This highly readable edited collection focuses on the work of Pulitzer Prize-winning author Annie Proulx. Each contributor to this volume explores a different facet of Proulx's striking attention to geography, place, landscape, regional environments, and local economies in her writing. Covering all of her novels and short story collections, scholars from the United States, Canada, and abroad engage in critical analyses of Proulx's new regionalism, use of geographical settings, and themes of displacement and immigration. Taken together, these essays demonstrate Annie Proulx's contribution to new regionalist understandings of place on local, national, and global scales. Readers will come away with a better understanding of Proulx's particular landscapes_particularly those of Wyoming, New England, Texas, and Newfoundland_and the issues surrounding the significance of these regions in contemporary American culture and literature.

This highly readable edited collection focuses on the work of Pulitzer Prize-winning author Annie Proulx. Each contributor to this volume explores a different facet of Proulx's striking attention to geography, place, landscape, regional environments, and local economies in her writing. Covering all of her novels and short story collections, scholars from the United States, Canada, and abroad engage in critical analyses of Proulx's new regionalism, use of geographical settings, and themes of displacement and immigration. Taken together, these essays demonstrate Annie Proulx's contribution to new regionalist understandings of place on local, national, and global scales. Readers will come away with a better understanding of Proulx's particular landscapes particularly those of Wyoming, New England, Texas, and Newfoundland and the issues surrounding the significance of these regions in contemporary American culture and literature."

Since Silent Spring was published in 1962, the number of texts about the natural world written by women has grown exponentially. The essays in Women Writing Nature: A Feminist View argue that women writing in the 20th century are utilizing the historical connection of women and the natural world in diverse ways. For centuries women have been associated with nature but many feminists have sought to distance themselves from the natural world because of dominant cultural representations which reflect women as controlled by powerful natural forces and confined to domestic spaces. However, in the spirit of Rachel Carson, some writers have begun to invoke nature for feminist purposes or have used nature as an agent of resistance. This collection considers women's writings about the natural world in light of recent and current feminist and ecofeminist theory and finds a variety of approaches and perspectives, both by the scholars and by the authors discussed, culminating with the voices of two women, activist and scientist Joan Maloof and Irish poet Rosemarie Rowley, who both write about the natural world from a feminist perspective.

Since Silent Spring was published in 1962, the number of texts about the natural world written by women has grown exponentially. The essays in Women Writing Nature: A Feminist View argue that women writing in the 20th century are utilizing the historical connection of women and the natural world in diverse ways. For centuries women have been associated with nature but many feminists have sought to distance themselves from the natural world because of dominant cultural representations which reflect women as controlled by powerful natural forces and confined to domestic spaces. However, in the spirit of Rachel Carson, some writers have begun to invoke nature for feminist purposes or have used nature as an agent of resistance. This collection considers women's writings about the natural world in light of recent and current feminist and ecofeminist theory and finds a variety of approaches and perspectives, both by the scholars and by the authors discussed, culminating with the voices of two women, activist and scientist Joan Maloof and Irish poet Rosemarie Rowley, who both write about the natural world from a feminist perspective.

This lively book sweeps across dramatic and varied terrains - volcanoes and glaciers, billabongs and canyons, prairies and rain forests - to explore how humans have made sense of our planet's marvelous landscapes. In a rich weave of scientific, cultural, and personal stories, "The Face of the Earth" examines mirages and satellite images, swamp-dwelling heroes and Tibetan nomads, cave paintings and popular movies, investigating how we live with the great shaping forces of nature - from fire to changing climates and the intricacies of adaptation. The book illuminates subjects as diverse as the literary life of hollow Earth theories, the links between the Little Ice Age and Frankenstein's monster, and the spiritual allure of deserts and their scarce waters. Including vivid, on-the-spot accounts by scientists and writers in Saudi Arabia, Australia, Alaska, England, the Rocky Mountains, Antarctica, and elsewhere, "The Face of the Earth" charts the depth and complexity of our interdependence with the natural world.

This lively book sweeps across dramatic and varied terrains - volcanoes and glaciers, billabongs and canyons, prairies and rain forests - to explore how humans have made sense of our planet's marvelous landscapes. In a rich weave of scientific, cultural, and personal stories, "The Face of the Earth" examines mirages and satellite images, swamp-dwelling heroes and Tibetan nomads, cave paintings and popular movies, investigating how we live with the great shaping forces of nature - from fire to changing climates and the intricacies of adaptation. The book illuminates subjects as diverse as the literary life of hollow Earth theories, the links between the Little Ice Age and Frankenstein's monster, and the spiritual allure of deserts and their scarce waters. Including vivid, on-the-spot accounts by scientists and writers in Saudi Arabia, Australia, Alaska, England, the Rocky Mountains, Antarctica, and elsewhere, "The Face of the Earth" charts the depth and complexity of our interdependence with the natural world.

Pantex was built during World War II near the town of Amarillo, Texas. The site was converted early in the Cold War to assemble nuclear weapons and produce high explosives. For nearly fifty years Pantex has been the sole assembly and disassembly plant for nuclear weapons in the United States. Today, most of the activities of the plant consist of the manufacture of high explosive components and the dismantlement or life extension of weapons. Unlike the much more famous nuclear-weapons-production sites at Los Alamos, Oak Ridge, Hanford, and Rocky Flats, the Pantex plant has drawn little attention, hidden under a metaphoric "cap of invisibility." Lucie Genay now lifts that invisibility cap to give the world its first in-depth look at Pantex and the people who have spent their lives as neighbors and employees of this secretive industry. The book investigates how Pantex has impacted local identity by molding elements of the past into the guaranty of its future and its concealment. It further examines the multiple facets of Pantexism through the voices of native and adoptive Panhandlers.

"Postcolonial Green" brings together scholarship bridging ecocriticism and postcolonialism. Since its inception, ecocriticism has been accused of being inattentive to the complexities that colonialism poses for ideas of nature and environmentalism. Postcolonial discourse, on the other hand, has been so immersed in theoretical questions of nationalism and identity that it has been seen as ignoring environmental or ecological concerns. This collection demonstrates that ecocriticism and postcolonialism must be understood as parallel projects if not facets of the very same project--a struggle for global justice and sustainability.

The essays in this collection span the globe, and cover such issues as international environmental policy, land and water rights, food production, poverty, women's rights, indigenous activism, and ecotourism. They consider all manner of texts, from oral tradition to literary fiction to web discourse. Contributors bring postcolonial theory to literary traditions, such as that of the United States, not typically seen in this light, and, conversely, bring ecocriticism to literary traditions, such as those of India and China, that have seen little ecological analysis. Postcolonial Green boasts a global geographical breadth, diversity of critical approach, and increasing relevance to the issues we face on a world stage.

Contributors

Neel Ahuja, University of North Carolina, Chapel Hill * Pavel Cenkl, Sterling College * Sharae Deckard, University College Dublin * Ursula K. Heise, Stanford University * Jonathan Highfield, Rhode Island School of Design * Alex Hunt, West Texas A&M University * Upamanyu Pablo Mukherjee, Warwick University * Patrick D. Murphy, University of Central Florida * Bonnie Roos, West Texas A&M University * Caskey Russell, University of Wyoming * Rachel Stein, Siena College * Sabine Wilke, University of Washington * Laura Wright, Western Carolina University * Sheng-yen Yu, National Taipei University of Technology * Gang Yue, University of North Carolina, Chapel Hill/Xiamen University

"Postcolonial Green" brings together scholarship bridging ecocriticism and postcolonialism. Since its inception, ecocriticism has been accused of being inattentive to the complexities that colonialism poses for ideas of nature and environmentalism. Postcolonial discourse, on the other hand, has been so immersed in theoretical questions of nationalism and identity that it has been seen as ignoring environmental or ecological concerns. This collection demonstrates that ecocriticism and postcolonialism must be understood as parallel projects if not facets of the very same project--a struggle for global justice and sustainability.

The essays in this collection span the globe, and cover such issues as international environmental policy, land and water rights, food production, poverty, women's rights, indigenous activism, and ecotourism. They consider all manner of texts, from oral tradition to literary fiction to web discourse. Contributors bring postcolonial theory to literary traditions, such as that of the United States, not typically seen in this light, and, conversely, bring ecocriticism to literary traditions, such as those of India and China, that have seen little ecological analysis. Postcolonial Green boasts a global geographical breadth, diversity of critical approach, and increasing relevance to the issues we face on a world stage.

Contributors

Neel Ahuja, University of North Carolina, Chapel Hill * Pavel Cenkl, Sterling College * Sharae Deckard, University College Dublin * Ursula K. Heise, Stanford University * Jonathan Highfield, Rhode Island School of Design * Alex Hunt, West Texas A&M University * Upamanyu Pablo Mukherjee, Warwick University * Patrick D. Murphy, University of Central Florida * Bonnie Roos, West Texas A&M University * Caskey Russell, University of Wyoming * Rachel Stein, Siena College * Sabine Wilke, University of Washington * Laura Wright, Western Carolina University * Sheng-yen Yu, National Taipei University of Technology * Gang Yue, University of North Carolina, Chapel Hill/Xiamen University