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Showing 1 - 7 of 7 matches in All Departments
The enormously puzzling TV series The Prisoner has developed a rapt cult following, and has often been described as 'surreal' or 'Kafkaesque.' Alex Cox watched all the episodes of The Prisoner on their first broadcast, at the ripe old age of thirteen. In I Am (Not) a Number, Cox believes he provides the answers to all the questions which have engrossed and confounded viewers including: Who is Number 6? Who runs The Village? Who - or what - is Number 1? According to Cox, the key to understanding The Prisoner is to view the series in the order in which the episodes were made - and not in the re-arranged order of the UK or US television screenings. In this book he provides an innovative and controversial 'explanation' for what is perhaps the best, the most original, and certainly the most perplexing, TV series of all time.
Forty years ago as a graduate student I wrote a book about Spaghetti Westerns, called 10,000 Ways to Die. It's an embarrassing tome: full of half-assed semiotics and other attenuated academic nonsense. Thirty years later I wrote an entirely new book with the same title, about the same subject, from a different perspective - that of a working film director. What interested me was what the filmmakers intended, how they did that shot, how the director felt when his film was recut by the distributor, and he was creatively and financially screwed. Now I have prepared a new edition of 10,000 Ways to Die. It reflects my changing thoughts about the Italian Western, which I still greatly admire. It includes corrections, additions, and new sections on films I changed my mind about, or hadn't seen - including Lina Wertmuller's BELLE STAR - the only Italian Western directed by a woman.
Alex Cox's story of William Walker (Ed Harris), an American soldier of fortune, whose Latin American escapades in the mid 1800s continue to have ripple effects in US policy today. When his wife dies, Walker decides to leave a promising career in politics behind and, backed by banking magnate Cornelius Vanderbilt, travels to Nicaragua to make it safe for Vanderbilt's steamships. However, once there, Walker sets himself up as Nicaragua's president; until the nation decides they no longer want to be ruled by a mad 'gringo'.
Princess Stormy lives in a semi-detached castle with her family and a Fool. When an unhappy neighboring kingdom decides to invade, Stormy must go on her quest, meeting giant Cats, Mermangels, Giggle Monkeys, a Gricklegrack, and Flying Lizards on the way. Oh, and she kills three princes. But that's by accident, and anyway it's their own fault . . . Danbert Nobacon, singer, songwriter, comedian, and "freak music legend," was a founding member of the anarchist punk rock band Chumbawamba. He loves children and animals. This is his first book. Alex Cox is better known for his filmmaking skills. He loves monsters.
Filmmaker Alex Cox's thoughtful autobiography examines his craft and influences, as well as providing his insights into many of his favorite films. Sometimes called a radical, Cox is a quintessential auteur, as well as an internationally focused, insightful critic and writer whose passion for film has gripped him since childhood. In addition to being a captivating look into Cox's process, this book also encourages and instructs would-be independent filmmakers, guiding the next generation of film pioneers through the arduous journey of creation. Cox weaves his own "confessions" with his notes to the new guard, including thoughts on new forms of digital distribution and his radical views on intellectual property -- the result is a readable, startling treatise on both the film innovations of today and the thrilling potential of future filmmaking.
The President and the Provocateur explores the parallel lives of John F. Kennedy, born into wealth and celebrity, destined for glory and a violent death, and of Lee Harvey Oswald, born into poverty and obscurity, murdered in police custody and convicted - without a lawyer or a trial - of the killing of JFK. 50 years after both men were murdered, Alex Cox provides a chronological account of their lives' strange intersections, their shared interests, and the increasing body of evidence which suggests that Lee Harvey Oswald was working for some branch of the government - most likely the FBI or IRS - as an infiltrator of subversive groups, and agent provocateur. The President and the Provocateur draws on five decades of accumulated evidence that Oswald was an intelligence agent and agent provocateur. Far from being an active Communist, Oswald was mainly interested in infiltrating right-wing groups (including the White Russian community of Fort Worth, the National States Rights Party, the Minutemen, and the Cuban Alpha 66 terrorist organization in Dallas and New Orleans). From this perspective his alleged purchasing of guns by mail may be the actions of someone attempting to build a case against right-wing gun-runners and their suppliers - something the IRS and Senator Christopher Dodd's Subcommittee were also doing, at exactly the same time. The possibility that Oswald was sent as a spy to Russia has been raised before, but this is the first book to detail Oswald's continued pattern of intelligence-gathering and infiltration of political groups on his return to the USA.
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