Few novelists of the Pacific islands could be less derivative in terms of the real vision into the life and character of non-Western society.... Even fewer novels, Western or Third World, can reach the strength and artistic power of Pouliuli."" - World Literature Today

An epic spanning three generations, Leaves of the Banyan Tree tells the story of a family and community in Western Samoa, exploring on a grand scale such universal themes as greed, corruption, colonialism, exploitation, and revenge. Winner of the 1980 New Zealand Wattie Book of the Year Award, it is considered a classic work of Pacific literature.

Albert Wendt’s new collection of short stories explores the nature of family, tradition and culture through the eyes of those seemingly caught between the realities of modern contemporary life and the ancestral ties of their heritage. With a deft touch, he draws us into his characters’ lives and with equal parts wisdom and wit, he exposes them to us. This is a masterful meditation on the ties that bind people together across time and place. The unpublished manuscript of Ancestry was overall winner of the University of the South Pacific Press Literature Prize in 2011.

What happens when an old man wakes up one morning and finds that everything around him now fills with revulsion? What happens when Faleasa Osovae, the highest ranking alii in the village of Maalaelua, feigns madness and throws away his responsibilities as a chief?

This new collection by Albert Wendt moves from the warm valley winds of Hawai'i to the seasons of a garden in Auckland, New Zealand. From Manoa to a Ponsonby Garden is a collection of poignant, extraordinary poems - alert and self-confident, challenging of literary conventions, rough-hewn yet imbued with compelling vitalism - by one of our most celebrated writers. Writing, family and the passing of time are constant preoccupations. Opening in Hawai'i, Wendt watches the changing shadows of the mountains from his verandah; considers the nature of mauli, the seat of life; walks protected in his wife's perfumed slipstream to work; and writes to Hone Tuwhare. In the second half, his Ponsonby garden provides the setting and vivid detail for 38 'garden' poems, interspersed with inky, drawn works. If hips need replacing, poets grow older, tsunami destroy and friends slip away, still a spirit of renewal pervades this collection.