A new edition of the Russian Nobelist's collection of novellas, short stories, and prose poems
"Stories and Prose Poems" contains twenty-two works of widely varied style and character from the Nobel Prize winner Aleksandr Solzhenitsyn. These shorter pieces demonstrate the extraordinary mastery of language that places Solzhenitsyn among the greatest Russian prose writers of the twentieth century.
When the two superb stories "Matryona's House" and "An Incident at Krechetovka Station" were first published in Russia in 1963, the Moscow "Literary Gazette," the mouthpiece of the Soviet literary establishment, wrote: "His talent is so individual and so striking that from now on nothing that comes from his pen can fail to excite the liveliest interest."
For some readers the most exciting discovery will be the astonishing group of sixteen prose poems. In these works of varying lengths, Solzhenitsyn has distilled the joy and bitterness of Russia's fate into language of unrivaled lyrical purity.

'The Gulag Archipelago' presents the vision of a world of prison camps and secret police, of informers, spies and interrogators. But it also tells of the heroism in a Stalinist hell at the heart of the Soviet Union.

Volume 1 of the gripping epic masterpiece, Solzhenitsyn's chilling report of his arrest and interrogation, which exposed to the world the vast bureaucracy of secret police that haunted Soviet society

'[The Gulag Archipelago] helped to bring down an empire. Its importance can hardly be exaggerated' Doris Lessing, Sunday Telegraph WITH A NEW FOREWORD BY JORDAN B. PETERSON A vast canvas of camps, prisons, transit centres and secret police, of informers and spies and interrogators but also of everyday heroism, The Gulag Archipelago is Aleksandr Solzhenitsyn's grand masterwork. Based on the testimony of some 200 survivors, and on the recollection of Solzhenitsyn's own eleven years in labour camps and exile, it chronicles the story of those at the heart of the Soviet Union who opposed Stalin, and for whom the key to survival lay not in hope but in despair. A thoroughly researched document and a feat of literary and imaginative power, this edition of The Gulag Archipelago was abridged into one volume at the author's wish and with his full co-operation. 'Solzhenitsyn's masterpiece...The Gulag Archipelago helped create the world we live in today' Anne Applebaum THE OFFICIALLY APPROVED ABRIDGEMENT OF THE GULAG ARCHIPELAGO VOLUMES I, II & III

'[The Gulag Archipelago] helped to bring down an empire. Its importance can hardly be exaggerated' Doris Lessing, Sunday Telegraph WITH A NEW INTRODUCTION BY NATALIA SOLZHENITSYN A vast canvas of camps, prisons, transit centres and secret police, of informers and spies and interrogators but also of everyday heroism, The Gulag Archipelago is Aleksandr Solzhenitsyn's grand masterwork. Based on the testimony of some 200 survivors, and on the recollection of Solzhenitsyn's own eleven years in labour camps and exile, it chronicles the story of those at the heart of the Soviet Union who opposed Stalin, and for whom the key to survival lay not in hope but in despair. A thoroughly researched document and a feat of literary and imaginative power, this edition of The Gulag Archipelago was abridged into one volume at the author's wish and with his full co-operation. 'Solzhenitsyn's masterpiece...The Gulag Archipelago helped create the world we live in today' Anne Applebaum THE OFFICIALLY APPROVED ABRIDGEMENT OF THE GULAG ARCHIPELAGO VOLUMES I, II & III

The Russian Nobelist's semiautobiographical novel set in a Soviet cancer ward shortly after Stalin's death
One of the great allegorical masterpieces of world literature, "Cancer Ward" is both a deeply compassionate study of people facing terminal illness and a brilliant dissection of the cancerous Soviet police state.
"Cancer Ward" examines the relationship of a group of people in the cancer ward of a provincial Soviet hospital in 1955, two years after Stalin's death. We see them under normal circumstances and then reexamined at the eleventh hour of illness. Together they represent a remarkable cross section of contemporary Russian characters and attitudes. The experiences of the central character, Oleg Kostoglotov, closely reflect the author's own: Aleksandr Solzhenitsyn became a patient in a cancer ward in the mid-1950s, on his release from a labor camp, and later recovered.

The subject of Detente, Democracy and Dictatorship has been with us since the breakdown of the Cold War and the termination of the Soviet system, indeed, if not since the origins of Bolshevism. No more vigorous critic of the uneasy co-existence of democracy and dictatorship exists than the greatest writer that the Soviet era of Russian history produced, Aleksandr Solzhenitsyn.This third edition is based on major addresses, especially aimed at Americans, delivered in 1975 in Washington, D.C. and New York, and again, in 1978, at Harvard University in Cambridge, all on the subject of detente, democracy and dictatorship. It also includes Solzhenitsyn's final 2007 interview with the German publication Der Spiegel.These major statements are brilliant and forthright comment on the risks of confusing ideology with diplomacy. But more than that, they summarize the Soviet debacle, the theoretical underpinnings, and distill Solzhenitsyn's multi-volumed masterpiece, the Gulag Archipelago.

The subject of "Detente, Democracy and Dictatorship" has been with us since the breakdown of the Cold War and the termination of the Soviet system, indeed, if not since the origins of Bolshevism. No more vigorous critic of the uneasy co-existence of democracy and dictatorship exists than the greatest writer that the Soviet era of Russian history produced, Aleksandr Solzhenitsyn.

This third edition is based on major addresses, especially aimed at Americans, delivered in 1975 in Washington, D.C. and New York, and again, in 1978, at Harvard University in Cambridge, all on the subject of detente, democracy and dictatorship. It also includes Solzhenitsyn's final 2007 interview with the German publication "Der Spiegel."

These major statements are brilliant and forthright comment on the risks of confusing ideology with diplomacy. But more than that, they summarize the Soviet debacle, the theoretical underpinnings, and distill Solzhenitsyn's multi-volumed masterpiece, the "Gulag Archipelago."

The Russian Nobelist's major work, back in print for the centenary of World War I and the Russian Revolution

In his monumental narrative of the outbreak of the First World War and the ill-fated Russian offensive into East Prussia, Aleksandr Solzhenitsyn has written "a dramatically new interpretation of Russian history" (Nina Krushcheva, "The Nation").
The assassination of the tsarist prime minister Pyotr Stolypin, a crucial event in the years leading up to the Revolution of 1917, is reconstructed from the alienating viewpoints of historical witnesses. The sole voice of reason among the advisers to Tsar Nikolai II, Stolypin died at the hands of the anarchist Mordko Bogrov, and with him Russia's last hope for reform perished.
" August 1914" is the first volume of Solzhenitsyn's epic, "The Red Wheel"; the second is "November 1916." Each volume concentrates on a critical moment or "knot" in the history of the Russian Revolution.

“Aleksandr Solzhenitsyn delineates his idyllic time in rural Vermont, where he had the freedom to work, spend time with his family, and wage a war of ideas against the Soviet Union and other detractors from afar. At his quiet retreat . . . the Nobel laureate found . . . ‘a happiness in free and uninterrupted work.’” —Kirkus Reviews This compelling account concludes Nobel Prize–winner Aleksandr Solzhenitsyn’s literary memoirs of his years in the West after his forced exile from the USSR following the publication of The Gulag Archipelago. The book reflects both the pain of separation from his Russian homeland and the chasm of miscomprehension between him and Western opinion makers. In Between Two Millstones, Solzhenitsyn likens his position to that of a grain that becomes lodged between two massive stones, each grinding away—the Soviet Communist power with its propaganda machine on the one hand and the Western establishment with its mainstream media on the other. Book 2 picks up the story of Solzhenitsyn’s remarkable life after the raucous publicity over his 1978 Harvard Address has died down. The author parries attacks from the Soviet state (and its many fellow-travelers in the Western press) as well as from recent émigrés who, according to Solzhenitsyn, defame Russian culture, history, and religion. He shares his unvarnished view of several infamous episodes, such as a sabotaged meeting with Ronald Reagan, aborted Senate hearings regarding Radio Liberty, and Gorbachev’s protracted refusal to allow The Gulag Archipelago to be published back home. There is also a captivating chapter detailing his trips to Japan, Taiwan, and Great Britain, including meetings with Margaret Thatcher and Prince Charles and Princess Diana. Meanwhile, the central themes of Book 1 course through this volume, too—the immense artistic quandary of fashioning The Red Wheel, staunch Western hostility to the historical and future Russia (and how much can, or should, the author do about it), and the challenges of raising his three sons in the language and spirit of Russia while cut off from the homeland in a remote corner of rural New England. The book concludes in 1994, as Solzhenitsyn bids farewell to the West in a valedictory series of speeches and meetings with world leaders, including John Paul II, and prepares at last to return home with his beloved wife Natalia, full of misgivings about what use he can be in the first chaotic years of post-Communist Russia, but never wavering in his conviction that, in the long run, his books would speak, influence, and convince. This vibrant, faithful, and long-awaited first English translation of Between Two Millstones, Book 2, will fascinate Solzhenitsyn's many admirers, as well as those interested in twentieth-century history, Russian history, and literature in general.

“Aleksandr Solzhenitsyn delineates his idyllic time in rural Vermont, where he had the freedom to work, spend time with his family, and wage a war of ideas against the Soviet Union and other detractors from afar. At his quiet retreat . . . the Nobel laureate found . . . ‘a happiness in free and uninterrupted work.’” —Kirkus Reviews This compelling account concludes Nobel Prize–winner Aleksandr Solzhenitsyn’s literary memoirs of his years in the West after his forced exile from the USSR following the publication of The Gulag Archipelago. The book reflects both the pain of separation from his Russian homeland and the chasm of miscomprehension between him and Western opinion makers. In Between Two Millstones, Solzhenitsyn likens his position to that of a grain that becomes lodged between two massive stones, each grinding away—the Soviet Communist power with its propaganda machine on the one hand and the Western establishment with its mainstream media on the other. Book 2 picks up the story of Solzhenitsyn’s remarkable life after the raucous publicity over his 1978 Harvard Address has died down. The author parries attacks from the Soviet state (and its many fellow-travelers in the Western press) as well as from recent émigrés who, according to Solzhenitsyn, defame Russian culture, history, and religion. He shares his unvarnished view of several infamous episodes, such as a sabotaged meeting with Ronald Reagan, aborted Senate hearings regarding Radio Liberty, and Gorbachev’s protracted refusal to allow The Gulag Archipelago to be published back home. There is also a captivating chapter detailing his trips to Japan, Taiwan, and Great Britain, including meetings with Margaret Thatcher and Prince Charles and Princess Diana. Meanwhile, the central themes of Book 1 course through this volume, too—the immense artistic quandary of fashioning The Red Wheel, staunch Western hostility to the historical and future Russia (and how much can, or should, the author do about it), and the challenges of raising his three sons in the language and spirit of Russia while cut off from the homeland in a remote corner of rural New England. The book concludes in 1994, as Solzhenitsyn bids farewell to the West in a valedictory series of speeches and meetings with world leaders, including John Paul II, and prepares at last to return home with his beloved wife Natalia, full of misgivings about what use he can be in the first chaotic years of post-Communist Russia, but never wavering in his conviction that, in the long run, his books would speak, influence, and convince. This vibrant, faithful, and long-awaited first English translation of Between Two Millstones, Book 2, will fascinate Solzhenitsyn's many admirers, as well as those interested in twentieth-century history, Russian history, and literature in general.

Volume 2 of the gripping epic masterpiece, The story of Solzhenitsyn's entrance into the Soviet prison camps, where he would remain for Nearly a decade

Aleksandr Solzhenitsyn's March 1917, Book 2, covers three days of the February Revolution when the nation unraveled, leading to the Bolshevik takeover eight months later. The Red Wheel is Nobel Prize-winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution. He spent decades writing about just four of the most important periods, or "nodes." This is the first time that the monumental March 1917-the third node-has been translated into English. It tells the story of the Russian Revolution itself, during which the Imperial government melts in the face of the mob, and the giants of the opposition also prove incapable of controlling the course of events. The action of Book 2 (of four) of March 1917 is set during March 13-15, 1917, the Russian Revolution's turbulent second week. The revolution has already won inside the capital, Petrograd. News of the revolution flashes across all Russia through the telegraph system of the Ministry of Roads and Railways. But this is wartime, and the real power is with the army. At Emperor Nikolai II's order, the Supreme Command sends troops to suppress the revolution in Petrograd. Meanwhile, victory speeches ring out at Petrograd's Tauride Palace. Inside, two parallel power structures emerge: the Provisional Government and the Executive Committee of the Petrograd Soviet of Workers' and Soldiers' Deputies, which sends out its famous "Order No. 1," presaging the destruction of the army. The troops sent to suppress the Petrograd revolution are halted by the army's own top commanders. The Emperor is detained and abdicates, and his ministers are jailed and sent to the Peter and Paul Fortress. This sweeping, historical novel is a must-read for Solzhenitsyn's many fans, as well as those interested in twentieth-century history, Russian history and literature, and military history.

Russian Nobel prize-winner Aleksandr Solzhenitsyn (1918-2008) is widely acknowledged as one of the most important figures-and perhaps the most important writer-of the last century. To celebrate the centenary of his birth, the first English translation of his memoir of the West, Between Two Millstones, Book 1, is being published. Fast-paced, absorbing, and as compelling as the earlier installments of his memoir The Oak and the Calf (1975), Between Two Millstones begins on February 13, 1974, when Solzhenitsyn found himself forcibly expelled to Frankfurt, West Germany, as a result of the publication in the West of The Gulag Archipelago. Solzhenitsyn moved to Zurich, Switzerland, for a time and was considered the most famous man in the world, hounded by journalists and reporters. During this period, he found himself untethered and unable to work while he tried to acclimate to his new surroundings. Between Two Millstones contains vivid descriptions of Solzhenitsyn's journeys to various European countries and North American locales, where he and his wife Natalia ("Alya") searched for a location to settle their young family. There are fascinating descriptions of one-on-one meetings with prominent individuals, detailed accounts of public speeches such as the 1978 Harvard University commencement, comments on his television appearances, accounts of his struggles with unscrupulous publishers and agents who mishandled the Western editions of his books, and the KGB disinformation efforts to besmirch his name. There are also passages on Solzhenitsyn's family and their property in Cavendish, Vermont, whose forested hillsides and harsh winters evoked his Russian homeland, and where he could finally work undisturbed on his ten-volume dramatized history of the Russian Revolution, The Red Wheel. Stories include the efforts made to assure a proper education for the writer's three sons, their desire to return one day to their home in Russia, and descriptions of his extraordinary wife, editor, literary advisor, and director of the Russian Social Fund, Alya, who successfully arranged, at great peril to herself and to her family, to smuggle Solzhenitsyn's invaluable archive out of the Soviet Union. Between Two Millstones is a literary event of the first magnitude. The book dramatically reflects the pain of Solzhenitsyn's separation from his Russian homeland and the chasm of miscomprehension between him and Western society.

The Gulag Archipelago is Solzhenitsyn's masterwork, a vast canvas of camps, prisons, transit centres and secret police, of informers and spies and interrogators and also of heroism, a Stalinist anti-world at the heart of the Soviet Union where the key to survival lay not in hope but in despair. The work is based on the testimony of some two hundred survivors, and on the recollection of Solzhenitsyn's own eleven years in labour camps and exile. It is both a thoroughly researched document and a feat of literary and imaginative power. This edition has been abridged into one volume at the author's wish and with his full co-operation.

In March 1917, Book 3 the forces of revolutionary disintegration spread out from Petrograd all the way to the front lines of World War I, presaging Russia's collapse. One of the masterpieces of world literature, The Red Wheel is Nobel prize-winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution told in the form of a historical novel. March 1917-the third node-tells the story, day by day, of the Russian Revolution itself. Until recently, the final two nodes have been unavailable in English. The publication of Book 1 of March 1917 (in 2017) and Book 2 (in 2019) has begun to rectify this situation. The action of Book 3 (out of four) is set during March 16-22, 1917. In Book 3, the Romanov dynasty ends and the revolution starts to roll out from Petrograd toward Moscow and the Russian provinces. The dethroned Emperor Nikolai II makes his farewell to the Army and is kept under guard with his family. In Petrograd, the Provisional Government and the Soviet of Workers' and Soldiers' Deputies continue to exercise power in parallel. The war hero Lavr Kornilov is appointed military chief of Petrograd. But the Soviet's "Order No. 1" reaches every soldier, undermining the officer corps and shaking the Army to its foundations. Many officers, including the head of the Baltic Fleet, the progressive Admiral Nepenin, are murdered. Black Sea Fleet Admiral Kolchak holds the revolution at bay; meanwhile, Grand Duke Nikolai Nikolaevich, the emperor's uncle, makes his way to military headquarters, naively thinking he will be allowed to take the Supreme Command.

One of the great allegorical masterpieces of world literature, Cancer Ward is both a deeply compassionate study of people facing terminal illness and a brilliant dissection of the 'cancerous' Soviet police state. Withdrawn from publication in Russia in 1964, it became, along with One Day in the Life of Ivan Denisovich, a work that awoke the conscience of the world. As Robert Service wrote of its appeal in the Independent, 'In waging his struggle against Soviet communism, Solzhenitsyn the novelist preferred the rapier to the cudgel'.

Russian Nobel prize-winner Aleksandr Solzhenitsyn (1918-2008) is widely acknowledged as one of the most important figures-and perhaps the most important writer-of the last century. To celebrate the centenary of his birth, the first English translation of his memoir of the West, Between Two Millstones, Book 1, is being published. Fast-paced, absorbing, and as compelling as the earlier installments of his memoir The Oak and the Calf (1975), Between Two Millstones begins on February 13, 1974, when Solzhenitsyn found himself forcibly expelled to Frankfurt, West Germany, as a result of the publication in the West of The Gulag Archipelago. Solzhenitsyn moved to Zurich, Switzerland, for a time and was considered the most famous man in the world, hounded by journalists and reporters. During this period, he found himself untethered and unable to work while he tried to acclimate to his new surroundings. Between Two Millstones contains vivid descriptions of Solzhenitsyn's journeys to various European countries and North American locales, where he and his wife Natalia ("Alya") searched for a location to settle their young family. There are fascinating descriptions of one-on-one meetings with prominent individuals, detailed accounts of public speeches such as the 1978 Harvard University commencement, comments on his television appearances, accounts of his struggles with unscrupulous publishers and agents who mishandled the Western editions of his books, and the KGB disinformation efforts to besmirch his name. There are also passages on Solzhenitsyn's family and their property in Cavendish, Vermont, whose forested hillsides and harsh winters evoked his Russian homeland, and where he could finally work undisturbed on his ten-volume dramatized history of the Russian Revolution, The Red Wheel. Stories include the efforts made to assure a proper education for the writer's three sons, their desire to return one day to their home in Russia, and descriptions of his extraordinary wife, editor, literary advisor, and director of the Russian Social Fund, Alya, who successfully arranged, at great peril to herself and to her family, to smuggle Solzhenitsyn's invaluable archive out of the Soviet Union. Between Two Millstones is a literary event of the first magnitude. The book dramatically reflects the pain of Solzhenitsyn's separation from his Russian homeland and the chasm of miscomprehension between him and Western society.

Volume 3 of the gripping epic masterpiece, Solzhenitsyn's moving account of resistance within the Soviet labor camps and his own release after eight years

The Red Wheel is Nobel Prize-winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution. He spent decades writing about just four of the most important periods, or "nodes." This is the first time that the monumental March 1917-the third node-has been translated into English. It tells the story of the Russian Revolution itself, during which the Imperial government melts in the face of the mob, and the giants of the opposition also prove incapable of controlling the course of events. The action of Book 2 (of four) of March 1917 is set during March 13-15, 1917, the Russian Revolution's turbulent second week. The revolution has already won inside the capital, Petrograd. News of the revolution flashes across all Russia through the telegraph system of the Ministry of Roads and Railways. But this is wartime, and the real power is with the army. At Emperor Nikolai II's order, the Supreme Command sends troops to suppress the revolution in Petrograd. Meanwhile, victory speeches ring out at Petrograd's Tauride Palace. Inside, two parallel power structures emerge: the Provisional Government and the Executive Committee of the Petrograd Soviet of Workers' and Soldiers' Deputies, which sends out its famous "Order No. 1," presaging the destruction of the army. The troops sent to suppress the Petrograd revolution are halted by the army's own top commanders. The Emperor is detained and abdicates, and his ministers are jailed and sent to the Peter and Paul Fortress. This sweeping, historical novel is a must-read for Solzhenitsyn's many fans, as well as those interested in twentieth-century history, Russian history and literature, and military history.

‘Can one part of humanity learn from the bitter experience of another or can it not?

Is it possible or impossible to warn someone of danger...to assess soberly the worldwide menace that threatens to swallow the whole world?

I was swallowed myself. I have been in the dragon’s belly, in its red-hot innards. It was unable to digest me and threw me up. I have come to you as a witness to what it is like there, in the dragon’s belly’

During 1975 and 1976, Nobel Prize-winner Aleksandr Solzhenitsyn embarked on a series of speeches across America and Britain that would shock and scandalise both countries. His message: the West was veering towards moral and spiritual bankruptcy, and with it the world’s one hope against tyranny and totalitarianism.

From Solzhenitsyn’s warnings about the allure of communism, to his rebuke that the West should not abandon its age-old concepts of ‘good’ and ‘evil’, the speeches collected in Warning to the West provide insight into Solzhenitsyn’s uncompromising moral vision. Read today, their message remains as powerfully urgent as when Solzhenitsyn first delivered them.

The Gulag, the Stalinist labour camps to which millions of Russians were condemned for political deviation, has become a household word in the West. This is due to the accounts of many witnesses, but most of all to the publication, in 1962, of One Day in the Life of Ivan Denisovich, the novel that first brought Aleksandr Sozhenitsyn to public attention. His story of one typical day in a labour camp as experienced by prisoner Ivan Denisovich Shukhov is sufficient to describe the entire world of the Soviet camps. The original text was first published in the Soviet journal Novy Mir, during the Khrushchev 'thaw'. However, in the rush to bring out the first translation, the novel was significantly diminished. The idiosyncratic language of the protagonist - a man of peasant origins and no formal education - the colloquialisms and prison-camp slang were inadequately rendered; dense, elliptical syntax was smoothed over; earthy dialogue vanished into euphemism. Moreover, the novel, published in the Soviet Union for avowedly political reasons, was received abroad almost exclusively as a political sensation.

With this new translation, however, the full measure of the work's artistic achievement can finally be gauged.