This single-volume book contends that reshaping the paradigm of American Indian identity, blood quantum, and racial distinctions can positively impact the future of the Indian community within America and America itself. This academic compendium examines the complexities associated with Indian identity in North America, including the various social, political, and legal issues impacting Indian expression in different periods; the European influence on how self-governing tribal communities define the rights of citizenship within their own communities; and the effect of Indian mascots, Thanksgiving, and other cultural appropriations taking place within American society on the Indian community. The book looks at and proposes solutions to the controversies surrounding the Indian tribal nations and their people. The authors—all leading advocates of Indian progress—argue that tribal governments and communities should reconsider the notion of what comprises Indian identity, and in doing so, they compare and contrast how indigenous people around the world define themselves and their communities. Chapters address complex questions under the discourse of Indian law, history, philosophy, education, political science, anthropology, art, psychology, and civil rights. Topics covered in depth include blood quantum, racial distinctions, First Nations, and tribal citizenship.

'Who's Who in Twentieth-Century Poetry is excellent value.' - Bob Duckett, Bradford Libraries

Get your students to be gansters in this great play which has been specially adapted for schools from the popular film and it even includes still photographs. So join all the characters: Bugsy, Fat Sam, Tallulah and Dandy Dan for great fun with the whole class. Students will relish this opportunity to play a cast of Prohibition-era mobsters. Fat Sam, who runs one of the most popular speakeasies in town, is in danger of being closed down by his 'business rival' Dandy Dan. Enter baby-faced Bugsy Malone, a killer with the ladies and a definite asset to Fat Sam. Unfortunately, Bugsy has also caught the eye of Sam's girlfriend Tallulah - though he's set his designs on the showgirl Blousey Brown. This play lends itself perfectly to school performance with its large mixed cast and consistent humour. The book contains a stimulating playscript suitable for classwork and school production, accompanied by resources including background material and lively activities.

Alan Parker's musical spoof of gangster films features an all-child cast with guns that fire cream. When gang warfare erupts between Fat Sam and Dandy Dan, hustler Bugsy Malone (Scott Baio), singer Tallulah (Jodie Foster) and newly arrived showgirl Blousey Brown (Florrie Dugger) find themselves caught up in the middle of it.

Algorithms and Data Structures in C++ introduces modern issues in the theory of algorithms, emphasizing complexity, graphs, parallel processing, and visualization. To accomplish this, the book uses an appropriate subset of frequently utilized and representative algorithms and applications in order to demonstrate the unique and modern aspects of the C++ programming language.
What makes this book so valuable is that many complete C++ programs have been compiled and executed on multiple platforms. Each program presented is a stand-alone functional program. A number of applications that exercise significant features of C++, including templates and polymorphisms, is included. The book is a perfect text for computer science and engineering students in traditional algorithms or data structures courses. It will also benefit professionals in all fields of computer science and engineering.

Bob Geldof plays Pink, a burned out rock star holed up in a Los Angeles hotel. He reminisces on his life, from his wartime birth to his present circumstances. The film contains no dialogue; rather the narrative is carried by the Pink Floyd soundtrack and the Gerald Scarfe animation.

A fictionalised version of the events surrounding the Ku Klux Klan's murder of three civil rights workers in Mississippi in 1964. Anderson and Ward (Gene Hackman and Willem Dafoe) are the FBI men sent to investigate the case. What they find is a tangled web of intimidation and silence, with no one willing to speak about the events for fear of Klan reprisals. The supporting cast features Brad Dourif as a local lawman and Frances McDormand in an Oscar-nominated performance as his wife.

The last word on Sid Vicious - the world's most iconic punk figure. The old school register for Soho Parish Primary school has a note in the margin recording that five-year-old John Simon Ritchie turned up for his first day at school unaccompanied in September 1962. He'd walked from his mum's council flat near Drury Lane, across Covent Garden and several major road junctions to Gt Windmill Street alone. Somehow it's a fitting start to the wild and troubled life that would be Sid Vicious's. It's also a story that's indicative of the detailed research Alan Parker has put into this biography of Sid Vicious. He spent an evening discussing young Simon Ritchie's schooldays with the headmistress of Soho Parish, has interviewed the likes of fellow Sex Pistols Paul Cook and Glen Matlock at length, as well as numerous other punk luminaries. The basics of Sid Vicious's brief 21 years are well known: art school, junkie mother, life in a squat, a year in the Sex Pistols until their demise in 1978, Nancy Spungeon's death, Sid's arrest, followed by Sid's own fatal overdose on 2 February 1979. Parker brings a wealth of new detail to the story, much gained from the New York Police Department and extensive interviews with Anne Beverley (Sid's mother), prior to her own suicide in 1996. This enables him to come to dramatic conclusions about who killed Nancy Spungeon and how Sid himself died. This will be the definitive and final word on Sid Vicious, and the perfect tribute to a man who has become a true icon of the 21st century.

The New York's School of Performing Arts offers its students a path to fame and fortune - but fame costs. Budding ballerinas, musicians, dancers and actors all clamber up the rocky road to stardom in this modern day musical. This film was directed by Alan Parker (The Commitments, Evita) and led to a very successful television series spin-off.

Oliver Stone scripts and Alan Parker directs this prison drama, based on a true story. An American student (Brad Davis) is caught smuggling hashish and faces years in a Turkish prison. While his family at home attempt to have him freed, he undergoes hellish experiences in jail.

Based on the first of the best-selling series of Alex Rider novels by Anthony Horowitz. Alex Rider (Alex Pettyfer) is a normal school boy, with a normal life. Until his uncle Ian (Ewan McGregor) dies. Alex's life changes forever, as he discovers that his uncle was not, as he thought a banker, but a super MI6 agent who was shot on the way back from his latest assignment. Alex is cleverly manipulated by MI6 to work for them. His mission is to find out what's going on with the Stormbreakers, high tech virtual reality computers that have some kind of virus infecting them. The main suspect is creator of the Stormbreaker, Darrius Sayle (Mickey Rourke). After a shocking discovery, that nearly causes Alex to lose his life, Alex must return to Britan to stop Sayle. Can he succeed or will his first mission become his last?

Alan Parker's musical spoof of gangster films features an all-child cast with guns that fire cream. When gang warfare erupts between Fat Sam and Dandy Dan, hustler Bugsy Malone (Scott Baio), singer Tallulah (Jodie Foster) and newly arrived showgirl Blousey Brown (Florrie Dugger) find themselves caught up in the middle of it.

New York, 1955, Private Detective Harry Angel has a new case on his hands. Washed up crooner Johnny Favorite has gone missing. Anybody that might be holding clues is being killed. Informants and witnesses are being murdered one by one. The bodies are piling up, time is running out and Harry Angel is being kept awake at night by strange satanic visions.

From the mean streets of New York to the backwoods of New Orleans, Harry suddenly finds himself being dragged into a world of sex, murder, voodoo and death. This is no ordinary case, and Harry is no ordinary detective.

Directed by Alan Parker (Midnight Express, Mississippi Burning) and starring Mickey Rourke (Sin City, The Wrestler), Robert De Niro (Taxi Driver, Heat), Lisa Bonet (High Fidelity) and Charlotte Rampling (Red Sparrow), Angel Heart is a deeply disturbing film with an incredibly unsettling atmosphere. A prime example of late eighties neo-noir, it successfully manages to blend elements of detective fiction with dark horror.

Praise for "The Sucker's Kiss"
"Alan Parker is a master of historical perspective. In" The Sucker's Kiss," he evokes early twentieth-century San Francisco with all the grit and ferment of a West Coast William Kennedy."
- T. C. Boyle
"Alan Parker has written an engaging, entertaining romp. . . . His rogue's story is funny, ebullient, and ultimately poignant."
- Kevin Baker, author of "Paradise Alley"
"Memo to Writers Guild of America and the Screen Actors Guild: Please go on strike more often. Why? Well, while you were picketing and protesting, a director and writer, Alan Parker, decided to write a hell of a novel, "The Sucker's Kiss," You might expect Sir Alan to take as his territory England, particularly North London. He might have written of highwaymen and he chose instead the forty-eight states. There goes his picaresque hero, Thomas Moran, goaded into pickpocketing by the San Francisco earthquake of 1906. After that the sky is the limit and two oceans his borders."
- Frank McCourt, author of "Angela's Ashes"
"Triumphant . . . Parker has created a splendid character, an amiable, amoral rogue whom the reader cannot help rooting for."
- "Daily Mail "(U.K.)
"A gripping, entertaining, and finely wrought story to match the best of his films."
- "The Independent on Sunday" (U.K.)
"A thrilling and enjoyable read, filmic and brilliantly paced. As you might expect, Parker is a gifted storyteller."
- "Scotland"" on Sunday" (U.K.)
"A vivid, colorful, fast-paced, literary, and cinematic work, full of strong characterizations and wonderfully textured prose."
- "Nottingham"" Evening Post" (U.K.)