In the aftermath of a personal tragedy, Harper retreats alone to the beautiful English countryside, hoping to have found a place to heal. But someone or something from the surrounding woods appears to be stalking her.

What begins as simmering dread becomes a fully-formed nightmare, inhabited by her darkest memories and fears in visionary filmmaker Alex Garland's feverish, shape-shifting new horror film.

Celebrate the 25th anniversary of The Beach, a classic story of paradise found - and lost, the book that inspired the major film starring Leonardo DiCaprio Richard lands in East Asia in search of an earthly utopia. In Thailand, he is given a map promising an unknown island, a secluded beach - and a new way of life. What Richard finds when he gets there is breathtaking: more extraordinary, more frightening than his wildest dreams. But how long can paradise survive here on Earth? And what lengths will Richard go to in order to save it? 'Fresh, fast-paced, compulsive and clever' Nick Hornby 'A powerful narrative drive, exotic locations that unfold like a corrupt and mysterious flower, and a moody intelligence that holds everything together' J.G. Ballard 'A gripping adventure, and a fascinating jigsaw' The Times

Following on from the success of his thriller, Ex Machina, Alex Garland returns to cerebral sci-fi with his adaptation of Jeff VanderMeer's cult novel - a tale of a biologist attempting to uncover the mystery of her husband's disappearance into a restricted zone. What she and her fellow scientists discover is a world populated by mysterious life forms that might offer answers, but which exposes them to madness and death. Beside the screenplay, the book also includes 20 pages of behind-the-scenes photos.

From the internationally-renowned author of The Beach, a gripping mystery and stylistic tour de force that delves into the subconscious mind, with brilliantly disturbing results. The brilliant mindmessing thriller from the author of 28 Days Later and The Beach A big success in its original editions, the paperback looks set to become an essential lead title in all summer reading promotions The award-winning illustrations from Nicholas Garland make this a beautiful and atmospheric book Massive advertising campaign across the Underground, national press and magazines to make The Coma an unmissable summer highlight

In this latest film from director Danny Boyle, a massive epidemic has swept the world, leaving in its wake a host of rabid humans seething with hatred and bent on destroying anyone untouched by the disease. Four seemingly unaffected people--a young man, a young woman, a father, and his daughter--flee London through an apocalyptic landscape as they try to reach the coast, beset along the way by attacks of "Infected" at every turn. When they arrive at an isolated house in the country, inhabited by a small group of soldiers, they think they have found a haven from the violence outside. But they soon find they've jumped from the frying pan into the fire.

It's save the earth time again, as a group of unfeasibly hot astronauts dare to go... Danny Boyle directs his take on the earth-under-threat scenario in an often gloomy and violent fashion. This time round, it's fifty years from now, and the Sun is on its way out, threatening mass destruction here on earth. Eight sexy astronauts (including Cillian Murphy, Rose Byrne, Michelle Yeoh and Chris Evans) have been dispatched to the heart of the solar system in a ship called, ominously, the Icarus II - to kickstart the sputtering star. The notion of darkness and the fear it instills is utilized as a scaremongering theme but is alternated with jarring scenes of pure white light when the ship nears its objective. With a few jolts of unexpected terror and a moody soundtrack by Underworld, Boyle tries very hard to make you afraid of the dark again.

The Khao San Road, Bangkok--first stop for the hordes of rootless young Westerners traveling in Southeast Asia. On Richard's first night there, in a low-budget guest house, a fellow traveler slashes his wrists, bequeathing to Richard a meticulously drawn map to "the Beach."

The Beach, as Richard has come to learn, is the subject of a legend among young travelers in Asia: a lagoon hidden from the sea, with white sand and coral gardens, freshwater falls surrounded by jungle, plants untouched for a thousand years. There, it is rumored, a carefully selected international few have settled in a communal Eden.

Haunted by the figure of Mr. Duck--the name by which the Thai police have identified the dead man--and his own obsession with Vietnam movies, Richard sets off with a young French couple to an island hidden away in an archipelago forbidden to tourists. They discover the Beach, and it is as beautiful and idyllic as it is reputed to be. Yet over time it becomes clear that Beach culture, as Richard calls it, has troubling, even deadly, undercurrents.

Spellbinding and hallucinogenic, The Beach is a look at a generation in their twenties, who, burdened with the legacy of the preceding generation and saturated by popular culture, long for an unruined landscape, but find it difficult to experience the world firsthand.

Alex Garland writes and directs this sci-fi thriller starring Oscar Isaac and Domhnall Gleeson. Gleeson plays Caleb, a promising young programmer, who is selected by the CEO (Isaac) of a large internet company to spend a week at his retreat in the mountains. When he arrives, Caleb soon learns that the retreat is in fact the location of a laboratory involved in pioneering research into artificial intelligence and robotics and is home to the world's first fully sentient robot (Alicia Vikander). However, as the two men interact more and more with the AI, it becomes apparent that she is more sophisticated than they imagined...

In less than an hour, Sean has a meeting with a mestizo gangster. On the other side of town, Rosa listens for her husband's car, and thirteen-year-old Vincente is watching for the man who pays money for street-kids' dreams. Tonight, these disparate lives will violently collide . . .

The Sun is dying, and mankind is dying with it. Our last hope is a spaceship and a crew of eight men and women. They carry a device which will breathe new life into the star. But, deep into their voyage, out of radio contact with Earth, their mission is starting to unravel. Soon, the crew are fighting not only for their lives, but their sanity.

Karl Urban stars in this sci-fi action thriller based on the 2000 AD comic series. In a desolate post-atomic world, the remaining humans live in police-controlled 'Mega Cities'. In Mega City One, Judge Dredd (Urban) is the most feared of an elite group of law enforcement officers who hold the power to sentence offenders and, if necessary, execute them on the spot. Dredd's latest adversary is Ma-Ma (Lena Headey), the matriarch of a drugs gang that has been selling a reality-altering substance known as SLO-MO. With the help of a young trainee (Olivia Thirlby), Dredd must bring his merciless brand of justice to some of the city's most dangerous districts.

Karl Urban stars in this sci-fi action thriller based on the 2000 AD comic series. In a desolate post-atomic world, the remaining humans live in police-controlled 'Mega Cities'. In Mega City One, Judge Dredd (Urban) is the most feared of an elite group of law enforcement officers who hold the power to sentence offenders and, if necessary, execute them on the spot.

Dredd's latest adversary is Ma-Ma (Lena Headey), the matriarch of a drugs gang that has been selling a reality-altering substance known as SLO-MO. With the help of a young trainee (Olivia Thirlby), Dredd must bring his merciless brand of justice to some of the city's most dangerous districts.

After being attacked on the Underground, Carl awakens from a coma to a life that seems strange and unfamiliar. He arrives at his friends' house without knowing how he got there. Nor do they. He seems to be having an affair with his secretary which is exciting, but unlikely. Further unsettled by leaps in logic and time, Carl wonders if he's actually reacting to the outside world, or if he's terribly mistaken. So begins a psychological adventure that stretches the boundaries of conciousness.

"The Tesseract has the traits of a thriller, but it's also a love story, a character study, a portrait of life among Manila's street kids, even an experiment in narration...a feverish, affecting, altogether captivating story....What really makes The Tesseract so gripping is the author's dazzling performance as a storyteller--not the bloody climaxes per se but the innovative techniques and deft changes of pace with which they are related. This is one of those rare novels that can be read for thrills but also taken apart and examined the way a jeweler does a fine watch. Garland also lavishes his characters with quirks that ring true, outbursts of human oddity that transform a moment that most authors would rush past into something memorable...all but flawless, a tour de force of brilliant narration and psychological acuity." --The Washington Post