Judgment, Imagination, and Politics brings together for the first time leading essays on the nature of judgment. Drawing from themes in Kant's Critique of Judgment and Hannah Arendt's discussion of judgment from Lectures on Kant's Political Philosophy, these essays deal with: the role of imagination in judgment; judgment as a distinct human faculty; the nature of judgment in law and politics; and the many puzzles that arise from the 'enlarged mentality, ' the capacity to consider the perspectives of others that aren't in Kant treated as essential to judgment

This volume is a collection of essays based on lectures given at the Orpheus Institute in Ghent at various occasions over the last four years.Two of our five distinguished authors are British, three are Germans. Two are prominent composers and both keen and provocative writers about music; one is a musicologist and daring critic who specializes in contemporary music. There are also two philosophers and Adorno specialists that deal with such fundamental and highly complex matters as music and language, and music and time.All authors subscribe to the same seriousness of purpose, so that you may find reminiscences of one text in the others, which will make for a fascinating read. Moreover, this book is all about the current state of music, about thinking, speaking, and writing about music in the immediate aftermath of that stirring and fascinating twentieth century.

The Persistence of Modernity presents four essays, drawn from works by one of Germany's foremost philosophers, that go to the heart of a number of contemporary issues: Adorno's aesthetics, the nature of a postmodern ethics, and the persistence of modernity in the so-called postmodern age.Albrecht Wellmer defends the general thesis that modernity contains its own critique and that what has been called postmodernism is in fact a further articulation of that critique. More specifically, his essays offer a reinterpretation of Adorno's aesthetics in the framework of a postutopian philosophy of communicative reason, an analysis of the postmodern critique of instrumental reason and its subject that becomes an argument for democratic pluralism and universalism, a discussion of the dialectics of modernism and postmodernism in the context of architecture and industrial design, and a dialogical ethics that is inspired by and yet takes issue with Habermas's discourse ethics.Albrecht Wellmer is Professor of Philosophy at the University of Berlin.