This volume sheds twenty-first-century light on the charged interactions between memory, mourning and landscape. A century after Freud, our understanding of how memory and mourning function continues to be challenged, revised and refined. Increasingly, scholarly attention is paid to the role of situation in memorialising, whether in commemorations of individuals or in marking the mass deaths of late modern warfare and disasters. "Memory, Mourning, Landscape "offers the nuanced insights provided by interdisciplinarity in nine essays by leading and up-and-coming academics from the fields of history, museum studies, literature, anthropology, architecture, law, geography, theology and archaeology. The vital visual element is reinforced with an illustrated coda by a practising artist. The result is a unique symbiotic dialogue which will speak to scholars from a range of disciplines.

In response to the grim realities of the present world Jewish thought has not tended to retreat into eschatological fantasy, but rather to project utopian visions precisely on to the present moment, envisioning redemptions that are concrete, immanent, and necessarily political in nature. In difficult times and through shifting historical contexts, the messianic hope in the Jewish tradition has functioned as a political vision: the dream of a peaceful kingdom, of a country to return to, or of a leader who will administer justice among the nations. Against this background, it is unsurprising that Jewish messianism in modern times has been transposed, and lives on in secular political movements and ideologies. The purpose of this book is to contribute to the deeper understanding of the relationship between Jewish thought, utopia, and revolution, by taking a fresh look at its historical and religious roots. We approach the issue from several perspectives, with differences of opinion presented both in regard to what Jewish tradition is, and how to regard utopia and revolution. These notions are multifaceted, comprising aspects such as political messianism, religious renewal, Zionism, and different forms of Marxist and Anarchistic movements.

The twentieth century has been called a "century of horror". Proof of that, designation can be found in the vast and ever-increasing volume of scholarly work on violence, trauma, memory, and history across diverse academic disciplines. This book demonstrates not only the ways in which the wars of the twentieth century have altered theological engagement and religious practice, but also the degree to which religious ways of thinking have shaped the way we construct historical narratives. Drawing on diverse sources - from the Hebrew Bible to Commonwealth war graves, from Greek tragedy to post-Holocaust theology - Alana M. Vincent probes the intersections between past and present, memory and identity, religion and nationality. The result is a book that defies categorization and offers no easy answers, but instead pursues an agenda of theological realism, holding out continued hope for the restoration of the world.

Synopsis: The twentieth century has been called a "century of horror." Proof of that designation can be found in the vast and ever-increasing volume of scholarly work on violence, trauma, memory, and history across diverse academic disciplines. This book demonstrates not only the ways in which the wars of the twentieth century have altered theological engagement and religious practice, but also the degree to which religious ways of thinking have shaped the way we construct historical narratives. Drawing on diverse sources--from the Hebrew Bible to Commonwealth War Graves, from Greek tragedy to post-Holocaust theology--Alana Vincent probes the intersections between past and present, memory and identity, religion and nationality. The result is a book that defies categorization and offers no easy answers, but instead pursues an agenda of theological realism, holding out continued hope for the restoration of the world. Endorsements: The twentieth century has been called a "century of horror." Proof of that designation can be found in the vast and ever-increasing volume of scholarly work on violence, trauma, memory, and history across diverse academic disciplines. This book demonstrates not only the ways in which the wars of the twentieth century have altered theological engagement and religious practice, but also the degree to which religious ways of thinking have shaped the way we construct historical narratives. Drawing on diverse sources--from the Hebrew Bible to Commonwealth War Graves, from Greek tragedy to post-Holocaust theology--Alana Vincent probes the intersections between past and present, memory and identity, religion and nationality. The result is a book that defies categorization and offers no easy answers, but instead pursues an agenda of theological realism, holding out continued hope for the restoration of the world. Author Biography: Alana M. Vincent is Lecturer in Jewish Studies/Academic Advisor to Partnerships at the University of Chester, UK.