Written in 1957, when North African independence movements were gaining momentum, The Colonizer and the Colonized studies the enduring legacy, political as much as psychological, of colonisation throughout the world.

Albert Memmi depicts colonialism as a disease of the European but crucially he demonstrates that colonialism destroys both the colonizer and the colonized, providing penetrating insights into colonial inheritance and resistance that remain as relevant today. One of the great works of twentieth-century political thought, The Colonizer and the Colonized speaks to experiences in the Global South as well as European countries such as Britain and France, who are still struggling with their imperial pasts. In revealing the mechanisms of colonial oppression, it also highlights the origins of all oppression of one group by another.

This edition includes introductions by two of the greatest writers of the twentieth-century: South African novelist and Nobel laureate Nadine Gordimer, and Jean-Paul Sartre.

In this time of global instability and widespread violence, Albert Memmi-author of the highly influential and groundbreaking work The Colonizer and the Colonized-turns his attention to the present-day situation of formerly colonized peoples. In Decolonization and the Decolonized, Memmi expands his intellectual engagement with the subject and examines the manifold causes of the failure of decolonization efforts throughout the world.As outspoken and controversial as ever, Memmi initiates a much-needed discussion of the ex-colonized and refuses to idealize those who are too often painted as hapless victims. He shows how, in light of a radically changed world, it would be problematic-and even irresponsible-to continue to deploy concepts that were useful and valid during the period of anticolonial struggle.Decolonization and the Decolonized contributes to the most current debates on Islamophobia in France, the "new" anti-Semitism, and the unrelenting poverty gripping the African continent. Memmi, who is Jewish, was born and raised in Tunis, and focuses primarily on what he calls the Arab-Muslim condition, while also incorporating comparisons with South America, Asia, Black Africa, and the United States. In Decolonization and the Decolonized, Memmi has written that rare book-a manifesto informed by intellect and animated by passion-that will propel public analysis of the most urgent global issues to a new level.Albert Memmi is professor emeritus of sociology at the University of Paris, Nanterre, and the author of Racism (Minnesota, 1997).Robert Bononno, a teacher and translator, lives in New York City.

First published in English in 1965, this timeless classic explores the psychological effects of colonialism on colonized and colonizers alike.
"Confiscated by colonial police throughout the world since its 1957 publication, THE COLONIZER AND THE COLONIZED is an important document of our times, an invaluable warning for all future generations."--The Los Angeles Times

Born in 1920 on the edge of Tunis's Jewish quarter, the French-Jewish-Tunisian sociologist, philosopher, and novelist Albert Memmi has been a central figure in colonial and postcolonial studies. Often associated with the anticolonial struggles of the 1950s and 1960s, Memmi's career has spanned fifty years, more than twenty book-length publications, and hundreds of articles that are distilled in this collection. The Albert Memmi Reader presents Memmi's insights on the legacies of the colonial era, critical theories of race, and his distinctive story. Memmi's novels and essays feature not only decolonial struggles but also commentary on race, the psychology of dependence, and what it means to be Jewish. This reader includes selections from his classic works, such as The Pillar of Salt and The Colonizer and the Colonized, as well as previously untranslated pieces that punctuate Memmi's literary life and career, and illuminate the full arc of the life of one of the great thinkers of the twentieth century. Selections from his later works speak directly to contemporary issues in European, African, and Middle Eastern studies, such as racism, immigration and European identity, and the struggles of postcolonial states, including Israel/Palestine.

Racism: It is social, not "natural," it is general, not "personal"; and it is tragically effective. In a remarkable meditation on a subject at the troubled center of American life, Albert Memmi investigates racism as social pathology -- a cultural disease that prevails because it allows one segment of society to empower itself at the expense of another. By turns historical, sociological, and autobiographical, Racism moves beyond individual prejudice and taste to engage the broader questions of collective behavior and social responsibility.

The book comprises three sections -- "Description, " "Definition, " and "Treatment" -- in which Memmi delineates racism's causes and hidden workings, examines its close affinity to colonialism, and considers its everyday manifestations over a period of centuries throughout the West. His topics include bigotry against Blacks, anti-Semitism, the meaning of "whiteness, " and the status of the Quebecois.

For Memmi, the structure of racism has four "moments": the insistenc on difference; the negative valuation imposed on those who differ; the generalizing of this negative valuation to an entire group; and the use of generalization to legitimize hostility. Memmi shows how it is not racism's content -- which can change at will -- but its form that gives it such power and tenacity.

Hailed as a masterpiece when it was first published in France in 1977, The Desert tells the story of al-Mammi, a young exiled prince of a now-destroyed Jewish kingdom in southern Morocco in the late fourteenth century. Fighting battles in the service of kings, facing imprisonment, and narrowly escaping death, the prince travels the Islamic world absorbing lessons, often painfully, on how to govern himself, as well as a country. At the same time, al-Mammi engages on a spiritual journey to obtain inner wisdom rather than material riches. Memmi chronicles the prince's fortunes as they rise and fall, drawing upon the traditions of Maghrebian storytelling and Arabian tales to offer a highly imaginative and allegorical novel that provocatively blends history with fiction.