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Traditionally, film critics have concentrated on the director,
seeing feature filmmaking as a form of individual expression. The
authors challenge this view, arguing that filmmaking is a form of
collection expression. They examine the idea that many individuals,
including editors, cinematographers and sound designers, contribute
to the making of a film, and argue that it is misleading to
classify them as technicians. The authors consider is how money and
power determines the structure within which all those involved with
filmmaking work. And, in challenging the accepted view of the
dynamics of filmmaking, the book raises questions about the nature
of the feature film. Is it essentially a visual form? What place
does it have? How important is the script?
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