Comprised of the artists and musicians Cory Arcangel, Howie Chen and Alan Licht, Title TK is a "band" that performs in music or art contexts. While they appear on stage as a band, the members do not play live music. Instead the performances are conversations between the three artists about music, performance and the music industry, and their act plays with the tensions created by the audience's expectations and the actuality of their performance. Though ostensibly not music, their spontaneous banter nonetheless demonstrates Arcangel, Chen and Licht's incredible range of artistic influences and preoccupations, all of which stem from a sophisticated understanding of music and composing. The conversations engage each audience as the performer reveals his own infatuations with popular culture, music and art. "Title TK: An Anthology" collects the transcripts of these live performances from 2010 to 2014, charting the group's development.

The first edition of Sound Art Revisited (published as Sound Art: Beyond Music, Between Categories) served as a groundbreaking work toward defining this emerging field, and this fully updated volume significantly expands the story to include current research since the book's initial release. Viewed through a lens of music and art histories rather than philosophical theory, it covers dozens of artists and works not found in any other book on the subject. Locating sound art's roots across the centuries from spatialized church music to the technological developments of radio, sound recording, and the telephone, the book traces the evolution of sound installations and sound sculpture, the rise of sound art exhibitions and galleries, and finally looks at the critical cross-pollination that marks some of the most important and challenging art with and about sound being produced today.

W - Sweeney called me and said that Johnny Cash just recorded "I See A Darkness." We had a Bowery Ballroom show a week or two later, and he invited Rick Rubin to come to the show; he came to the show ... and asked if I wanted to play piano on the song. A - Which you agreed to do despite not knowing how to play piano. W - Yes... A man who acts under the name Will Oldham and a singer songwriter who performs under the name Bonnie Prince Billy has, over the past quarter of a century, made an idiosyncratic journey through, and an indelible mark on, the worlds of indie rock and independent cinema, intersecting with such disparate figures as Johnny Cash, Bjork, James Earl Jones, and R. Kelly along the way. These conversations with longtime friend and associate Alan Licht probe his highly individualistic approach to music making and the music industry, one that cherishes notions of intimacy, community, mystery, and spontaneity.

The first edition of Sound Art Revisited (published as Sound Art: Beyond Music, Between Categories) served as a groundbreaking work toward defining this emerging field, and this fully updated volume significantly expands the story to include current research since the book's initial release. Viewed through a lens of music and art histories rather than philosophical theory, it covers dozens of artists and works not found in any other book on the subject. Locating sound art's roots across the centuries from spatialized church music to the technological developments of radio, sound recording, and the telephone, the book traces the evolution of sound installations and sound sculpture, the rise of sound art exhibitions and galleries, and finally looks at the critical cross-pollination that marks some of the most important and challenging art with and about sound being produced today.