The era in which Ibn Battuta traveled to the East was exciting but turbulent, cursed by the Black Plague and the fall of mighty dynasties. His account provides a first-hand account of increased globalisation due to the rise of Islam, as well as the relationship between the Western world and India and China in the 14th century. There are insights into the complex power dynamics of the time, as well a personal glimpse of the author's life as he sought to survive them, always staying on the move. The Ri?la contains great value as a historical document, but also for its religious commentary, especially regarding the marvels and miracles that Ibn Battuta encountered. It is also an entertaining narrative with a wealth of anecdotes, often humorous or shocking, and in many cases touchingly human. The book records the journey of Ibn Battuta, a Moroccan jurist who travels to the East, operating at high levels of government within the vibrant Muslim network of India and China. It offers fascinating details into the cultures and dynamics of that region, but goes beyond other travelogues due to the dramatic narrative of its author - tragedies and wonders fill its pages - shared for the greater glory of Allah and the edification of its contemporary audience in the West.

The image of the meditating yogi has become a near-universal symbol for transcendent perfection used to market everything from perfume and jewelry to luxury resorts and sports cars, and popular culture has readily absorbed it along similar lines. Yet the religious traditions grounding such images are often readily abandoned or caricatured beyond recognition, or so it would seem. The essays contained in The Assimilation of Yogic Religions through Pop Culture explore the references to yogis and their native cultures of India, Tibet, and China as they are found in the stories of many famous icons of popular culture, from Batman, Spider-Man, and Doctor Strange to Star Trek, Doctor Who, Twin Peaks, and others. In doing so, the authors challenge the reader to look deeper into the seemingly superficial appropriation of the image of the yogi and Asian religious themes found in all manner of comic books, novels, television, movies, and theater and to carefully examine how they are being represented and what exactly is being said.

The era in which Ibn Battuta traveled to the East was exciting but turbulent, cursed by the Black Plague and the fall of mighty dynasties. His account provides a first-hand account of increased globalisation due to the rise of Islam, as well as the relationship between the Western world and India and China in the 14th century. There are insights into the complex power dynamics of the time, as well a personal glimpse of the author's life as he sought to survive them, always staying on the move. The Ri?la contains great value as a historical document, but also for its religious commentary, especially regarding the marvels and miracles that Ibn Battuta encountered. It is also an entertaining narrative with a wealth of anecdotes, often humorous or shocking, and in many cases touchingly human. The book records the journey of Ibn Battuta, a Moroccan jurist who travels to the East, operating at high levels of government within the vibrant Muslim network of India and China. It offers fascinating details into the cultures and dynamics of that region, but goes beyond other travelogues due to the dramatic narrative of its author - tragedies and wonders fill its pages - shared for the greater glory of Allah and the edification of its contemporary audience in the West.