As one of the first voices of the University of Kentucky men's basketball program, Claude Sullivan (1924--1967) became a nationally known sportscasting pioneer. His career followed Kentucky's rise to prominence as he announced the first four NCAA championship titles under Coach Adolph Rupp and covered scrimmages during the canceled 1952--1953 season following the NCAA sanctions scandal. Sullivan also revolutionized the coverage of the UK football program with the introduction of a coach's show with Bear Bryant -- a national first that gained significant attention and later became a staple at other institutions. Sullivan's reputation in Kentucky eventually propelled him to Cincinnati, where he became the voice of the Reds, and even to the 1960 Summer Olympic Games in Rome.

In Voice of the Wildcats: Claude Sullivan and the Rise of Modern Sportscasting, Claude's son Alan, along with Joe Cox, offers an engaging and heartfelt look at the sportscaster's life and the context in which he built his career. The 1940s witnessed a tremendous growth in sportscasting across the country, and Sullivan, a seventeen year old from Winchester, Kentucky, entered the field when it was still a novel occupation that was paving new roads for broadcast reporting. During the height of his career, Sullivan was named Kentucky's Outstanding Broadcaster by the National Association of Sportscasters and Sportswriters for eight consecutive years. His success was tragically cut short when he passed away from throat cancer at forty-two

Featuring dozens of interviews and correspondence with sports legends, including Wallace "Wah Wah" Jones, Babe Parilli, Cliff Hagan, Ralph Hacker, Jim Host, Billy Reed, Adolph Rupp, and Cawood Ledford, this engaging biography showcases the life and work of a beloved broadcast talent and documents the rise of sports radio during the twentieth century.

Three came to Ville Marie is probably Canadian author Alan Sullivan's best known novel - it won the Governor General's Award for English language fiction in 1941. As well as being a romantic tale, it vividly captures the hardship of early settlers' lives in Canada. It tells the story of a wealthy young French couple in the time of Louis XIV, Paul and Jacqueline, whose engagement is broken up by the arrival of the dashing Jules, who sweeps Jacqueline off her feet. Broken-hearted, Paul sets out for the wild frontier of New France, where the early colonists are embroiled in conflict with the local tribes people. However, an indiscretion involving Jacqueline and the King leads to the now married Jules and Jacqueline also heading for Canada and back into Paul's life, leading to struggles of an altogether different kind.

For too long the history of Canadian society has been hidden in secondhand bookstores, the dark corners of library stacks, and the privacy of the occasional graduate seminar. Contrary to what often seems the common impression, there is a richness and distinctiveness to our labour history, our urban development, our traditions of regional and cultural conflict, our movements for social reform and justice - to all that vast range of topics, events, issues, and ideas that comprise the social history of a nation. The demands of teachers and students and indeed the general public for material relevant to Canadian social history have been matched only by the frustrations raised by the inaccessibility, sometimes the apparent non-existence, of documents basic to a new understanding of our heritage. It is now time that this heritage be retrieved and made available to everyone. It is the purpose of this new series, The Social History of Canada, to help meet these demands. The titles in the series, including The Rapids, will be issued in a common format, in both hardcover and paperback editions, and will deal with all areas of social history. Most of these volumes will consist of a reissue of classic works now out of print - novels, histories, investigations, polemics, tracts; others will contain a compilation of documents in areas where there are no worthwhile book-length studies. Each work will have a new introduction by a scholar who is a specialist in the field. It is hoped that this series will simultaneously enrich our knowledge of the past and lay the groundwork for future advances in scholarship and historical consciousness

From Longman's Cultural Editions Series, "Beowulf," edited by Sarah Anderson and translated by Alan Sullivan and Timothy Murphy, includes the complete work and contextual materials on the early medieval age. Handsomely produced and affordably priced, the Longman Cultural Editions series presents classic works in provocative and illuminating contexts-cultural, critical, and literary. Each Cultural Edition consists of the complete text of an important literary work, reliably edited, headed by an inviting introduction, and supplemented by helpful annotations; a table of dates to track its composition, publication, and public reception in relation to biographical, cultural, and historical events; and a guide for further inquiry and study.