Ralphie the border collie seemed to the operators of Gabriel's Creek Golf Course to have come out of nowhere to become their course mascot. This 18-hole track wasn't listed anywhere when Chris Collins looked for someplace to play the last round of golf of his life. When old, worn road signs draw him to this uncharted arena, it seems perhaps destiny has brought them together. With Ralphie as his guide through the round, Collins experiences the magic of Gabriel's Creek. Along the way, he meets friends and foes of his past at memorable holes across two continents. Is it time travel or just the enchantment of Gabriel's Creek? Through an emotional day, his inspirational escapades provide the reminder that we should all treat each day as a gift. The 18th hole is more than the end of the round, as Collins finds that Gabriel's Creek Golf Course exists in neither the earthly world nor the next, but somewhere in between.

Twenty years in print, The Thames & Hudson Dictionary of Graphic Design and Designers contains around 750 entries offering detailed information on every important graphic designer, movement, agency, practice and publication from 1840 up to the present day. The dictionary gives clear and accessible definitions, from technical minutiae of typography to computer-aided design and printing. Cross-references make navigating between entries simple. The endmatter contains a handy bibliography of key texts and recommended reading, as well as a timeline that puts the most influential individuals, developments and movements in chronological order. This third edition contains over 200 new, updated or expanded entries (as well as 45 new illustrations, 22 in colour) on the latest designers, terms and influences; content that ranges from Adobe InDesign to Manga, and from Chip Kidd to Marian Bantjes. Redesigned and re-typeset throughout, the book remains an indispensable reference tool to all students and practitioners of graphic design.

The exhibited works of Kurt Jackson (b.1961) do not necessarily reveal his day-to-day working practice. Behind his finished canvases are hundreds of sketchbooks borne out of his continual routine of making drawings, marks, notes, poems and scribbles. This book, newly available in paperback, examines the importance of the sketchbook to Jackson. For Jackson, sketchbooks are vital to the development and completion of his paintings. Often sketching while a painting evolves, the artist values each medium equally - the pages of his sketchbooks reveal how the hastily executed images can help him to work out what he wants to achieve on canvas, or simply capture a spontaneous image when there is not enough time to paint or draw properly. Illustrating mundane daily events and happenings as well as key moments, journeys and the overlapping ongoing project work, Jackson's sketchbooks are key to understanding his inspirations as an artist. Drawing on a selection of 20 sketchbooks, of differing sizes and a variety of media, this fascinating publication provides a rare insight in to the mind of a highly creative and original artist.