Hardback version of the successful paperback.

The iconic actor Charles McGraw appeared in over 140 roles on films and television, including the classic noir pictures The Killers (1946) and The Narrow Margin (1952). Whether portraying tough cops or sadistic killers, McGraw brought a unique authenticity to the screen. Emphasizing his impact on the film noir style, this comprehensive biography examines McGraw's lengthy career against the backdrop of a changing Hollywood. Through numerous personal interviews with his surviving intimates, close acquaintances and co-workers, his tumultuous personal life is detailed from his earliest days to his bizarre, accidental death. Also included are an extensive critical filmography of McGraw's feature film career, a complete list of television appearances and previously unpublished film stills and personal photos.

Academy Award--winning director Michael Curtiz (1886--1962) -- whose best-known films include Casablanca (1942), Yankee Doodle Dandy (1942), Mildred Pierce (1945) and White Christmas (1954) -- was in many ways the anti-auteur. During his unprecedented twenty-seven year tenure at Warner Bros., he directed swashbuckling adventures, westerns, musicals, war epics, romances, historical dramas, horror films, tearjerkers, melodramas, comedies, and film noir masterpieces. The director's staggering output of 180 films surpasses that of the legendary John Ford and exceeds the combined total of films directed by George Cukor, Victor Fleming, and Howard Hawks. In the first biography of this colorful, instinctual artist, Alan K. Rode illuminates the life and work of one of the film industry's most complex figures. He begins by exploring the director's early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of silent cinema in Europe as he acted in, produced, and directed scores of films before immigrating to the United States in 1926. In Hollywood, Curtiz earned a reputation for his explosive tantrums, his difficulty communicating in English, and his disregard for the well-being of others. However, few directors elicited more memorable portrayals from their casts, and ten different actors delivered Oscar-nominated performances under his direction. In addition to his study of the director's remarkable legacy, Rode investigates Curtiz's dramatic personal life, discussing his enduring creative partnership with his wife, screenwriter Bess Meredyth, as well as his numerous affairs and children born of his extramarital relationships. This meticulously researched biography provides a nuanced understanding of one of the most talented filmmakers of Hollywood's golden age.

During his lengthy show business career, George Raft achieved the reputation as one of the screen's toughest and most convincing movie mobsters. His roles in Scarface, Each Dawn I Die, Invisible Stripes, Rogue Cop and Some Like it Hot were so convincing that audiences frequently thought they were watching the genuine article. Yet to classify Raft merely as a cinema gangster is to do him a disservice. He delivered equally strong performances in such classics as Night After Night, Bolero, Souls at Sea, Spawn of the North, They Drive by Night and Manpower, his success in these roles quickly establishing him as one of the top box office draws during the 1930s and 40s. But Raft just missed the brass ring of superstardom - due to his notorious friendships with men such as "Bugsy" Siegel and, more significantly, his famous rejections of films that his rival Humphrey Bogart turned into major triumphs: Dead End, High Sierra and The Maltese Falcon. Written with the generous cooperation of many of Raft's friends and co-workers, George Raft: The Man Who Would Be Bogart details the fascinating life and career highs and lows of a man who created an unforgettable image - onscreen and off.