The anthology Law in Society explores how law shapes and is shaped by societies. The selections stem from a view of law as an integral part of the wider socio-political economy and one of its central institutions. The introduction familiarizes students with definitions and explanations of criminal law, explores the functions of law, and provides an overview of the theories of law covered in the rest of the book. The first section of the text examines sources of law, natural law theory, and the concept of positive or formal law. The second section considers the origins of law in social structures and provides an overview of sociology of law. The third section is devoted to sources of law and social control such as custom, social norms, and group processes. The final section introduces critical theories of law and considers recent developments in alternative dispute resolution and restorative justice. Through reading Law in Society students come to recognize that as a society changes, so too do its laws and legal system. The book is well suited to courses in criminal justice and sociology, as well as those in social or cultural anthropology.

Readers of criminological literature are presented with little more than thumbnail sketches as to the social characteristics or motivations of the authors. One learns their status, institutional location, and supposed credentials. Rarely are we presented with more detailed impressions of the authors as a combination of positivist assumptions and notions of professional competence seemingly render such information unimportant. However, increasing numbers of critical scholars are becoming aware of authorship as an issue; it matters who is addressing us. By taking these authors out of their methodological framework, Critical Voices in Criminology provides an opportunity for figures in and around critical criminology to discuss their own intellectual journeys into and within the discipline. The book offers the opportunity for contributors to reflect on their work and consider what they did not say. It also affords them the opportunity to describe their own 'channeling processes' by indicating how the pursuance of some themes/topics 'seemed' appropriate, sensible, or realistic, while others appeared less so, whether they internalized these particular themes, or attempted to contest and/or replace them.

Readers of criminological literature are presented with little more than thumbnail sketches as to the social characteristics or motivations of the authors. One learns their status, institutional location, and supposed credentials. Rarely are we presented with more detailed impressions of the authors as a combination of positivist assumptions and notions of professional competence seemingly render such information unimportant. However, increasing numbers of critical scholars are becoming aware of authorship as an issue; it matters who is addressing us. By taking these authors out of their methodological framework, Critical Voices in Criminology provides an opportunity for figures in and around critical criminology to discuss their own intellectual journeys into and within the discipline. The book offers the opportunity for contributors to reflect on their work and consider what they did not say. It also affords them the opportunity to describe their own 'channeling processes' by indicating how the pursuance of some themes/topics 'seemed' appropriate, sensible, or realistic, while others appeared less so, whether they internalized these particular themes, or attempted to contest and/or replace them.