This timely volume takes stock of the discipline of comparative literature and its theory and practice from a Canadian perspective. It engages with the most pressing critical issues at the intersection of comparative literature and other areas of inquiry in the context of scholarship, pedagogy and academic publishing: bilingualism and multilingualism, Indigeneity, multiple canons (literary and other), the relationship between print culture and other media, the development of information studies, concerted efforts in digitization, and the future of the production and dissemination of knowledge. The authors offer an analysis of the current state of Canadian comparative literature, with a dual focus on the issues of multilingualism in Canada’s sociopolitical and cultural context and Canada’s geographical location within the Americas. It also discusses ways in which contemporary technology is influencing the way that Canadian literature is taught, produced, and disseminated, and how this affects its readings.

Robert Kroetsch: Essayist, Novelist, Poet brings together an international cast of critics, scholars, and writers to examine, re-examine, and honour the celebrated author's immense significance in the twenty-first century, and what it means to be Canadian and part of the country's literary landscape. Original essays by Dennis Cooley, Phil Hall, Nicole Markotic, Aritha van Herk, and Rudy Wiebe, among others. The author of nine novels, thirteen books of poetry, and seven non-fiction volumes, Robert Kroetsch (1927-2011) was a major figure in the development and history of literature in Canada. He won the Governor General's Award for Fiction for The Studhorse Man (1969) and was shortlisted for the Governor General's Award for Poetry for The Hornbooks of Rita K. (2001). He received honorary degrees from the University of Winnipeg (1983) and the University of Alberta (1997), and was made an Officer of the Order of Canada (2004). Robert Kroetsch stands as a seminal figure in the Canadian literary landscape. In his early fiction he introduced postmodern techniques into the mainstream of Canadian fiction. He then moved on to writing poetry while still writing fiction, and created a new vision for poets across the country, defining the nature of the poetic experience by searching out the roots of his place in the Canadian landscape. Robert Kroetsch: Essayist, Novelist, Poet is a timely reminder of the immense significance that Kroetsch holds in the twenty-first-century understanding of what it means to be Canadian and part of the country's literary landscape. This book is published in English. - Robert Kroetsch (1927-2011) est une figure majeure de l'histoire et du developpement de la litterature au Canada. Son roman intitule The Studhorse Man (1969) lui a permis de remporter le Prix litteraire du Gouverneur general dans la categorie roman et nouvelles ; par ailleurs, son recueil de poesie, intitule The Hornbooks of Rita K. (2001), a figure sur la liste des finalistes du Prix litteraire du Gouverneur general dans la categorie poesie. De plus, il s'est vu decerner un doctorat honoris causa par deux universites canadiennes, l'Universite de Winnipeg (1983) et l'Universite de l'Alberta (1997), et il a ete fait officier de l'Ordre du Canada (2004). Robert Kroetsch est une figure marquante du paysage litteraire canadien. Dans ses premiers ouvrages de fiction, il a introduit des techniques de narration postmodernes dans le courant dominant et jusqu'alors plutot conventionnel de la fiction canadienne. Il a ensuite entrepris d'ecrire de la poesie tout en poursuivant son oeuvre romanesque. Ce faisant, il a su creer une nouvelle vision pour les poetes canadiens ; il a, entre autres, defini la nature de l'experience poetique en se questionnant sur le sens de l'identite canadienne et sur la place qu'il occupait dans le paysage litteraire canadien. L'ouvrage intitule Robert Kroetsch : romancier, poete et essayiste constitue un rappel opportun de l'importance considerable de cet auteur majeur, qui nous a permis de mieux comprendre ce que cela signifiait d'etre Canadien au XXIe siecle et d'appartenir au paysage litteraire canadien. Ce livre est publie en anglais.

In the 1930s Grey Owl was considered the foremost conservationist and nature writer in the world. He owed his fame largely to his four internationally bestselling books, which he supported with a series of extremely popular illustrated lectures across North America and Great Britain. His reputation was transformed radically, however, after he died in April 1938, and it was revealed that he was not of mixed Scottish-Apache ancestry, as he had often claimed, but in fact an Englishman named Archie Belaney. Born into a privileged family in the dominant culture of his time, what compelled him to flee to a far less powerful one? Albert Braz's Apostate Englishman: Grey Owl the Writer and the Myths is the first comprehensive study of Grey Owl's cultural and political image in light of his own writings. While the denunciations of Grey Owl after his death are often interpreted as a rejection of his appropriation of another culture, Braz argues that what troubled many people was not only that Grey Owl deceived them about his identity, but also that he had forsaken European culture for the North American Indigenous way of life. That is, he committed cultural apostasy.

In the 1930s Grey Owl was considered the foremost conservationist and nature writer in the world. He owed his fame largely to his four internationally bestselling books, which he supported with a series of extremely popular illustrated lectures across North America and Great Britain. His reputation was transformed radically, however, after he died in April 1938, and it was revealed that he was not of mixed Scottish-Apache ancestry, as he had often claimed, but in fact an Englishman named Archie Belaney. Born into a privileged family in the dominant culture of his time, what compelled him to flee to a far less powerful one? Albert Braz's Apostate Englishman: Grey Owl the Writer and the Myths is the first comprehensive study of Grey Owl's cultural and political image in light of his own writings. While the denunciations of Grey Owl after his death are often interpreted as a rejection of his appropriation of another culture, Braz argues that what troubled many people was not only that Grey Owl deceived them about his identity, but also that he had forsaken European culture for the North American Indigenous way of life. That is, he committed cultural apostasy.

Featuring seven English-language essays, five French-language essays, and a bilingual introduction, this collection examines the cultural work of space and memory in Canada and Canadian literature, and encourages readers to investigate Canada within its regional, national, and global contexts. It also invites us to recognize local intersections so easily overlooked, yet so important. The diverse critical approaches of this collection reveal and probe the unities and fractures in national understanding, telling stories of otherness and marginality, of dis-location and un-belonging. This collection will be welcomed by readers and critics of Canadian literature. Contributors: Albert Braz, Samantha Cook, Jennifer Delisle, Lise Gaboury-Diallo, Smaro Kamboureli, Janne Korkka, Andre Lamontagne, Margaret Mackey, Sherry Simon, Pamela Sing, Camille van der Marel, Erin Wunker