With twenty-five essays, seven of which are new to this edition, this best-selling volume examines the nature, morality, and social meanings of contemporary sexual phenomena. Topics include sexual desire, masturbation, sex on the Internet, homosexuality, asexuality, transgender and transsexual issues, rape, and promiscuity, love and sex, polyamory, transgender issues, queer issues, paraphilia, drugs and sex, objectification, BDSM, sex and technology, and sex and race. Updated and new discussion questions offer students starting points for debate in both the classroom and the bedroom.

With twenty-five essays, seven of which are new to this edition, this best-selling volume examines the nature, morality, and social meanings of contemporary sexual phenomena. Topics include sexual desire, masturbation, sex on the Internet, homosexuality, asexuality, transgender and transsexual issues, rape, and promiscuity, love and sex, polyamory, transgender issues, queer issues, paraphilia, drugs and sex, objectification, BDSM, sex and technology, and sex and race. Updated and new discussion questions offer students starting points for debate in both the classroom and the bedroom.

In this unabashed defense of pornography from a utilitarian-hedonist perspective, philosopher Alan Soble strongly rebuts both feminist and conservative critics. Soble demonstrates that neither conservative nor feminist critics of pornography show much acquaintance with the genre they criticize. This suggests that purely political motives underlie their critiques instead of reasoned, objective arguments based on thorough empirical research.
Soble also faults critics of pornography for their failure of empathy: they refuse to see pornographic images from the various perspectives of their viewers. In approaching these images literally, detractors promulgate the worst possible interpretation of pornography. Further, they do not do justice to the social and psychological research about pornography and its purported harms. Conservatives and feminists manufacture their case against pornography and its consumers based on oversimplified interpretations of the images and a poor understanding of scientific studies.
This sardonic and well-reasoned critique of feminist and conservative moral outrage over pornography is sure to be controversial.

Pornography, abortion, rape, sexual discrimination: one merely has to open the newspaper or turn on the television to be confronted with sexual issues. In Sexual Investigations, Alan Soble contributes to the discussion by examining the moral, political, and analytical dimensions of sexuality that form the foundation for these discussions.

In Sexual Investigations, Soble takes a rigorous yet user-friendly look at a number of topics in the area of human sexuality: the nature of sexual activity, the ethics of sexual conduct, pornography, masturbation, sexual health, perversion, date rape, prostitution, contraception, reproduction, and both the beauty and the ugliness of the sexual body. What, Soble asks, defines healthy sexuality? How firm is the distinction between rape and consensual sex? How and when are sexually explicit films and photographs degrading to women?

This sweeping examination of the philosophical, ethical, and political issues surrounding human sexuality is as learned and thoughtful as it is entertaining.

The author of the classic philosophical treatment of love reflects on the trajectory, over decades, of his thoughts on love and other topics. In 1984, Irving Singer published the first volume of what would become a classic and much acclaimed trilogy on love. Trained as an analytical philosopher, Singer first approached his subject with the tools of current philosophical methodology. Dissatisfied by the initial results (finding the chapters he had written "just dreary and unproductive of anything"), he turned to the history of ideas in philosophy and the arts for inspiration. He discovered an immensity of speculation and artistic practice that reached wholly beyond the parameters he had been trained to consider truly philosophical. In his three-volume work The Nature of Love, Singer tried to make sense of this historical progression within a framework that reflected his precise distinction-making and analytical background. In this new book, he maps the trajectory of his thinking on love. It is a "partial" summing-up of a lifework: partial because it expresses the author's still unfolding views, because it is a recapitulation of many published pages, because love-like any subject of that magnitude-resists a neatly comprehensive, all-inclusive formulation. Adopting an informal, even conversational, tone, Singer discusses, among other topics, the history of romantic love, the Platonic ideal, courtly and nineteenth-century Romantic love; the nature of passion; the concept of merging (and his critique of it); ideas about love in Freud, Schopenhauer, Nietzsche, Dewey, Santayana, Sartre, and other writers; and love in relation to democracy, existentialism, creativity, and the possible future of scientific investigation. Singer's writing on love embodies what he has learned as a contemporary philosopher, studying other authors in the field and "trying to get a little further." This book continues his trailblazing explorations.