Alexander Hislop's memorable work, wherein he theorizes that the Catholic church is a covert continuation of the ancient Babylonian belief systems, offers a colorful interpretation of pagan traditions. This edition includes the original drawings. From the outset, Hislop claims to have unearthed proof that the papal office is a refined, veiled presentation of Babylonian worship. Specifically, the hunter Nimrod and his wife are the actual influencer of Catholicism, rather than Christ and Christian beliefs. In support of his hypothesis, Hislop attaches more than sixty drawings comparing Babylonian idols and aesthetics with those adopted by the Catholic creed - these, say Hislop, prove that the church is not an authentic organization which supports God or Jehovah, but a systematically pagan outfit. Today, Hislop's claims are generally considered as lacking in value or veracity by most scholars and theologians, with Hislop's interpretations of Babylonian culture and lore dismissed as inaccurate and fanciful.

The Two Babylons was an anti-Catholic religious pamphlet produced initially by the Scottish theologian and Protestant Presbyterian Alexander Hislop in 1853. It was later expanded in 1858 and finally published as a book in 1919. Its central theme is its allegation that the Roman Catholic Church is a veiled continuation of the pagan religion of Babylon, the veiled paganism being the product of a millennia old conspiracy.

Originally a pamphlet published in 1853, The Two Babylons is Hislop's most famous work. In this book he argues that the Roman Catholic Church is nothing more than pagan cult, with roots in Babylonian mystery cults, which have a bank of secret knowledge only available to those who have been formally accepted into the cult. Roman Catholics, Hislop argues, are descendants from early Christians who adopted the Roman religion descended from the worship of Semiramis, the wife of the founder of Babylon. By discrediting the true Christianity of Catholics, Hislop hoped to bolster the legitimacy of the Protestant and Scottish Reformations. Students of theology and those interested in the complex history of Christianity will find Hislop's arguments provocative enough that they may be moved to further research of their own. Scottish minister ALEXANDER HISLOP (1807-1865) became an ordained clergymen in the Free Church of Scotland in 1844. As a Presbyterian minister, Hislop was famously critical of the Roman Catholic Church. He wrote a number of books including Christ's Crown and Covenant (1860) and The Moral Identity of Babylon and Rome (1855).

Originally published as a pamphlet in 1853, and expanded to book length in 1858, The Two Babylons seeks to demonstrate a connection between the ancient Babylonian mystery religions and practices of the Roman Catholic Church. In some aspects, it was a precursor to the work of such scholars as Carl Jung, Joseph Campbell, and Jordan Peterson - albeit with a more direct sense of focus. Often controversial, yet always engaging, The Two Babylons comes from an era when disciplines such as archeology and anthropology were in their infancy, and represents an early attempt to synthesize many of the findings of these areas as they reflect on Biblical truth.

The Two Babylons was an anti-Catholic religious pamphlet produced initially by the Scottish theologian and Protestant Presbyterian Alexander Hislop in 1853. It was later expanded in 1858 and finally published as a book in 1919. Its central theme is its allegation that the Roman Catholic Church is a veiled continuation of the pagan religion of Babylon, the veiled paganism being the product of a millennia old conspiracy.

Alexander Hislop's memorable work, wherein he theorizes that the Catholic church is a covert continuation of the ancient Babylonian belief systems, offers a colorful interpretation of pagan traditions. This edition includes the original drawings. From the outset, Hislop claims to have unearthed proof that the papal office is a refined, veiled presentation of Babylonian worship. Specifically, the hunter Nimrod and his wife are the actual influencer of Catholicism, rather than Christ and Christian beliefs. In support of his hypothesis, Hislop attaches more than sixty drawings comparing Babylonian idols and aesthetics with those adopted by the Catholic creed - these, say Hislop, prove that the church is not an authentic organization which supports God or Jehovah, but a systematically pagan outfit. Today, Hislop's claims are generally considered as lacking in value or veracity by most scholars and theologians, with Hislop's interpretations of Babylonian culture and lore dismissed as inaccurate and fanciful.