Alexander Granach, who died while he was acting on Broadway in 1945, brilliantly relates the remarkable story of his unlikely path from a poverty-stricken, rough-and-tumble childhood to success on the German stage. This is the account of a daring, curiosity-filled, and perceptive Jewish child from poor towns in Galicia who was seized with a passion for the theater when he saw his first show at the age of 14. He overcame great odds to become a leading stage and film actor in Weimar Germany - and he had to have both legs broken to do it! Born in what is now southern Ukraine, Granach began working at the age of six in his father's bakery, where his heavy tasks left him visibly knock-kneed. With very little formal education but open for adventure and willing to work hard, Alexander ran away several times, the last time to Berlin, at the age of 16, where his talent and charm won him a place in Max Reinhardt's theater school. His career was abruptly interrupted by World War I and his time as a prisoner of war in Italy, but after a daring escape and the end of the war he resumed his rise to prominence in German artistic life. A natural storyteller, Granach's autobiography captures equally the charms, adventures, and trials of his shtetl days, the horrors of trench warfare, and the glamour and excitement of the German theater before Hitler came to power.

Alexander Granach, who died while he was acting on Broadway in 1945, brilliantly relates the remarkable story of his unlikely path from a poverty-stricken, rough-and-tumble childhood to success on the German stage. This is the account of a daring, curiosity-filled, and perceptive Jewish child from poor towns in Galicia who was seized with a passion for the theater when he saw his first show at the age of 14. He overcame great odds to become a leading stage and film actor in Weimar Germany - and he had to have both legs broken to do it Born in what is now southern Ukraine, Granach began working at the age of six in his father's bakery, where his heavy tasks left him visibly knock-kneed. With very little formal education but open for adventure and willing to work hard, Alexander ran away several times, the last time to Berlin, at the age of 16, where his talent and charm won him a place in Max Reinhardt's theater school. His career was abruptly interrupted by World War I and his time as a prisoner of war in Italy, but after a daring escape and the end of the war he resumed his rise to prominence in German artistic life. A natural storyteller, Granach's autobiography captures equally the charms, adventures, and trials of his shtetl days, the horrors of trench warfare, and the glamour and excitement of the German theater before Hitler came to power.

F.W. Murnau's silent vampire classic. Count Orlok (Max Schreck) decides to move from his ruined castle to the city of Bremen and hires real estate agent Thomas Hutter (Gustav von Wangenheim) to make the arrangements for him. But Orlok is also the vampire Nosferatu, and when he takes a shine to Hutter's young wife Ellen (Greta Schroder), it seems that the worst is indeed possible. Adapted from Bram Stoker's 'Dracula' (though with character names changed for legal reasons), Murnau's film also features some of the most famous sequences in cinema, including the count's climb up the stairs to Ellen's room, his claw-hand outstretched and his crooked shadow on the wall.

F.W. Murnau's silent vampire classic. Count Orlok (Max Schreck) decides to move from his ruined castle to the city of Wisborg and hires real estate agent Thomas Hutter (Gustav von Wangenheim) to make the arrangements for him. But Orlok is also the vampire Nosferatu and when he takes a shine to Hutter's young wife Ellen (Greta Schröder), it seems that the worst is indeed possible.

F.W. Murnau's silent vampire classic. Count Orlok (Max Schreck) decides to move from his ruined castle to the city of Bremen and hires real estate agent Thomas Hutter (Gustav von Wangenheim) to make the arrangements for him. But Orlok is also the vampire Nosferatu, and when he takes a shine to Hutter's young wife Ellen (Greta Schroder), it seems that the worst is indeed possible. Adapted from Bram Stoker's 'Dracula' (though with character names changed for legal reasons), Murnau's film also features some of the most famous sequences in cinema, including the Count's climb up the stairs to Ellen's room, his claw-hand outstretched and his crooked shadow on the wall. This is the version restored by the Münchner Filmmuseum and the Cineteca del Comune di Bologna, featuring a new score by James Bernard.