How is the history of antiquity told, and what is the role of narrativity in transforming the image of antiquity? This volume addresses the highly charged intersection between experience, narrative, and history that may be apprehended when we consider the great diversity of narrative practices in literature, the visual arts, and historiography. Individual chapters explore transformations in the imagery, content, stories, and narrative modes of antiquity as they were appropriated in medieval and early modern chronicles, images, and epics.

The success of the historiography of Humanism is one of the central phenomena in the history of scholarship in the Early Modern Age, but the reasons for this have to date never been satisfactorily explained. The authors of these conference proceedings search for answers by approaching the historical writings from different perspectives. They discuss both the semantics and the literary methods of the texts, as well as the social positions of the authors. Closely related to both themes is the question of the historical spaces dealt with in the works, in which the humanists show the way as far as the New World.

Inscriptions, coins, literary models and classical Latin are elements of ancient culture to which recourse was made in the Renaissance. To what extent did they, in the process, shape humanistic historiography? The authors discuss the question by investigating the consequences that using a particular language have on historical writings, and analyse how historiographical models were adapted to the contemporary environment. Finally, they ask how the humanistsa (TM) enthusiasm for ancient remains manifested itself in historiography.