Reading this snowy story aloud together will have little ones shouting ‘HE’S BEHIND YOU!’ just like a trip to the Pantomime! Penguin has a favourite teddy called Mikki Olsen. Whatever Penguin does, wherever Penguin goes, Mikki is always right there next to him. But after a particularly busy day, Penguin takes his eye off the toy with potentially terrible consequences. Mikki is lost.. or is he? This sweet and playful story is a great play on the 'he's behind you' scenario. Young readers will love spotting missing Mikki on every spread, as well as identifying with that special love for a treasured toy.  

What is depression? An "imagined sun, bright and black at the same time?" A "noonday demon?" In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and innovative representations of a range of experiences that might get called "depression." Texts such as Julia Kristeva's Black Sun: Depression and Melancholia (1989), Andrew Solomon's The Noonday Demon (2000), Allie Brosh's cartoons, "Adventures in Depression" (2011) and "Depression Part Two" (2013), and Lars von Trier's film Melancholia (2011) each offer portraits of depression that deviate from, or altogether reject, the dominant language of depression that has been articulated by and within psychiatry. Most recently, Ann Cvetkovich's Depression: A Public Feeling (2012) has answered the author's own call for a multiplication of discourses on depression by positing crafting as one possible method of working through depression-as-"impasse." Inspired by Cvetkovich's efforts to re-shape the depressive experience itself and the critical ways in which we communicate this experience to others, Re/Imagining Depression: Creative Approaches to "Feeling Bad" harnesses critical theory, gender studies, critical race theory, affect theory, visual art, performance, film, television, poetry, literature, comics, and other media to generate new paradigms for thinking about the depressive experience. Through a combination of academic essays, prose, poetry, and interviews, this anthology aims to destabilize the idea of the mental health "expert" to instead demonstrate the diversity of affects, embodiments, rituals and behaviors that are often collapsed under the singular rubric of "depression."

What is depression? An "imagined sun, bright and black at the same time?" A "noonday demon?" In literature, poetry, comics, visual art, and film, we witness new conceptualizations of depression come into being. Unburdened by diagnostic criteria and pharmaceutical politics, these media employ imagery, narrative, symbolism, and metaphor to forge imaginative, exploratory, and innovative representations of a range of experiences that might get called "depression." Texts such as Julia Kristeva's Black Sun: Depression and Melancholia (1989), Andrew Solomon's The Noonday Demon (2000), Allie Brosh's cartoons, "Adventures in Depression" (2011) and "Depression Part Two" (2013), and Lars von Trier's film Melancholia (2011) each offer portraits of depression that deviate from, or altogether reject, the dominant language of depression that has been articulated by and within psychiatry. Most recently, Ann Cvetkovich's Depression: A Public Feeling (2012) has answered the author's own call for a multiplication of discourses on depression by positing crafting as one possible method of working through depression-as-"impasse." Inspired by Cvetkovich's efforts to re-shape the depressive experience itself and the critical ways in which we communicate this experience to others, Re/Imagining Depression: Creative Approaches to "Feeling Bad" harnesses critical theory, gender studies, critical race theory, affect theory, visual art, performance, film, television, poetry, literature, comics, and other media to generate new paradigms for thinking about the depressive experience. Through a combination of academic essays, prose, poetry, and interviews, this anthology aims to destabilize the idea of the mental health "expert" to instead demonstrate the diversity of affects, embodiments, rituals and behaviors that are often collapsed under the singular rubric of "depression."

SQUIBS: FOUR DIRECTIONS is a volume of seventeen-syllable poems for which no superlatives would suffice, unfortunately. Here you will find squibs and cartoons which may cause you to smile, to chuckle, to LOL, perhaps to cry or at least to cry "Enough " SQUIBS is an example of the current literature-as-therapy movement. If you're feeling blue you can go take a haiku. Haaaiiiiii--ku seventeen syllable verse squibs good, bad and worse all (thankfully) terse

This is the autobiography of a Rangers legend. Alex MacDonald's compelling memoirs cover his formative years as a player with St Johnstone, his rise to fame with Rangers, his transfer to Hearts where he became player-manager, and his time in charge at Airdrie. But Doddie is quintessentially a Rangers man, having grown up in Glasgow supporting them and then going on to play a key role in the club's 1972 Cup Winners' Cup triumph. Doddie won 12 medals in a glittering career, including a highly-prized European one during his time with Rangers, yet as he reveals, a chance meeting with Celtic manager Jock Stein might have resulted in him signing for the Old Firm's other half. Etched indelibly in his memory, too, is the dejection he suffered when Hearts lost the League Championship and Scottish Cup within the space of a week in the mid-1980s and his subsequent delight at leading Airdrie into Europe. Doddie is a fascinating story, both for his lifelong love affair with football and his more personal story of growing up in Glasgow, his love of animals and his midlife crisis when he put the car in the garage and headed out on the highway on a brand new Harley Davidson. It has been a life full of adventures and characters and the highs and lows of his life and career are entertainingly and engagingly told.