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This book examines how left-wing political and cultural movements
in Western Europe have considered Jews in the last two hundred
years. The chapters seek to answer the following question: has
there been a specific way in which the Left has considered Jewish
minorities? The subject has taken various shapes in the different
geographical contexts, influenced by national specificities. In
tandem, this volume demonstrates the extent to which left-wing
movements share common trends drawn from a collective repertoire of
representations and meanings. Highlighting the different aspects of
the subject matter, the chapters in this book are divided in three
parts, each dedicated to a major theme: the contribution of the
theorists of Socialism to the Jewish Question; Antisemitism and its
representations in left-wing culture; and the perception of the
Arab-Israeli conflict. Taken together, these three themes allow for
a multidisciplinary analysis of the relationship between the Left
and Jews from the second half of the nineteenth century to recent
times.
Italian intellectuals played an important role in the shaping of
international politics during the Cold War. The visions of the
world that they promulgated, their influence on public opinion and
their ability to shape collective speech, whether in agreement with
or in opposition to those in power, have been underestimated and
understudied. This volume marks one of the first serious attempts
to assess how Italian intellectuals understood and influenced
Italy's place in the post-World War II world. The protagonists
represent the three key post-war political cultures: Catholic,
Marxist and Liberal Democratic. Together, these essays uncover the
role of such intellectuals in institutional networks, their impact
on the national and transnational circulation of ideas and the
relationships they established with a variety of international
associations and movements.
This book examines how left-wing political and cultural movements
in Western Europe have considered Jews in the last two hundred
years. The chapters seek to answer the following question: has
there been a specific way in which the Left has considered Jewish
minorities? The subject has taken various shapes in the different
geographical contexts, influenced by national specificities. In
tandem, this volume demonstrates the extent to which left-wing
movements share common trends drawn from a collective repertoire of
representations and meanings. Highlighting the different aspects of
the subject matter, the chapters in this book are divided in three
parts, each dedicated to a major theme: the contribution of the
theorists of Socialism to the Jewish Question; Antisemitism and its
representations in left-wing culture; and the perception of the
Arab-Israeli conflict. Taken together, these three themes allow for
a multidisciplinary analysis of the relationship between the Left
and Jews from the second half of the nineteenth century to recent
times.
Alessandra Tarquini's A History of Italian Fascist Culture,
1922-1943 is widely recognized as an authoritative synthesis of the
field. The book was published to much critical acclaim in 2011 and
revised and expanded five years later. This long-awaited
translation presents Tarquini's compact, clear prose to readers
previously unable to read it in the original Italian. Tarquini
sketches the universe of Italian fascism in three broad directions:
the regime's cultural policies, the condition of various art forms
and scholarly disciplines, and the ideology underpinning the
totalitarian state. She details the choices the ruling class made
between 1922 and 1943, revealing how cultural policies shaped the
country and how intellectuals and artists contributed to those
decisions. The result is a view of fascist ideology as a system of
visions, ideals, and, above all, myths capable of orienting
political action and promoting a precise worldview. Building on
George L. Mosse's foundational research, Tarquini provides the best
single-volume work available to fully understand a complex and
challenging subject. It reveals how the fascists used culture-art,
cinema, music, theater, and literature-to build a conservative
revolution that purported to protect the traditional social fabric
while presenting itself as maximally oriented toward the future.
Italian intellectuals played an important role in the shaping of
international politics during the Cold War. The visions of the
world that they promulgated, their influence on public opinion and
their ability to shape collective speech, whether in agreement with
or in opposition to those in power, have been underestimated and
understudied. This volume marks one of the first serious attempts
to assess how Italian intellectuals understood and influenced
Italy's place in the post-World War II world. The protagonists
represent the three key post-war political cultures: Catholic,
Marxist and Liberal Democratic. Together, these essays uncover the
role of such intellectuals in institutional networks, their impact
on the national and transnational circulation of ideas and the
relationships they established with a variety of international
associations and movements.
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