"As perfect as the beads of a rosary."
-Sandra Cisneros, author of "The House on Mango Street
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"Fresh, magical, beautiful, evocative" says Lisa See, about this wonderful first novel by Alex Espinoza. "Still Water Saints" chronicles a momentous year in the life of Agua Mansa, a largely Latino town beyond the fringes of Los Angeles and home to the Botanica Oshun, where people come seeking charms, herbs, and candles. Above all, they seek the guidance of Perla Portillo, the shop's owner. Perla has served the community for years, arming her clients with the tools to overcome all manner of crises, large and small. There is Juan, a man coming to terms with the death of his father; Nancy, a recently married schoolteacher; Shawn, an addict looking for peace in his chaotic life; and Rosa, a teenager trying to lose weight and find herself. But when a customer with a troubled and mysterious past arrives, Perla struggles to help and must confront both her unfulfilled hopes and doubts about her place in a rapidly changing world.
Imaginative, inspiring, lyrical, and beautifully written, "Still Water Saints" evokes the unpredictability of life and the resilience of the spirit through the journeys of the people of Agua Mansa, and especially of the one woman at the center of it all. Theirs are stories of faith and betrayal, love and loss, the bonds of family and community, and the constancy of change.

"From the Hardcover edition."

"Espinoza's book stands out as a beacon for future queer writers, thinkers, and activists. Reading these accounts, I felt myself drawn into a past both wonderful and strange, a world I hope we will continue to celebrate and preserve." -Garrard Conley Acclaimed author Alex Espinoza takes readers on an uncensored journey through the underground, to reveal the timeless art of cruising. Combining historical research and oral history with his own personal experience, Espinoza examines the political and cultural forces behind this radical pastime. From Greek antiquity to the notorious Molly houses of 18th century England, the raucous 1970s to the algorithms of Grindr, Oscar Wilde to George Michael, cruising remains at once a reclamation of public space and the creation of its own unique locale-one in which men of all races and classes interact, even in the shadow of repressive governments. In Uganda and Russia, we meet activists for whom cruising can be a matter of life and death; while in the West he shows how cruising circumvents the inequalities and abuses of power that plague heterosexual encounters. Ultimately, Espinoza illustrates how cruising functions as a powerful rebuke to patriarchy and capitalism-unless you are cruising the department store restroom, of course.