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Based on case studies, this volume investigates the exchange of art
objects and ideas between France and Germany around 1900. Despite
strained relations between these two countries, art dealers,
gallerists, art critics and museum world representatives were
players in a lively international art business. The authors examine
institutional structures, practices and the personalities of the
Franco-German art world at the turn of the century, paying
particular attention to the role of museums and their directors.
The essays provide insights into the possibilities, functions and
conditions that existed for the protagonists at that time, which
have shaped the profiles of today's collections and have mapped out
our understanding of museums and cultural exchange.
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Nadine Gordimer
Paperback
(2)
R398
R330
Discovery Miles 3 300
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