Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Human, All Too Human is the first book by Friedrich Nietzsche to use the aphoristic style that would become emblematic of his most famous philosophy. This compact and inexpensive print edition ensures that you can absorb and appreciate these philosophical insights at little expense. His style, combining Nietzsche's vehement brand of argument with keynote nihilistic energy, is evident. Quickfire, furious nature of the points made in some respects foreshadow later works in which these qualities are enhanced still further. For the clinical yet perceptive style present in this early work, Nietzsche's adherents compare Human, All Too Human to the earliest works of psychology. Throughout the text, Nietzsche examines human traits and behaviours in a series of short passages, presenting a number of posits and philosophic arguments in each. The shortest of these are only a single paragraph, while the longest run for several.

Human, All Too Human is the first book by Friedrich Nietzsche to use the aphoristic style that would become emblematic of his most famous philosophy. This compact and inexpensive print edition ensures that you can absorb and appreciate these philosophical insights at little expense. His style, combining Nietzsche's vehement brand of argument with keynote nihilistic energy, is evident. Quickfire, furious nature of the points made in some respects foreshadow later works in which these qualities are enhanced still further. For the clinical yet perceptive style present in this early work, Nietzsche's adherents compare Human, All Too Human to the earliest works of psychology. Throughout the text, Nietzsche examines human traits and behaviours in a series of short passages, presenting a number of posits and philosophic arguments in each. The shortest of these are only a single paragraph, while the longest run for several.

Everything is merely-human-all too human? With this exclamation my writings are gone through, not without a certain dread and mistrust of ethic itself and not without a disposition to ask the exponent of evil things if those things be not simply misrepresented. My writings have been termed a school of distrust, still more of disdain: also, and more happily, of courage, audacity even. And in fact, I myself do not believe that anybody ever looked into the world with a distrust as deep as mine, seeming, as I do, not simply the timely advocate of the devil, but, to employ theological terms, an enemy and challenger of God; and whosoever has experienced any of the consequences of such deep distrust, anything of the chills and the agonies of isolation to which such an unqualified difference of standpoint condemns him endowed with it, will also understand how often I must have sought relief and self-forgetfulness from any source-through any object of veneration or enmity, of scientific seriousness or wanton lightness; The title of the book may be explained from a phrase in Thus Spake Zarathustra: "Verily, even the greatest I found-all-too-human." The keynote of these volumes is indeed disillusion and destruction. Nor is this to be wondered at, for all men must sweep away the rubbish before they can build. Hence we find here little of the constructive philosophy of Nietzsche-so far as he had a constructive philosophy. Friedrich Wilhelm Nietzsche was a 19th-century German philosopher, poet, composer and classical philologist. He wrote critical texts on religion, morality, contemporary culture, philosophy and science, displaying a fondness for metaphor, irony and aphorism.

This early work by Alexander Harvey was originally published in 1908 and we are now republishing it as part of our Cryptofiction Classics series. 'The Golden Rat' tells the tale of a psychoanalyst and a troubling patient who hides a secret behind her emotional disturbance.