Practice counting on some of the most famous sculptures in the world!Masterpieces by world-famous sculptor Alexander Calder are used to teach quantity in this artful, read-aloud board book. One & Other Numbers accompanies artworks with a conversational and relatable text that encourages readers to notice and count various aspects of the sculptures. Calder's playful abstract shapes add to the richness of the visual arc, allowing readers to build personal connections with the art. Children will not only grow more familiar with numbers and quantity, but also with the artist and his work. This fourth title in Phaidon's "First Concepts with Fine Artists" series includes a read-aloud "about the artist" at the end.

One of the most beloved American artists of the last century, Alexander Calder reimagined sculpture as an experiment in space and motion. He upended centuries-old notions that sculpture should be static, grounded, and dense by making artworks that often move freely, interacting with their surroundings. Calder’s ever-changing artworks invite a viewer’s sustained attention; over the course of many decades, The Museum of Modern Art provided a setting for this productive exchange.

Alexander Calder: Modern from the Start looks at Calder’s work through the lens of his connection with MoMA, taking as a point of departure the idea that Calder assumed the unofficial role of the Museum’s “house artist” during its formative years. His work was first exhibited at MoMA in 1930, months after the institution opened its doors, and he was among only a handful of artists selected by the Museum’s founding director, Alfred H. Barr Jr., for inclusion in his two landmark 1936 exhibitions, Cubism and Abstract Art and Fantastic Art, Dada, Surrealism. He was called upon to produce several commissioned works―including Lobster Trap and Fish Tail, a multicolored mobile that hangs in the same stairwell for which it was made in 1939―and his sculptures have been a mainstay of the Museum’s galleries and Sculpture Garden ever since. Following a loose chronology, the catalogue presents examples from the full scope of Calder’s work, from the earliest wire sculptures of the 1920s through the largescale mono- and polychrome stabiles and standing mobiles of his later years. An essay by curator Cara Manes traces Calder’s rich relationship with MoMA, fueled by new research from the archives of the Museum and the Calder Foundation.

This is a new release of the original 1929 edition.

This is a new release of the original 1929 edition.

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

A well-known artist's sketches of animals are accompained by brief text explaining how to capture some of the elusive qualities of wildlife.

In Old New Zealand (1863), F.E. Maning recalls living alongside Maori in "the good old times before Governors were invented, and law, and justice, and all that." His account of the early contact period is widely acknowledged to be a masterpiece of some sort, but the extent to which it is fiction, autobiography, ethnography, history, or satire remains a matter for debate. This is the first scholarly edition of Maning's writings. It includes a revealing selection of Maning's unpublished letters, and Alex Calder contributes an introduction and notes that illuminate the works' historical, ethnographic, and literary contexts, showing how settler colonialism is an incomplete and contested process, the problems of which are enacted in Maning's writings, and repeated in the history of their reception.