This book examines how left-wing political and cultural movements in Western Europe have considered Jews in the last two hundred years. The chapters seek to answer the following question: has there been a specific way in which the Left has considered Jewish minorities? The subject has taken various shapes in the different geographical contexts, influenced by national specificities. In tandem, this volume demonstrates the extent to which left-wing movements share common trends drawn from a collective repertoire of representations and meanings. Highlighting the different aspects of the subject matter, the chapters in this book are divided in three parts, each dedicated to a major theme: the contribution of the theorists of Socialism to the Jewish Question; Antisemitism and its representations in left-wing culture; and the perception of the Arab-Israeli conflict. Taken together, these three themes allow for a multidisciplinary analysis of the relationship between the Left and Jews from the second half of the nineteenth century to recent times.

This book examines how left-wing political and cultural movements in Western Europe have considered Jews in the last two hundred years. The chapters seek to answer the following question: has there been a specific way in which the Left has considered Jewish minorities? The subject has taken various shapes in the different geographical contexts, influenced by national specificities. In tandem, this volume demonstrates the extent to which left-wing movements share common trends drawn from a collective repertoire of representations and meanings. Highlighting the different aspects of the subject matter, the chapters in this book are divided in three parts, each dedicated to a major theme: the contribution of the theorists of Socialism to the Jewish Question; Antisemitism and its representations in left-wing culture; and the perception of the Arab-Israeli conflict. Taken together, these three themes allow for a multidisciplinary analysis of the relationship between the Left and Jews from the second half of the nineteenth century to recent times.

Italian intellectuals played an important role in the shaping of international politics during the Cold War. The visions of the world that they promulgated, their influence on public opinion and their ability to shape collective speech, whether in agreement with or in opposition to those in power, have been underestimated and understudied. This volume marks one of the first serious attempts to assess how Italian intellectuals understood and influenced Italy's place in the post-World War II world. The protagonists represent the three key post-war political cultures: Catholic, Marxist and Liberal Democratic. Together, these essays uncover the role of such intellectuals in institutional networks, their impact on the national and transnational circulation of ideas and the relationships they established with a variety of international associations and movements.

Italian intellectuals played an important role in the shaping of international politics during the Cold War. The visions of the world that they promulgated, their influence on public opinion and their ability to shape collective speech, whether in agreement with or in opposition to those in power, have been underestimated and understudied. This volume marks one of the first serious attempts to assess how Italian intellectuals understood and influenced Italy's place in the post-World War II world. The protagonists represent the three key post-war political cultures: Catholic, Marxist and Liberal Democratic. Together, these essays uncover the role of such intellectuals in institutional networks, their impact on the national and transnational circulation of ideas and the relationships they established with a variety of international associations and movements.

Alessandra Tarquini's A History of Italian Fascist Culture, 1922-1943 is widely recognized as an authoritative synthesis of the field. The book was published to much critical acclaim in 2011 and revised and expanded five years later. This long-awaited translation presents Tarquini's compact, clear prose to readers previously unable to read it in the original Italian. Tarquini sketches the universe of Italian fascism in three broad directions: the regime's cultural policies, the condition of various art forms and scholarly disciplines, and the ideology underpinning the totalitarian state. She details the choices the ruling class made between 1922 and 1943, revealing how cultural policies shaped the country and how intellectuals and artists contributed to those decisions. The result is a view of fascist ideology as a system of visions, ideals, and, above all, myths capable of orienting political action and promoting a precise worldview. Building on George L. Mosse's foundational research, Tarquini provides the best single-volume work available to fully understand a complex and challenging subject. It reveals how the fascists used culture-art, cinema, music, theater, and literature-to build a conservative revolution that purported to protect the traditional social fabric while presenting itself as maximally oriented toward the future.