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Showing 1 - 10 of 10 matches in All Departments
From hustling, drug addiction and armed violence in America's black ghettos Malcolm X turned, in a dramatic prison conversion, to the puritanical fervour of the Black Muslims. As their spokesman he became identified in the white press as a terrifying teacher of race hatred; but to his direct audience, the oppressed American blacks, he brought hope and self-respect. This autobiography (written with Alex Haley) reveals his quick-witted integrity, usually obscured by batteries of frenzied headlines, and the fierce idealism which led him to reject both liberal hypocrisies and black racialism.
"Extraordinary. A brilliant, painful, and important book."
Through a life of passion and struggle, Malcolm X became one of the
most influential figures of the 20th Century. In this riveting
account, he tells of his journey from a prison cell to Mecca,
describing his transition from hoodlum to Muslim minister. Here,
the man who called himself "the angriest Black man in America"
relates how his conversion to true Islam helped him confront his
rage and recognize the brotherhood of all mankind.
If there was any one man who articulated the anger, the struggle, and the beliefs of African Americans in the 1960s, that man was Malxolm X. His AUTOBIOGRAPHY is now an established classic of modern America, a book that expresses like none other the crucial truth about our times.
A new eight-hour event series based on Roots will be simulcast on the History Channel, Lifetime, and A&E over four consecutive nights beginning Memorial Day, May 30, 2016"Early in the spring of 1750, in the village of Juffure, four days upriver from the coast of The Gambia, West Africa, a man-child was born to Omoro and Binta Kinte."So begins Roots , one of the most extraordinary and influential books of our time. Through the story of one family, his family,Alex Haley unforgettably brings to life the monumental two-century drama of Kunta Kinte and the six generations who came after him: slaves and freedmen, farmers and blacksmiths, lumber mill workmen and Pullman porters, lawyers and architects...and one author.A national and international phenomenon at the time of its original publication, Roots continues to enthrall readers with its masterful narrative drive and exceptional emotional power, speaking to us all with an undiminished resonance and relevance."In all of us there is a hunger, marrow deep, to know our heritage.... Without this enriching knowledge, there is a hollow yearning no matter what our attainments in life.",Alex HaleyWith an introduction by Michael Eric Dyson RootsTheBook.com
Discover Alex Haley's Pulitzer Prize-winning search for his family's origins: a powerful memoir, a history of slavery and a landmark in African-American literature. Tracing his ancestry through six generations of architects, lawyers, blacksmiths, farmers, freedmen and slaves, Alex Haley's research took him back to Africa and a sixteen-year-old youth named Kunta Kinte. Torn from his homeland and brought to the slave markets of the New World, re-imagining Kunta's journey would allow Haley to explore his family's deep and distant past. 'A gripping mixture of urban confessional and political manifesto, Roots not only inspired a generation of black activists, but drove home the bitter realities of racism to a mainstream white liberal audience' Observer WITH A NEW INTRODUCTION BY DAVID OLUSOGA, AUTHOR OF BLACK AND BRITISH
Jeffrey M. Elliot (1948-2010) was professor of political science specializing in American politics and government, international relations, and civil rights and civil liberties. He is also known for a series of "Conversations with" a variety of writers. This collection includes interviews with Alex Haley, Jessica Mitford, Christopher Isherwood, Richard Armour, and Robert Anton Wilson.
She vowed to find a better world for her children. Even if she had
to make it herself. "From the Paperback edition."
Now a major BBC drama starring Forest Whitaker, Jonathan Rhys Meyers and Laurence Fishburne Tracing his ancestry through six generations - slaves and freedmen, farmers and blacksmiths, lawyers and architects - back to Africa, Alex Haley discovered a sixteen-year-old youth, Kunta Kinte. It was this young man, who had been torn from his homeland and in torment and anguish brought to the slave markets of the New World, who held the key to Haley's deep and distant past. Winner of the Pulitzer Prize and the National Book Award
This is an engrossing documentary of an African American sea island culture as it once existed.Through the photos of Moutoussamy-Ashe and words of Haley, ""Daufuskie Island"", first published in 1982, vividly captures life on a South Carolina sea island before the arrival of resort culture. Located between Hilton Head and Savannah, Daufuskie has since become a plush resort destination. These images document what life was like for the last inhabitants to occupy the land prior to the onset of tourist developments. When Moutoussamy-Ashe first came to Daufuskie in 1977, about eighty permanent African American residents lived on the island in fewer than fifty homes. Many of the people still spoke their native Gullah dialect. They had only one store, a two-room school, a nursery, and one church.This represented all that remained of a once-thriving antebellum black society which developed after the original plantation owners left the island. After the boll weevil caused cotton crop failures and pollution ruined oyster beds, forcing more and more residents to sell their land to commercial developers, it became obvious that Daufuskie would be transformed into a coastal resort like neighboring Hilton Head. These photos of family gatherings, ox-carts, crabbing, children at play, church services, and the toils of everyday existence independent from many conveniences of modernity form a vibrant mosaic of life as rewarding as it was rough-hewn and serve as a visual record of an African American subculture that no longer exists.Redesigned from cover to cover, this 25th anniversary edition includes more than fifty previously unpublished photographs, a new preface by Deborah Willis and new epilogue by Moutoussamy-Ashe.
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