'To be honest with you, before I went secondary school I thought that the kids they would be like really mature and like by the time I reached Year Ten I'd be fully mature and everything. And I'd lose my like funsense and stuff... But, I don't know if it's just my class in particular but we really haven't matured at all... I don't want to be the serious adult and have serious children and have serious future in a serious house and serious everything.' Alecky Blythe's engrossing verbatim play tells the stories of a generation. Created from five years of interviews with twelve young people from across the UK, Our Generation is a captivating portrait of their teenage years as they journey into adulthood. Often too extraordinary to be fiction, this funny and moving play is for anyone who is - or has ever been - a teenager. It was co-produced by the National Theatre, London, and Chichester Festival Theatre in 2022, directed by Daniel Evans.

An explosive verbatim play about the 2011 London Riots, by the author of the award-winning London Road. In the summer of 2011, London was burning. Alecky Blythe took her Dictaphone to the streets... From the helicopters circling overhead to the burnt-out buildings on the street, Little Revolution records the voices and stories of a community from when the riots happened up to their present-day aftermath. Little Revolution premiered at the Almeida Theatre, London, in August 2014.

In late 2006 the everyday life of the quiet rural town of Ipswich was shattered by the discovery of the bodies of five women. The residents of London Road had struggled for years with the soliciting and kerb-crawling that they frequently encountered. As Steve Wright, the occupant of No. 79, was arrested, charged and then convicted of the murders, the immediate community grappled with the media frenzy and what it meant to be at the epicentre of this tragedy. London Road is a verbatim-theatre musical based on those events, with book and lyrics by Alecky Blythe, who recorded extensive interviews with the people of Ipswich, and music by Adam Cork, whose score is a response to the melodic and rhythmic speech patterns captured on those recordings. The musical was developed by the National Theatre, London, and first performed there in the Cottesloe auditorium in April 2011. It won the 2011 Critics' Circle Award for Best Musical. London Road is an experimental and challenging work which reveals the ways in which even the darkest experiences can engender a greater sense of our mutual dependence.

A true-life play about friendship, heartbreak and business enterprise... in a seaside brothel. Tessa has set up a business: a brothel where mature women specialise in offering the 'Girlfriend Experience', a surprisingly caring and sympathetic service. As the women stoically strive to make a living in a competitive market, their personal lives start to crumble. Will they ever have loving relationships outside work and enjoy being girlfriends themselves? The Girlfriend Experience continues the verbatim-theatre technique Alecky Blythe developed in Come Out Eli and Cruising. The play is created entirely from conversations recorded inside an actual brothel, edited and replicated on stage in all their uncanny verisimilitude. Alecky Blythe's play was first performed at the Royal Court Theatre, London, in September 2008. The production transferred to the Young Vic, London, in July 2009.

A hilarious, real-life comedy about pensioners going in search of love - from the sublime to the downright saucy. Maureen is a pensioner in search of passion. After 33 blind dates, 12 cruises and one broken heart, she is still determined to find Mr Right. But when best friend Margaret beats her to the altar, Maureen has her doubts - is Margaret just on the rebound and, more importantly, will she lose her pension? Alecky Blythe's verbatim theatre play Cruising was first staged at the Bush Theatre, London, in 2006 in a co-production with Recorded Delivery, using an innovative verbatim-theatre technique. The technique consists of recording interviews with real people, editing them and replicating them on stage in all their uncanny verisimilitude. The result is both disconcertingly comic and profoundly moving, as all the individual peculiarities of the 'characters' are scrupulously reproduced.

This diverse anthology features eight contemporary plays founded in testimonies from across the world. Showcasing challenging and provocative works of theatre, the collection also provides a clear insight into the workings of the genre through author interviews, introductions from the companies and performance images which illustrate the process of creating each piece.""Bystander 9/11 by Meron Langsner is an impressionistic but wholly authentic response to the catastrophe as it unfolded and in the days following. "Big Head" by Denise Uyehara is an interrogation of current perceptions of "the enemy now" as seen through the lens of Japanese American internment during World War II. Urban Theatre Projects' "The Fence" is a tale of love, belonging and healing. It is a tender work that looks at the adult lives of five family and friends who spent their childhoods in orphanages, institutions and foster homes in Australia. "Come Out Eli" Christmas 2002 in Hackney, London, saw the longest siege in British history. Using interviews collected at the time and further material gathered in the aftermath, Alecky Blythe's play explores the impact of the siege on the lives of individuals and the community."The Travels" members of Forced Entertainment undertook a series of journeys during one summer, each travelling alone to locations in the UK to complete tasks determined only partially in advance. This began a mapping process and the creation of a landscape of ideas, narratives and bad dreams."On the Record" by Christine Bacon and Noah Birksted-Breen circumnavigates the globe to bring true stories from six independent journalists, all linked by their determination to shed light on the truth.Created by Paula Cizmar, Catherine Filloux, Gail Kriegel, Carol K. Mack, Ruth Margraff, Anna Deavere Smith and Susan Yankowitz, "Seven "is based on personal interviews with seven women who have triumphed over huge obstacles to catalyse major changes in human rights in their home countries of Russia, Pakistan, Nigeria, Northern Ireland, Afghanistan, Guatemala and Cambodia."Pajarito Nuevo la Lleva: The Sounds of the Coup "by Maria Jose Contreras Lorenzini focuses upon sense memories of witnesses who were children at the time of the 1974 military coup in Chile.