This volume contains the collected papers of Albert Henrichs on numerous subjects in ancient Greek myth and religion. What was ancient Greek religion really like? What is the reality of belief and action that lies behind the unwieldy sources, which stem from vast areas and epochs of the ancient world? What is the meaning, intended and otherwise, of religious action and speech in ancient Greece? Who were the Greek gods, how were they worshipped, and how were they viewed by those who worshipped them? One of the leading students of ancient Greek religion over the past five decades, Albert Henrichs, the Eliot Professor of Greek Literature at Harvard University, combines wide and deep learning, a pragmatic, incisive approach to the sources, and an apt use of comparative perspectives. Henrichs breaks new ground in discussing sacrifice, libation, cultic identity, religious action and speech, epiphany, and the personalities of the gods. Special attention is devoted to ancient Greek sources on the ancient Persian prophet Mani, founder of Manichaeism. As a group, Albert Henrichs' papers on Greek religion offer a basic education on Greek myth and religion and constitute a blueprint for serious study of the subject.

Volume 103 of Harvard Studies in Classical Philology includes the following contributions: Renaud Gagne, "Winds and Ancestors: The Physika of Orpheus"; Jonas Grethlein, "The Poetics of the Bath in the Iliad"; Daniel Turkeltaub, "Perceiving Iliadic Gods"; Ruth Scodel, "The Gods' Visit to the Ethiopians in Iliad 1"; Alberto Bernabe, "The Derveni Theogony: Many Questions and Some Answers"; Herbert Granger, "The Theologian Pherecydes of Syros and the Early Days of Natural Philosophy"; Olga Levaniouk, "The Toys of Dionysos"; Filippomaria Pontani, "Shocks, Lies, and Matricide: Some Thoughts on Aeschylus Choephoroi 653-718"; David Wolfsdorf, " in Plato's Lysis"; Vayos Liapis, "How to Make a Monostichos: Strategies of Variation in the Sententiae Menandri"; Stanley Hoffer, "The Use of Adjective Interlacing (Double Hyperbaton) in Latin Poetry"; Alan Cameron, "The Imperial Pontifex"; Llewelyn Morgan, "Neither Fish nor Fowl? Metrical Selection in Martial's Xenia"; Christina Kokkinia, "A Rhetorical Riddle: The Subject of Dio Chrysostom's First Tarsian Oration"; Andrew Turner, "Frontinus and Domitian: Laus principis in the Strategemata"; Miriam Griffin, "The Younger Pliny's Debt to Moral Philosophy"; Gregory Hays, "Further Notes on Fulgentius"; Wayne Hankey, "Re-evaluating E. R. Dodds' Platonism"; Sean Hemingway and Henry Lie, "A Copper Alloy Cypriot Tripod at the Harvard University Art Museums"; and Maura Giles-Watson, "Odysseus and the Ram in Art and (Con)text: Arthur M. Sackler Museum 1994.8 and the Hero's Escape from Polyphemos."

Volume 102 of Harvard Studies in Classical Philology includes the following contributions: Mika Kajava, "Hestia: Hearth, Goddess, and Cult"; Jonathan Burgess, "Untrustworthy Apollo and the Destiny of Achilles: Iliad 24.55-63"; Anna Bonifazi, "Relative Pronouns and Memory: Pindar beyond Syntax"; William Race, "Pindar's Olympian 11 Re-Visited Post-Bundy"; Michael Clarke, "An Ox-Fronted River-God (Sophocles, Trachiniae 12-13)"; William Allan, "Religious Syncretism: The New Gods of Greek Tragedy"; Edward Harris, "Notes on a Lead Letter from the Athenian Agora"; Miriam Hecquet-Devienne, "A Legacy from the Library of the Lyceum? Inquiry into the Joint Transmission of Theophrastus' and Aristotle's Metaphysics Based on Evidence Provided by Manuscripts E and J"; Jordi Pamias, "Dionysus and Donkeys on the Streets of Alexandria: Eratosthenes' Criticism of Ptolemaic Ideology"; Craige B. Champion, "Polybian Demagogues in Political Context"; Marco Fantuzzi, "The Magic of (Some) Allusions: Philodemus AP 5.107 (GPh 3188 ff.; 23 Sider)"; Brian Krostenko, "Binary Phrases and the Middle Style as Social Code: Rhetorica ad Herennium"; Deborah Steiner, "Catullan Excavations: Pindar's Olympian 10 and Catullus 68"; Andrew Dyck, "Cicero's Devotio: The Roles of Dux and Scape-Goat in His Post Reditum Rhetoric"; Mario Geymonat, "Capellae at the End of the Eclogues"; Sergio Casali, "Nisus and Euryalus: Exploiting the Contradictions in Virgil's Doloneia"; Thomas Cole, "Ovid, Varro, and Castor of Rhodes: The Chronological Architecture of the Metamorphoses"; Niklas Holzberg, "Impersonating the Banished Philosopher: Pseudo-Seneca's Liber Epigrammaton"; E. Courtney, "On Editing the Silvae"; and D. R. Shackleton Bailey, "On Editing the Silvae: A Response."

Wide-ranging essays making up the first major study of Nietzsche and the classical tradition in a quarter of a century. This volume collects a wide-ranging set of essays examining Friedrich Nietzsche's engagement with antiquity in all its aspects. It investigates Nietzsche's reaction and response to the concept of "classicism," with particular reference to his work on Greek culture as a philologist in Basel and later as a philosopher of modernity, and to his reception of German classicism in all his texts. The book should be of interest to students of ancient history and classics, philosophy, comparative literature, and Germanistik. Taken together, these papers suggest that classicism is both a more significant, and a more contested, concept for Nietzsche than is often realized, and it demonstratesthe need for a return to a close attention to the intellectual-historical context in terms of which Nietzsche saw himself operating. An awareness of the rich variety of academic backgrounds, methodologies, and techniques of reading evinced in these chapters is perhaps the only way for the contemporary scholar to come to grips with what classicism meant for Nietzsche, and hence what Nietzsche means for us today. The book is divided into five sections -- The Classical Greeks; Pre-Socratics and Pythagoreans, Cynics and Stoics; Nietzsche and the Platonic Tradition; Contestations; and German Classicism -- and constitutes the first major study of Nietzsche and the classical tradition in a quarter of a century. Contributors: Jessica N. Berry, Benjamin Biebuyck, Danny Praet and Isabelle Vanden Poel, Paul Bishop, R. Bracht Branham, Thomas Brobjer, David Campbell, Alan Cardew, Roy Elveton, Christian Emden, Simon Gillham, John Hamilton, Mark Hammond, Albert Henrichs, Dirk t.D. Held, David F. Horkott, Dylan Jaggard, Fiona Jenkins, Anthony K. Jensen, Laurence Lampert, Nicholas Martin, Thomas A. Meyer, Burkhard Meyer-Sickendiek, John S. Moore, Neville Morley, David N. McNeill, James I. Porter, Martin A. Ruehl, Herman Siemens, Barry Stocker, Friedrich Ulfers and Mark Daniel Cohen, and Peter Yates. Paul Bishop is William Jacks Chair of Modern Languages at the University of Glasgow.

This book explores diverse but complementary interdisciplinary approaches to the poetics, intertexts, and influence of the work of C. P. Cavafy (Konstantinos Kavafis), one of the most important twentieth-century European poets. Written by leading international scholars in a number of disciplines (critical theory, gender studies, comparative literature, English studies, Greek studies, anthropology, classics), the essays of this volume situate Cavafy s poetry within the broader contexts of modernism and aestheticism and investigate its complex and innovative responses to European literary traditions (from Greek antiquity to modernity) as well as its multifaceted impact on major figures of world literature from North America to South Africa.

Contributors include Eve Sedgwick, Helen Vendler, Dimitrios Yatromanolakis, Richard Dellamora, Mark Doty, James Faubion, Diana Haas, John Chioles, Edmund Keeley, Albert Henrichs, Kathleen Coleman, Gregory Nagy, Michael Paschalis, Peter Jeffreys, Diskin Clay, and Panagiotis Roilos.

This volume of fourteen articles includes "The Bee Maidens of the Homeric Hymn to Hermes," by Susan Scheinberg; "Eleatic Conventionalism and Philolaus on the Conditions of Thought," by Martha Craven Nussbaum; "The Basis of Stoic Ethics," by Nicholas P. White; "New Comedy, Callimachus, and Roman Poetry," by Richard F. Thomas; "On Cicero's Speeches," by D. R. Shackleton Bailey; and "Ummidius Quadratus, Capax Imperii," by Ronald Syme.