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Orson Welles in Italy (Paperback): Alberto Anile Orson Welles in Italy (Paperback)
Alberto Anile; Translated by Marcus Perryman
R822 R761 Discovery Miles 7 610 Save R61 (7%) Ships in 10 - 15 working days

Fleeing a Hollywood that spurned him, Orson Welles arrived in Italy in 1947 to begin his career anew. Far from being welcomed as the celebrity who directed and starred in Citizen Kane, his six-year exile in Italy was riddled with controversy, financial struggles, disastrous love affairs, and failed projects. Alberto Anile's book depicts the artist's life and work in Italy, including his reception by the Italian press, his contentious interactions with key political figures, and his artistic output, which culminated in the filming of Othello. Drawing on revelatory new material on the artist's personal and professional life abroad, Orson Welles in Italy also chronicles Italian cinema's transition from the social concerns of neorealism to the alienated characters in films such as Federico Fellini's La Dolce Vita, amid the cultural politics of postwar Europe and the beginnings of the cold war.

Orson Welles in Italy (Hardcover): Alberto Anile Orson Welles in Italy (Hardcover)
Alberto Anile; Translated by Marcus Perryman
R2,338 Discovery Miles 23 380 Ships in 18 - 22 working days

Fleeing a Hollywood that spurned him, Orson Welles arrived in Italy in 1947 to begin his career anew. Far from being welcomed as the celebrity who directed and starred in Citizen Kane, his six-year exile in Italy was riddled with controversy, financial struggles, disastrous love affairs, and failed projects. Alberto Anile's book depicts the artist's life and work in Italy, including his reception by the Italian press, his contentious interactions with key political figures, and his artistic output, which culminated in the filming of Othello. Drawing on revelatory new material on the artist's personal and professional life abroad, Orson Welles in Italy also chronicles Italian cinema's transition from the social concerns of neorealism to the alienated characters in films such as Federico Fellini's La Dolce Vita, amid the cultural politics of postwar Europe and the beginnings of the cold war.

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