artWork: Art, Labour and Activism brings together a variety of perspectives on contemporary cultural production and activism in order to interrogate how the concepts of art, labour and activism intersect in practices for social change. What can we learn about contemporary art and politics by looking at the intersections between art, labour and activism? What theoretical tools can help us arrive at a deeper understanding of these intersections? In order to address these questions, this collection explores the role of art as activism, the use of social media and technology in creative production and organising, the politics of artmaking, the commodification of culture and the possibility of a creative commons, and the work of artist activists as educators. In addition to offering a variety of new perspectives from researchers and practitioners, it proposes new paths towards interdisciplinary research in this field that combine sociological, anthropological, philosophical and art theory perspectives. It will be of interest to students and scholars interested in creative labour, social movements and political arts practice.

Alberto Cossu's ethnographic research on the MACAO centre in Italy radiates out to questions about what it means to be a modern artist, and how much autonomy is left to the artist in a globalized and politicised world. "Autonomous Art Institutions" provides a unique perspective on the political engagement of artists in order to investigate the reconfiguration of contemporary art practices as they dissolve in social and economic processes. The book provides insight into the making of a radical art institution across seven years of activity, showing how social, cultural and economic elements are appropriated and repurposed by artists in the process. Based on years of sociological research as well as direct involvement of the author in the artistic practices, the book illuminates the spark of society-to-come by examining the doings of artists as they attempt to disrupt the 'creative city'.

Alberto Cossu's ethnographic research on the MACAO centre in Italy radiates out to questions about what it means to be a modern artist, and how much autonomy is left to the artist in a globalized and politicised world. "Autonomous Art Institutions" provides a unique perspective on the political engagement of artists in order to investigate the reconfiguration of contemporary art practices as they dissolve in social and economic processes. The book provides insight into the making of a radical art institution across seven years of activity, showing how social, cultural and economic elements are appropriated and repurposed by artists in the process. Based on years of sociological research as well as direct involvement of the author in the artistic practices, the book illuminates the spark of society-to-come by examining the doings of artists as they attempt to disrupt the 'creative city'.

artWork: Art, Labour and Activism brings together a variety of perspectives on contemporary cultural production and activism in order to interrogate how the concepts of art, labour and activism intersect in practices for social change. What can we learn about contemporary art and politics by looking at the intersections between art, labour and activism? What theoretical tools can help us arrive at a deeper understanding of these intersections? In order to address these questions, this collection explores the role of art as activism, the use of social media and technology in creative production and organising, the politics of artmaking, the commodification of culture and the possibility of a creative commons, and the work of artist activists as educators. In addition to offering a variety of new perspectives from researchers and practitioners, it proposes new paths towards interdisciplinary research in this field that combine sociological, anthropological, philosophical and art theory perspectives. It will be of interest to students and scholars interested in creative labour, social movements and political arts practice.