An undercover investigator's moral compass begins to change when she infiltrates an anarchist group responsible for targeting major corporations. When the CEOs of high profile companies find themselves the victims of a number of covert attacks, former FBI agent Sarah Moss (Brit Marling) is recruited by private intelligence firm Hiller Brood to gather information on 'The East', a shadowy eco-activist collective thought to be responsible. After finally managing to infiltrate the group, however, Sarah discovers her allegiances beginning to shift, as she increasingly begins to question the moral uncertainties of her life and finds herself falling under the spell of the group's charismatic leader Benji (Alexander Skarsgård).

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

'The crossbill is a bonny bird An she sings wi a guid Scots tongue Jip-jip-jip A'll gie ye gip Gin ye meddle wi me nor ma young' As a result of his travels across the North American continent in the eighteenth century Alexander Wilson pioneered the science of ornithological writing and illustration, becoming an inspiration for most of the ornithological works which followed. This new book celebrates the artwork of Alexander Wilson by reproducing his illustrations alongside new poems in Scots by Hamish MacDonald, looking at the habits, habitats, and characteristics of birds.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Augustine of Hippo was a philosopher as well as theologian, bishop and saint. He aimed to practice philosophy not simply as an academic discipline but as a love for divine wisdom pervading everything in his life and work. To inquire into Augustine and philosophy is thus to get to the heart of his concerns as a Christian writer and uncover some of the reasons for his vast influence on Western thought. This volume, containing essays by leading Augustine scholars, includes a variety of inquiries into Augustine's philosophy in theory and practice, as well as his relation to philosophers before and after him. It opens up a variety of perspectives into the heart of Augustine's thought. He frequently reminds his readers, "philosophy" means love of wisdom, and in that sense he expects that every worthy impulse in human life will have something philosophical about it, something directed toward the attainment of wisdom. In Augustine's own writing we find this expectation put into practice in a stunning variety of ways, as keys themes of Western philosophy and intricate forms of philosophical argument turn up everywhere. The collection of essays in this book examines just a few aspects of the relation of Augustine and philosophy, both in Augustine's own practice as a philosopher and in his interaction with others. The result is not one picture of the relation of Augustine and philosophy but many, as the authors of these essays ask many different questions about Augustine and his influence, and bring a large diversity of interests and expertise to their task. Thus the collection shows that Augustine's philosophy remains an influence and a provocation in a wide variety of settings today.

Augustine of Hippo was a philosopher as well as theologian, bishop and saint. He aimed to practice philosophy not simply as an academic discipline but as a love for divine wisdom pervading everything in his life and work. To inquire into Augustine and philosophy is thus to get to the heart of his concerns as a Christian writer and uncover some of the reasons for his vast influence on Western thought. This volume, containing essays by leading Augustine scholars, includes a variety of inquiries into Augustine's philosophy in theory and practice, as well as his relation to philosophers before and after him. It opens up a variety of perspectives into the heart of Augustine's thought. He frequently reminds his readers, 'philosophy' means love of wisdom, and in that sense he expects that every worthy impulse in human life will have something philosophical about it, something directed toward the attainment of wisdom. In Augustine's own writing we find this expectation put into practice in a stunning variety of ways, as keys themes of Western philosophy and intricate forms of philosophical argument turn up everywhere. The collection of essays in this book examines just a few aspects of the relation of Augustine and philosophy, both in Augustine's own practice as a philosopher and in his interaction with others. The result is not one picture of the relation of Augustine and philosophy but many, as the authors of these essays ask many different questions about Augustine and his influence, and bring a large diversity of interests and expertise to their task. Thus the collection shows that Augustine's philosophy remains an influence and a provocation in a wide variety of settings today.

Arts of Resistance is an original exploration that extends beyond the arts into the context of politics and political change. In three wide-ranging exchanges prompted by American blues singer Linda MacDonald-Lewis, artist Alexander Moffat and poet Alan Riach, discuss cultural, political and artistic movements, the role of the artist in society and the effect of environment on artists from all disciplines. Arts of Resistance examines the lives and work of leading figures from Scotland's arts world in the twentieth century, concentrating on poets and artists but also including writers, musicians and architectural visionaries such as Charles Rennie Mackintosh and Patrick Geddes. Poets studied include Hugh MacDiarmid, Sorley MacLean, Iain Crichton Smith, Edwin Morgan and Liz Lochhead; artists include William McTaggart, William Johnstone and the Scottish Colourists. The investigation into the connection between the arts and political culture includes historical issues, from British imperialism to a devolved Scotland. Finally, the contribution to poetry and art of each major Scottish city is discussed: Edinburgh, Glasgow, Aberdeen, Dundee. Highly illustrated with paintings and poems, Arts of Resistance is a beautifully produced book providing facts and controversial opinions.

This book examines the prominent place a commitment to social justice and equity has occupied in the global history of literary journalism. With international case studies, it explores and theorizes the way literary journalists have addressed inequality and its consequences in their practice. In the process, this volume focuses on the critical attitude the writers of this genre bring to their stories, the immersive reporting they use to gain detailed and intimate knowledge of their subjects, and the array of innovative rhetorical strategies through which they represent those encounters.  The contributors explain how these strategies encourage readers to respond to injustices of class, race, indigeneity, gender, mobility, and access to knowledge. Together, they make the case that, throughout its history, literary journalism has proven uniquely well adapted to fusing facts with feeling in a way which makes it a compelling force for social change.

This book examines the prominent place a commitment to social justice and equity has occupied in the global history of literary journalism. With international case studies, it explores and theorizes the way literary journalists have addressed inequality and its consequences in their practice. In the process, this volume focuses on the critical attitude the writers of this genre bring to their stories, the immersive reporting they use to gain detailed and intimate knowledge of their subjects, and the array of innovative rhetorical strategies through which they represent those encounters. The contributors explain how these strategies encourage readers to respond to injustices of class, race, indigeneity, gender, mobility, and access to knowledge. Together, they make the case that, throughout its history, literary journalism has proven uniquely well adapted to fusing facts with feeling in a way which makes it a compelling force for social change.

Three classic titles from the Everyman Chess Starting Out Series in one volume. Starting Out: Queen's Gambit Accepted by Alexander Raetsky and Maxim Chetverik Starting Out: Queen's Gambit Declined by Neil McDonald Starting: Slav Semi Slav by Glenn Flear The Queen's Gambit Accepted (QGA) is Black's simplest way of dealing with one of White's most fashionable openings, the Queen's Gambit. Black grabs the gambit pawn and thus refuses to succumb to the passive positions so typical of the Queen's Gambit Declined. This direct and uncompromising way of playing gives rise to dynamic positions where both sides have excellent chances to play for the win. It's no surprise that the QGA has attracted many high-class advocates, including Garry Kasparov and Vishy Anand. The Queen's Gambit Declined is an opening of great historical importance and Black's fundamental answer to 1 d4. From the very first move Black obtains a firm foothold in the centre, something that White finds extremely hard to undermine. Indeed, Black often bases his entire strategy around this control. The soundness of the Queen's Gambit Declined has never been in question, and its supporters at the highest level include a long list of Grandmasters headed by Kasparov, Kramnik, Karpov and Short, as well as many World Champions from the past. The very closely linked Slav and Semi-Slav Defences are two of the most popular and combative openings that Black can play against the Queen's Gambit. They have provided the battleground for thousands of exciting encounters between the world's chess elite, including Garry Kasparov, Vishy Anand, Vladimir Kramnik, Alexei Shirov and Alexander Morozevich. Players of all levels are attracted to the Slav and the Semi-Slav because they are solid, dependable defences that do, however, promise abundant possibilities for dynamic counterplay.

A collection of essays dealing with the history of the Scottish Enlightenment, its connection with the European Enlightenment in general, such major figures as Francis Hutcheson, Thomas Reid, and David Hume, and the making of theScottish identity. A collection of ten specially commissioned essays addressing five themes central to any study of the Scottish Enlightenment: one, the place [both physical and cognitive] of science and medicine in the Scottish Enlightenment; two,the institutionalization of enlightenment in the universities; three, the cultivation of the different branches of "the science of man" in the Scottish Enlightenment; four, the national and international contexts of enlightenmentthought in Scotland; and five, the historiography of the Scottish Enlightenment. Taking up these themes, the editor and contributors explore facets of enlightened culture in Scotland which have not been given their due in the literature, and reassess current interpretations of various aspects of the Scottish Enlightenment specifically and its relation to the European Enlightenment in general. Special emphasis is given to such major Scottish thinkersas Francis Hutcheson, George Campbell, Thomas Reid, and David Hume.