In 1888 the University of Pennsylvania sponsored the first ever American archaeological expedition to Mesopotamia, to Nippur, about 160 km south of Baghdad. Among the artefacts discovered were the remains of over 100 inscribed bowls from the early centuries CE. Some contain unidentifiable writing, but most carry spiral inscriptions of exorcism texts in one of three Aramaic dialects and scripts: that of the Babylonian Talmud, a Syriac dialect, and Mandaic. This book, first published in 1913, contains transcriptions and annotated translations of texts from forty of the bowls, together with an inscription found on a human skull, and 41 illustrations. A substantial introduction sets the material in the broader context of Hellenistic magic. The author traces the bowl magic back to ancient Babylonian sorcery, and explores its relations with cuneiform religious texts and Greek magical papyri, emphasising its culturally eclectic character and the diversity of its users.

This book focuses on early modern attitudes towards Scotland's ancient past and looks in particular at the ways in which this past was not only misunderstood, but also manipulated in attempts to create a patriotic history for the nation. Alan Montgomery casts light on a rarely discussed aspect of Scotland's historiography, one which played a vital role in establishing early modern notions of 'Scottishness' at a time when the country was coming to terms with radical and traumatic changes to its position within Britain and the wider world. 'Exploring the lives and writings of antiquarians, poets, soldiers, pamphleteers and Enlightenment thinkers, 'Classical Caledonia' uncovers the political, patriotic and intellectual influences which fuelled this struggle to redefine the character of a rapidly changing nation.

Opera Coaching: Professional Techniques for the Repetiteur, Second Edition, is an update to the first practical guide for opera coaches when working with opera singers to help them meet the physical and vocal demands of a score in order to shape a performance. Opera coaching remains a mystery to many musicians. While an opera coach (or repetiteur) is principally tasked with ensuring singers sing the right notes and words, the coach's purview extends well beyond pitches and pronunciation. The opera coach must have a full understanding of human physiognomy and the human voice, as well as a knowledge of the many languages used in Western vocal music and over four centuries of opera repertoire - all to recognize what must happen for success when a singer steps on stage. NEW to this second edition: New and updated chapters throughout, featuring new discussions on large ensembles, twenty-first-century demands, and more. Deeper investigation of the styles of and problems posed by particular operas. Revised chapter structure that allows for an expanded and progressive emphasis on technical work. Modern singers have bemoaned the scarcity of good vocal coaches and conductors - those who understand voices and repertoire alike. Opera Coaching: Professional Techniques for the Repetiteur, Second Edition, demystifies the role of the opera coach, outlining the obstacles facing both the opera singer and the coach who seeks to realize the performer's full potential.

Opera Coaching: Professional Techniques for the Repetiteur, Second Edition, is an update to the first practical guide for opera coaches when working with opera singers to help them meet the physical and vocal demands of a score in order to shape a performance. Opera coaching remains a mystery to many musicians. While an opera coach (or repetiteur) is principally tasked with ensuring singers sing the right notes and words, the coach's purview extends well beyond pitches and pronunciation. The opera coach must have a full understanding of human physiognomy and the human voice, as well as a knowledge of the many languages used in Western vocal music and over four centuries of opera repertoire - all to recognize what must happen for success when a singer steps on stage. NEW to this second edition: New and updated chapters throughout, featuring new discussions on large ensembles, twenty-first-century demands, and more. Deeper investigation of the styles of and problems posed by particular operas. Revised chapter structure that allows for an expanded and progressive emphasis on technical work. Modern singers have bemoaned the scarcity of good vocal coaches and conductors - those who understand voices and repertoire alike. Opera Coaching: Professional Techniques for the Repetiteur, Second Edition, demystifies the role of the opera coach, outlining the obstacles facing both the opera singer and the coach who seeks to realize the performer's full potential.

Explores early modern interpretations of Roman Scotland Examines an important aspect of the development of Scottish identity, a subject being brought to the fore again in recent debates surrounding Scottish independence Offers an in-depth study of a largely overlooked aspect of Scottish historiography Makes extensive use of archival and manuscript material, much of it previously unpublished Takes a broad, multidisciplinary approach Examines the influence of the Scottish Enlightenment, James Macpherson's Ossianic poems and the rise of Romanticism This book focuses on early modern attitudes towards Scotland's ancient past and looks in particular at the ways in which this past was not only misunderstood, but also manipulated in attempts to create a patriotic history for the nation. Adding a new perspective on the formation of Scotland's national identity, the book documents a century-long, often heated debate regarding the extent of Roman influence north of Hadrian's Wall. By exploring the lives and writings of antiquarians, poets and Enlightenment thinkers, it aims to uncover the political, patriotic and intellectual influences which fuelled this debate. Classical Caledonia will cast light on a rarely discussed aspect of Scotland's historiography, one which played a vital role in establishing early modern notions of 'Scottishness' at a time when Scotland was coming to terms with radical and traumatic changes to its position within Britain and the wider world.

At the end of Oliver Twist, Charles Dickens gives us information about a few characters, but for the most part we have no idea what happens afterward. In this novel, we find out how various people change, mature, and meet new challenges in the New World. Jack is forced to lose some of his street ways, and Oliver must face the new challenges as an adult. The adventures and dangers they confront in the new world help them realize two things. You cannot just love someone, but you must show them you love them. The other important thing they learn is that, no matter what your background, what you become is not dictated by what you were.

This is a new release of the original 1935 edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Bibliography Of Morris Jastrow, Jr., PH. D., Professor Of Semitic Languages In The University Of Pennsylvania, 1885-1910 Albert Tobias Clay, James Alan Montgomery Priv. print., 1910

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This Text Is Contained In Memoirs Of The American Philosophical Society Held At Philadelphia For Promoting Useful Knowledge, V4 1935.

This Text Is Contained In Memoirs Of The American Philosophical Society Held At Philadelphia For Promoting Useful Knowledge, V4 1935.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This Text Is Contained In Memoirs Of The American Philosophical Society Held At Philadelphia For Promoting Useful Knowledge, V4 1935.