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Alejandro Cesarco: Song, published on the occasion of the
exhibition of the same name at the Renaissance Society, brings
together both new commissions and existing works. In the
exhibition, Cesarco creates rhythm by incorporating silences and
withholdings. The works form an installation drawing on the poetics
of duration, refusal, repetition, and affective forms. This
presentation, as in the artist's broader practice, represents a
sustained investigation into time, memory, and how meaning is
perceived. Centering on two related video works, the exhibition
engaged deeply with histories of conceptual art. This catalog
features an introduction by Solveig Ovstebo, a conversation between
Alejandro Cesarco and Lynne Tillman, an essay by Julie Ault, and
new short fiction by Wayne Koestenbaum in response to the
exhibition.
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