen-year-old sister Daphne that it will have the most lasting impact. As the decades pass, Daphne and those around her endure startling changes in fortune and circumstance, and as reputations rise and fall, the events of that long-ago summer become part of a legendary story. The Stranger’s Child is Hollinghurst’s masterly exploration of English culture, taste and attitudes. Epic in sweep, it intimately portrays a luminous but changing world and the ways memory – and myth – can be built and broken. It is a powerful and utterly absorbing modern classic.

Celebrating Fifty Years of Picador Books There was the soft glare of the flash - twice - three times - a gleaming sense of occasion, the gleam floating in the eye as a blot of shadow, his heart running fast with no particular need of courage as he grinned and said, 'Prime Minister, would you like to dance?' In the summer of 1983, twenty-year-old Nick Guest moves into an attic room in the Notting Hill home of the wealthy Feddens: Gerald, an ambitious Tory MP, his wife Rachel and their children Toby and Catherine. Innocent of politics and money, Nick is swept up into the Feddens' world and an era of endless possibility, all the while pursuing his own private obsession with beauty. The Line of Beauty is Alan Hollinghurst's Man Booker Prize-winning masterpiece. It is a novel that defines a decade, exploring with peerless style a young man's collision with his own desires, and with a world he can never truly belong to. Winner of the Man Booker Prize, The Line of Beauty is a classic novel about class, politics and sexuality in Margaret Thatcher's 1980s Britain. Part of the Picador Collection, a series showcasing the best of modern literature.

WINNER OF THE BOOKER PRIZE FEATURED ON BBC'S BETWEEN THE COVERS BOOK CLUB Penelope Fitzgerald's Booker Prize-winning novel of loneliness and connecting is set among the houseboat community of the Thames, with an introduction from Alan Hollinghurst. On Battersea Reach, a mixed bag of the temporarily lost and the patently eccentric live on houseboats, rising and falling with the tide of the Thames. There is good-natured Maurice, by occupation a male prostitute, by chance a receiver of stolen goods. And Richard, an ex-navy man whose boat, much like its owner, dominates the Reach. Then there is Nenna, an abandoned wife and mother of two young girls running wild on the muddy foreshore, whose domestic predicament, as it deepens, will draw this disparate community together.

In the late summer of 1913 the aristocratic young poet Cecil Valance comes to stay at 'Two Acres', the home of his close Cambridge friend George Sawle. The weekend will be one of excitements and confusions for all the Sawles, but it is on George's sixteen-year-old sister Daphne that it will have the most lasting impact, when Cecil writes her a poem which will become a touchstone for a generation, an evocation of an England about to change forever.

Linking the Sawle and Valance families irrevocably, the shared intimacies of this weekend become legendary events in a larger story, told and interpreted in different ways over the coming century, and subjected to the scrutiny of critics and biographers with their own agendas and anxieties. In a sequence of widely separated episodes we follow the two families through startling changes in fortune and circumstance.

At the centre of this often richly comic history of sexual mores and literary reputation runs the story of Daphne, from innocent girlhood to wary old age. Around her Hollinghurst draws an absorbing picture of an England constantly in flux.

THE NATIONAL BESTSELLER, WINNER OF THE 2004 MAN BOOKER PRIZE FOR FICTION, AND NATIONAL BOOK CRITICS CIRCLE AWARD FINALIST
Winner of 2004's Man Booker Prize for fiction and one of the most talked about books of the year, "The Line of Beauty "is a sweeping novel about class, sex, and money that brings Thatcher's London alive.
A "New York Times "Bestseller (Extended) - A "LA Times "Bestseller List - A Book Sense National Bestseller - A Northern California Bestseller - A "Sunday Times "Bestseller List - A "New York Times "Notable Book of the Year
And chosen as one of the best books of 2004 by:
"Entertainment Weekly "- "The ""Washington"" Post "-" The ""San Francisco"" Chronicle "- "The ""Seattle"" Times"
"Newsday " - "Salon.com" - "The ""Boston"" Globe "- "The ""New York"" Sun" - "The ""Miami"" Herald " - "The ""Dallas"" Morning News" - "San Jose"" Mercury News" - "Publishers Weekly"

The critical event in Berenice, the death of Titus's father, the Emperor Vespasian, happens a week before the play opens. Thereafter Titus knows that his separation from Berenice is inevitable. The breaking off of a great love affair involves too the hopes of Antiochus, himself long in love with Berenice. The play pushes all three of its principals to the brink, not of revenge but of self-murder, before in her sublime last speech Berenice redeems and directs them all in an act of collective abnegation.Many tears are shed, but not a drop of blood. The effect is unconventional, and profound: the pained acceptance of the irreconcilable in human affairs, and the surrender, by each of the main characters, of the person they most love. Bajazet is Racine's most violent drama; it ends, like Phedre, with a female character's on-stage suicide, here the culmination of a vividly described sequence of off-stage murders. The setting, in a claustrophobic space within the harem at Constantinople, menaced from both without and within, seems to license a violence of emotion as well as of deed.Violent too are the repeated reversals of fortune, and the terrifying acceleration of the play towards its inexorable catastrophe. Alan Hollinghurst's translation of Berenice premiered at the Donmar Warehouse, London, in October 2012 and Bajazet, at the Almeida Theatre, London, in November 1990.

An essay by Xavier F. Salomon paired with a contribution by award-winning novelist Alan Hollinghurst bring to life Jean-Honore Fragonard's (1732-1806) Progress of Love, a series of fourteen paintings considered by many to be the artist's masterpiece. The first four paintings were commissioned in 1771 for the comtesse du Barry, to be installed in 1772 in Louveciennes, the pavilion outside Paris built for her by her lover, Louis XV. By 1773 the canvases, The Pursuit, The Meeting, The Lover Crowned and Love Letters, had been rejected by Du Barry and returned to the artist. In 1790 Fragonard moved the canvases to his cousin's house, the Villa Maubert, in Grasse, and over the course of the year painted ten additional panels: two large-scale works, Love Triumphant and Reverie; four narrow "strips" depicting hollyhocks, and four overdoors of putti. Sold by the Maubert estate to the dealer Agnew's in 1898, the works were purchased in February 1915 by the industrialist Henry Clay Frick. By May 1916 the panels were installed at Frick's new mansion in New York in the present-day Fragonard Room in The Frick Collection.

In 2018 the National Portrait Gallery, the National Gallery and the Royal Academy of Arts will host major exhibitions of the work of Tacita Dean. Each will provide a different encounter with her art. This book brings together new and existing works from all three exhibitions - LANDSCAPE, PORTRAIT, STILL LIFE - with texts offering a unique insight into Dean's work by leading writers including Alexandra Harris, Alan Hollinghurst and Ali Smith. Published at a particularly prolific period for Dean, this book provides a new and authoritative view of a hugely influential artist who has been at the forefront of British art for over twenty years. The volume is published with three different covers.

It is the summer of 1983, and young Nick Guest, an innocent in the matters of politics and money, has moved into an attic room in the Notting Hill home of the Feddens: Gerald, an ambitious new Tory MP, his wealthy wife Rachel, and their children Toby and Catherine. Nick had idolized Toby at Oxford, but in his London life it will be the troubled Catherine who becomes his friend and his uneasy responsibility. At the boom years of the mid-80s unfold, Nick becomes caught up in the Feddens' world. In an era of endless possibility, Nick finds himself able to pursue his own private obsession, with beauty - a prize as compelling to him as power and riches are to his friends.

In this series, a contemporary poet selects and introduces a poet of the past. By their selection of verses and by the personal and critical reactions they express in their introductions, the selectors offer a passionate and accessible introduction to some of the greatest poets in history.

A crucial year in the Britten/Auden relationship, which reshaped and redefined artistic direction in the immediate pre-war period. Benjamin Britten and W.H. Auden were key figures of the 1930s, and here Donald Mitchell traces their lives during one crucial year, 1936. They worked hard to establish themselves, first through the GPO film unit, in a collaboration which flowered and spilled over into the theatre, and then radio - a new medium that the liveliest creative minds of the time were exploring and exploiting. Britten and Auden also joined forces in works destined for the recital room and concert hall, among them Our Hunting Fathers, the political symbolism of which Donald Mitchell examines in depth, and On the Island, settings of early Auden that comprised Britten's first important set of songs to English texts. Much use is made of Britten's private diaries, which he kept on a daily basis, and a revealing portrait emerges of the two men's relationship, of their work together in many different fields, and of the reflection within that work of political ideas current at the time. DONALD MITCHELL was Britten's close friend and publisher from 1964 until the end of the composer's life, and his authorised biographer. The T S Eliot Memorial Lectures delivered in 1979

A literary sensation and bestseller both in England and America, The Swimming-Pool Library is an enthralling, darkly erotic novel of homosexuality before the scourge of AIDS; an elegy, possessed of chilling clarity, for ways of life that can no longer be lived with impunity. "Impeccably composed and meticulously particular in its observation of everything" (Harpers & Queen), it focuses on the friendship of two men: William Beckwith, a young gay aristocrat who leads a life of privilege and promiscuity, and the elderly Lord Nantwich, an old Africa hand, searching for someone to write his biography and inherit his traditions.

Young, gay, William Beckwith spends his time, and his trust fund, idly cruising London for erotic encounters. When he saves the life of an elderly man in a public convenience an unlikely job opportunity presents itself - the man, Lord Nantwich, is seeking a biographer. Will agrees to take a look at Nantwich's diaries. But in the story he unravels, a tragedy of twentieth-century gay repression, lurk bitter truths about Will's own privileged existence.

Edward Manners - thirty three and disaffected - escapes to a Flemish city in search of a new life. Almost at once he falls in love with seventeen-year-old Luc, and is introduced to the twilight world of the 1890s Belgian painter Edgard Orst.

Here are the interlocking affairs of four men: Robin Woodfield, an architect in his late forties trying to build an idyllic life in Dorset with his young lover, Justin, a would-be actor increasingly disenchanted with the countryside; Robin's attractive and dangerously volatile twenty-two-year-old son Danny; and Justin's former boyfriend Alex, whose life is unexpectedly transformed by a night of house music and a tab of ecstasy. As each falls under the spell of romance or drugs, country living or rough trade, a richly ironic picture emerges of the illusions of love, and of the clashing imperatives of modern gay life: the hunger for contact and the fear of commitment, the need for permanence and the continual disruptions of sex. Ultimately, The Spell details the restlessness of every human heart.